Marcela Donoso
Marcela Donoso Concha (Santiago, Chile; 16 February 1961) is a Chilean painter, belonging to the Magical Realism movement.
Also recorded as Marcela Donoso Concha
Marcela Donoso
- Name
- Marcela Donoso
- Birth Name
- Marcela Andrea Donoso Concha
- Born
- 16 February 1961
- Birthplace
- Concepcion, ChileConcepción, Chile
- Died
- Living
- Field
- Painter
- Training
- University of Chile, School of Art
- Movement
- Magical realism
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Marcela Donoso Concha (Santiago, Chile; 16 February 1961) is a Chilean painter, belonging to the Magical Realism movement.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Marcela Donoso. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q9028543 · wikipedia · Marcela Donoso
In this article
Key facts
Key facts
• Name — Marcela Donoso • Birth Name — Marcela Andrea Donoso Concha • Born — 16 February 1961 • Birthplace — Concepcion, ChileConcepción, Chile • Died — Living • Field — Painter • Training — University of Chile, School of Art • Movement — Magical realism • Works — Iconography of Myths and Legends of Chile, 2002
Biography
Biography
Marcela Donoso was born 16 February 1961, in Santiago, Chile, and is a Chilean. She spent part of her childhood in the United States and Venezuela, returning to Chile in 1970. Between the years 1972 and 1973, she attended the Concepción Steel Artists' Workshop. She studied at the University of Chile School of Art between 1984 and 1988, studying under Adolfo Couve. She ultimately received her degree in art with a specialization in painting and engraving. Donoso lived in Mozambique, Africa between 1989 and 1991, where she studied under the artist Malangatana Ngwenya. She also learned to speak Portuguese and created various works. Among the works created was an iron monument dedicated to the Heroes of Mozambican independence (1990), a mural at the Inhambane airport (1989), and a commemorative mural in a governmental building in the same city. She also participated in an art show for the Mozambique Association of Friendship and Solidarity with the People (AMASP) and a UNICEF Artistic Development Project for child war victims. At the same time, she worked for the organization Handicap International. She returned to Chile and won the Palestinian Women's Union prize in 1992. Her work for that competition was acquired by the Banco Osorno (Bank of Osorno). In 1999, she conducted a series of open workshops in the Sala 508 South in Brasilia, Brazil, under the auspices of the Chilean Embassy. In July 1998 the itinerant exhibition Iconography of Myths and Legends of Chile was inaugurated at the Montecarmelo Cultural Center, which was also presented at the Cultural Center of Puente Alto and at the University of Concepción. Under the patronage of the Ministry of Foreign Affairs in 1999, this same work was exhibited at the Centro Cultural 508 in Brasilia and at the Latin American Memorial in São Paulo, Brazil. Both individual samples. Among the group presentations in Brazil are the Latin American Painting Exhibition at the Latin American Memorial, sponsored by the Consulate of Chile in 2000 and Latin American Religious Art, with part of the work Patronos de Chile and Some Spells at the Academy of Art and Culture of Brazil in March 2001. In the year 2002 publishes the book Iconography of Myths and Legends of America. In April 2010 the exhibition Iconography of Myths and Legends of America was inaugurated in the UDLA, this same work was presented in September of the same year in the Palace of Courts of Justice as Bicentennial Exposition of the Supreme Court of Chile.
Works
Works
• Serie "Iconografía de Mitos y Leyendas de Chile" • Serie "Patronos de Chile y otros conjuros" • película, "El Caleuche"
Exhibitions
Exhibitions
• Universidad de Concepcíón, Chillán, Chile, 1998 • Centro Cultural Montecarmelo, Santiago, Chile, 1998 • Centro Cultural Puente Alto, Chile, 1999 • Centro cultural 508, Brasilia, Brasil, 1999 • Memorial de América Latina, Sao Pablo, Brasil, 1999
Life and career
Dated record
Life and career
The full dated record · 1 entries
1961
Marcela Donoso was born on 16 February 1961.
Books
• Iconografía de Mitos y Leyendas de Chile, 2002, • Pablo, 2008,
Primary material
Documents and archives
authority record
- Wikidata, structured authority record Q9028543: Marcela Donoso
General reference · Wikidata
reference work
- “Marcela Donoso”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority record
Secondary witnessreference work
Secondary witness
People, houses and institutions
Knowledge graph
People, houses and institutions
Teachers, collaborators, publishers and institutions recorded against this person, each on a stated basis.
Associated with
1- magic realismMovement
Established from a fact already recorded on a verified source.
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Within the Encyclopedia. Connected to 1 other published record in the VALÉORINE Encyclopedia.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
Elsewhere in Paintings
18,792 published records in this field, each with its sources named.
- Marcel de CholletArtist
- Marcel LangsamArtist
- Marcel MartíArtist
- Marcel RiederArtist
- Marcela TrujilloArtist
- Marceli HarasimowiczArtist
- Marcelino VespeiraArtist
- Marcell NemesArtist
Best supported in this field
For owners
Own a work by Marcela Donoso?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.