Maïmouna Guerresi
Maïmouna Guerresi (born Patrizia Guerresi; 1951 in Italy) is an Italian-Senegalese multimedia artist working with photography, sculpture, video, and installation. Her work incorporates Afro-Asian themes and symbolism with traditional European iconography.
Also recorded as Patrizia Guerresi
Maïmouna Guerresi

Manuelarosi · CC BY-SA 3.0
- Born
- 1951 · Pove del Grappa.
- Nationality
- Italy
- Occupation
- photographer · video artist · installation artist · sculptor
- Languages
- Italian
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Maïmouna Guerresi (born Patrizia Guerresi; 1951 in Italy) is an Italian-Senegalese multimedia artist working with photography, sculpture, video, and installation. Her work incorporates Afro-Asian themes and symbolism with traditional European iconography.
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Note VALÉORINE
Maïmouna Guerresi (born 1951) is an installation artist, photographer and sculptor, among other activities, of Italian nationality. The installation artist was born in Pove del Grappa.
Languages used include Italian. Works are held at Minneapolis Institute of Art.
Composed from admitted, traceable facts · 26 September 2026
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In this article
Life
Life
Born as Patrizia Guerresi in Italy to a religious Catholic family, in 1991, Guerresi traveled in Africa and converted to Sufi Islam in Senegal. Acknowledging a new identity and new direction for her work, she adopted the name Maïmouna. Guerresi lives and works in Verona and Milan, Italy, New York City and Dakar, Senegal.
Work
Work
Guerresi's work presents an intimate perspective on the spirituality of human beings and their relationship to their inner mystical dimension. West African expressions of Sufism in particular are an inspiration for Guerresi's work. Guerresi's images are delicate narratives with fluid sequencing, and an appreciation of shared humanity beyond borders – psychological, cultural, religious and political. Recurrent metaphors such as milk, light, the hijab, trees, and contrasting white and black create awareness of the vital unifying qualities of Islamic spirituality, while Guerresi's work's embrace of hybrid spirituality and African, Asian, and European cultural ancestry ultimately reflects that of her global approach to both art and life.
Select exhibitions
Select exhibitions
Her work has been extensively exhibited in solo and group shows all over Europe, Africa, the United States, Asia, and the Middle East. Guerresi was invited to participate in the Italian pavilion at the Venice Biennale in 1982-1986-2011 as well as at the 1987 Documenta K18 in Kassel, Germany. More recent museum shows include: Atlanta Contemporary Art Center, USA, 2004; Biennal “Les Rencontres de Bamako” the National Museum of Bamako, Mali, 2009; Central Electrique, Brussels, 2010; Fondation Boghossian, Villa Empain, Brussels, 2011; French Institute, Fez, Morocco, 2011; KIASMA Museum of Contemporary Art, Helsinki, Finland, 2011; National Institute of Design in Ahmedabad, India 2012; Cultural Institute of Islam, Paris, France, 2013; Pole de la Photographie, France; Camhane Art Center, collateral exhibition for the Istanbul Biennal Turkey, 2013; F.A.R Museum in Rimini, Italy, 2013; Biennale Chobi Mela, Dhakka, Bangladesh, 2013; National Museum of Bahrain, UAE, 2014; National Museum of Sharjah, UAE, 2014; Re-signification, Museo Bardini, Florence, 2015; Islamic Art Now, Part II: Contemporary Art from the Middle East, Los Angeles County Museum of Art, Los Angeles, 2016; The Fall: Awa and Adama, Mariane Ibrahim Gallery, Chicago, 2022; Villes Nouvelles and Ancient Shadows / Sebaatou Rijal, Aga Khan Museum and Aga Khan Park, Toronto, 2022; Ruh | Spirito | Roots of Spirituality, KYOTOGRAPHIE, Kyoto, 2023; Being and belonging, Royal Ontario Museum, Toronto 2023; Nur/Luce/, Triggiano, Bari, 2023; A Spiritual and Political Journey, Museo Ettore Fico, Torino, 2023; A WORLD IN COMMON: Contemporary African Photography, Tate Modern, London, 2024. Guerresi participated in the exhibition I Am...Contemporary Women Artists of Africa at the Smithsonian National Museum of African Art from June 2019-April 2022.
Publications
• Guerresi, Maïmouna. Inner Constellations, 2015.
Collections
Collections
The artist's work is found in private and public collections throughout the world including: Smithsonian National Museum of African Art, Washington, D.C.; Los Angeles County Museum of Art; Minneapolis Institute of Art; Hood Museum of Art, Dartmouth College, Hanover, New Hampshire; and the Museum of African Contemporary Art Al Maaden.
Documents and archives
Primary material
Documents and archives
reference work
- “Maïmouna Guerresi”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q18808611: Maïmouna Guerresi
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.The New Yorker. Maïmouna Guerresi’s Mystical Portraiture. 18 September 2015.
- 2.Tasveer Gallery - Maïmouna Guerresi | Maïmouna Guerresi Photographer | Maïmouna Guerresi Photography & Images. tasveerarts.com. 2015.
- 3.Behiery, Valerie. ‘The Mystic Black Body’, Photographs by Maïmouna Guerresi - Magazine | Islamic Arts Magazine. islamicartsmagazine.com. 2015.
- 4.The Sufi Frida Kahlo | IMOW Muslima. muslima.imow.org. 2015.
- 5.Maimouna Guerresi. Global Archive Photography.
- 6.1-54 Maïmouna Guerresi. 1-54.com. 2015.
- 7.nymag.com. Mystical Portraits, From Africa to Italy. 19 October 2015.
- 8.ROM. Being and belonging: contemporary women artists from the Islamic world and beyond. 2023. 978-0-300-27509-4.
- 9.Smithsonian National Museum of African Art collection search.
- 10.Los Angeles County Museum of Art collection search.
- 11.Minneapolis Institute of Art collection search.
- 12.Hood Museum of Art, Dartmouth College object record.
- 13.EXHIBITIONS – Maimouna Guerresi.
- 14.I Am. . .Contemporary Women Artists of Africa.
References
Citations
References
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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