Luis Jiménez Aranda

Luis Jiménez Aranda studied at Royal Academy of Fine Arts of Saint Isabel of Hungary. Training under Eduardo Cano is recorded. The recorded working language is Spanish. The field of work recorded is painting. Subjects and genres recorded for the work are portrait and social realism. Places of work recorded in the authority are France. Work by Luis Jiménez Aranda is recorded in the collections of Museo del Prado, Meadows Museum, New York Historical, Museo de Bellas Artes de Sevilla and Wallraf–Richartz Museum.

His first art lessons came from his older brother, José, followed by classes at the Real Academia de Bellas Artes de Santa Isabel de Hungría under the direction of Eduardo Cano and Antonio Cabral Bejarano. In 1868, thanks to a four year stipend from a wealthy patron, he went to Rome to see the Old Masters and complete his studies with Marià Fortuny. In return, he had to send back a painting every year. He remained there after his stipend expired, until 1874, sharing a home with his friends, José Villegas Cordero and Francisco Peralta del Campo. They also took classes together from Eduardo Rosales. At that time, he and his Italian wife Lucia moved to Paris and made the acquaintance of the art dealer, Adolphe Goupil. Two years later, he moved to Pontoise, possibly after going there to meet Camille Pissarro. He would stay there the rest of his life, becoming a naturalized citizen of France in 1877. In the 1880s, he began painting en plein aire in the surrounding countryside. He participated in exhibits at the Salon and received recognition at the Exposition Universelle (1889). He also had a major showing at the World's Columbian Exposition (1893) in Chicago. He was a regular participant in the Spain's National Exhibition of Fine Arts, even after settling in France. In 1864, he was given honorable mention there for a depiction of Christopher Columbus presenting his case to Queen Isabella and King Ferdinand, and first prize in 1892 for The Doctor's Visit. He also acted as a sort of correspondent for the Spanish magazine La Ilustración Española y Americana, providing images and commentary on life in France. When the Spanish landscape painter Emilio Sánchez Perrier came to France to study the Barbizon School, Jiménez shared studio and exhibit space with him. Jiménez himself was influenced by the Barbizon style and would come to favor it in his later years.