Lyudmila Ulitskaya

Lyudmila Ulitskaya studied at MSU Faculty of Biology. The recorded working language is Russian. Vladimir Nabokov is recorded as an influence. Works named in the authority record are Yakov's Ladder, The Big Green Tent, Russian Jam, Daniel Stein, Interpreter, Women's Lies and The Kukotsky Enigma. Distinctions recorded are Chevalier des Arts et des Lettres, Knight of the French Order of Academic Palms, Simone de Beauvoir Prize and Alexander Men Prize.

• Name — Lyudmila Ulitskaya • Born — 21 February 1943 • Birthplace — Davlekanovo, Russian SFSR, Soviet Union • Genre — Fiction, script writing • Movement — Aestheticism • Spouse — Andrej Krasulin • Website — elkost.com/authors/ulitskaya • Notable Works — Sonechka "The Big Green Tent" "Jacob's Ladder" The Funeral Party Medea and Her Children Daniel Stein, Interpreter “Just the Plague” • Education — Moscow State University

Ulitskaya was born in the town of Davlekanovo in Bashkiria but her family moved to Moscow when she was nine months old. In Moscow, her family lived in communal apartments with many other families. After childhood, she received a degree in genetics from the Moscow State University. After university, she worked for two years at the Institute of General Genetics, before she was fired in 1970 for reading and distributing samizdat literature. After this, she didn't work for about nine years. In this time she was married and then had two kids. Then Ulitskaya began her literary career by joining the Jewish drama theatre as a literary consultant in 1979. She became the Repertory Director of the Hebrew Theatre of Moscow. Her first published short fiction appeared in 1990. The story of her acclaimed novel Sonechka was first published in Novy Mir in 1992. In 1993, she published her first novel with Gallimard in France. Her first novel in Russian was published in 1994. Until 2022, Ulitskaya divided her time between Moscow and Israel. Since 2022, Ulitskaya resides in Berlin, Germany.

• Illustration — Ulitskaya's third and current husband, Soviet and Russian sculptor Andrey Nikolaevich Krasulin (b. 1934) in July 2014 Ulitskaya's parents were both involved in science: her mother was a biochemist and her father was an engineer. She was engaged to an American man who died in a car accident before they were married. Throughout her life, she has learned German, French, and English, but has said herself that she doesn't know any of them well. She has mentioned that she tends to work in Italy, at an apartment she owns, but she lived in Moscow until 2022. Lyudmila Ulitskaya has married three times. Her first husband is Yuri Taits. Her second husband is Mikhail Evgeniev, a geneticist and Doctor of Biological Sciences. She had two sons with Evgeniev: Aleksey (born 1972; businessman) and Pyotr (born 1975; jazz musician), one of whom graduated from Columbia University. As of 2024, she is married to the sculptor Andrey Krasulin.

In her fiction, Ulitskaya seemingly describes and observes her characters at an equal distance from each one. Rather than going in for character development or delving into the tortured workings of her characters’ psyches otherwise perceived as the hallmark of Russian writing, Ulitskaya favors capsule descriptions, though she acknowledges that her characters are tortured. Generally speaking, she makes little use of dialogue. Masha Gessen, in her tribute article in The New Yorker in October 2014, finds that Ulitskaya's writing makes for compelling, addictive reading. Gessen reports that she was driven entirely by the desire to learn what happens next.

Among her interlinked themes are: the need for religious and racial tolerance; the problem of the intelligentsia in Soviet culture; how women shape new gender roles in society; and everyday life as a literary subject.

• Illustration — Lyudmila Ulitskaya on Bolotnaya Square in Moscow in February 2012 Ulitskaya authored two movie scripts produced in the early 1990s: The Liberty Sisters (Сестрички Либерти, 1990) and A Woman for All (Женщина для всех, 1991). She regularly publishes commentary on social issues and is actively involved in philanthropic projects increasing access to literature. In March 2014 Ulitskaya was among the key speakers at the Moscow Anti-War demonstration.

Because Ulitskaya addresses both religion and politics in her work, she has moved to the forefront of the Russian political debate in recent decades. In 2011 and 2012, during the height of the anti-Putin protests in Russia, she became a board member for the League of Voters. She was also considered a traitor by the administration and was the subject of negative statements in state-owned outlets, such as Isvestia. She is firmly anti-Putin; at a press conference for her book The Big Green Tent (Зелёный шатёр, 2010), she remarked that the country was becoming "Stalinized," something that gave her "a whiff of fear." However, she is very against the idea of Moscow being a cultural part of Europe, unlike other anti-Putin dissidents such as Alexei Navalny. While Mikhail Khodorkovsky, a Russian billionaire jailed on fraud charges, was incarcerated, he and Ulitskaya wrote each other letters. Ulitskaya maintains that the charges against him were politically motivated and thus "absurd." Their correspondence was published in a collection titled Mikhail Khodorkovsky: Articles, Dialogues, Interviews along with contributions from other writers such as Boris Strugatsky and Boris Akunin. On the second day of the Russian war against Ukraine in 2022, Novaya Gazeta published a statement by Ulitskaya, Pain. Fear. Shame., strongly condemning the war. She was also among the signatories of an appeal by eminent writers to all Russian speakers to spread the truth about the war inside Russia. Since March 2022, she has been living in Berlin.

• Sonechka (Сонечка, 1995) • Medea and Her Children (Медея и её дети, 1996) • The Funeral Party (Весёлые похороны, 1997) • The Kukotsky Enigma (Казус Кукоцкого, 2001) • Women's Lies (Сквозная линия (Through Line), 2003) • Sincerely Yours, Shurik (Искренне ваш Шурик, 2003) • The People of Our Tsar (Люди нашего царя, Moscow, 2005) • Daniel Stein, Interpreter (Даниэль Штайн, переводчик, Moscow, 2006), a greatly fictionalized story of Oswald Rufeisen • Imago / The Big Green Tent (Зелёный шатёр, 2010) • Tomorrow There Will Be Happiness (Детство 45-53. А завтра будет счастье, 2013) • Yakov's Ladder (Лестница Якова, 2015)

• "The Fugitive" published in The New Yorker (2014) • "The Autopsy" published in The New Yorker (2023)

• Russian Jam and Other Plays (Русское варенье и другое, Moscow, 2005) • Just the Plague (English translation; 1988, 2020)

The authorities additionally record the heading Lyudmila Evgenyevna Ulitskaya. Her recorded language was Russian. She was the child of Evgeny Yakovlevich Ulitsky. She married Andrey Krasulin. Other recorded relations include Yakov Ulitsky.

• Poor Relatives (Бедные родственники, 1993) • Girls (Девочки, 2002) • Childhood Forty-Nine (Детство сорок девять, 2003) • The Queen of Spades (Первые и последние; Literal translation: First and Last ', 2004) • The Story about Ignatius the Cat, Fedya the Chimney-Sweep, and the Lonely Mouse (История про кота Игнасия, трубочиста Федю и Одинокую Мышь, 2004) • The Story about old Kulebyakin, Mila the Whining Horse, and her Colt Ravki (История о старике Кулебякине, плаксивой кобыле Миле и жеребёнке Равкине, 2004) • The Story about Antwerpen the Sparrow, Mikheev the Cat, the Aloe Vasya and the centipede Marya Semyonovna with her family (История про воробья Антверпена, кота Михеева, столетника Васю и сороконожку Марью Семёновну с семьёй, 2005) • Discarded Relics (Священный мусор, 2012) • The Body of the Soul (О теле души, 2019) • Paper Theatre: Non-Prose (Бумажный театр: непроза, 2020)