Louis Désiré Blanquart-Evrard
Louis Désiré Blanquart-Evrard (2 August 1802 – 28 April 1872) was a French inventor, photographer and photo publisher. Being a cloth merchant by trade, in the 1840s he developed interest in photography and focused on technical and economical issues of mass production of photo prints.
Also recorded as Louis Desire Blanquart-Evrard · Louis-Désiré Blanquart-Evrard · Louis-Desire Blanquart-Evrard
Louis Désiré Blanquart-Evrard

Louis Désiré Blanquart-Evrard · Bibliothèque nationale de France · Public domain
- Name
- Louis Désiré Blanquart-Evrard
- Born
- 2 August 1802
- Birthplace
- Lille, France
- Died
- 28 April 1872
- Known for
- Albumen printing
- Nationality
- France
- Occupation
- photographer · printer · chemist
- Honours
- Knight of the Legion of Honour
- Languages
- French
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Louis Désiré Blanquart-Evrard (2 August 1802 – 28 April 1872) was a French inventor, photographer and photo publisher. Being a cloth merchant by trade, in the 1840s he developed interest in photography and focused on technical and economical issues of mass production of photo prints.
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wikidata · Q456697 · wikipedia · Louis Désiré Blanquart-Evrard
In this article
Biography
Biography
The recorded working language is French. Employment is recorded with École Centrale de Lille. Work by Louis Désiré Blanquart-Evrard is recorded in the collections of Museo del Prado, Art Institute of Chicago, The Nelson-Atkins Museum of Art, National Gallery of Canada and Ackland Art Museum. Distinctions recorded are Knight of the Legion of Honour.

Grave of Louis-Désiré Blanquart-Evrard, in the Cimetière de l'Est in Lille.
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Key facts
Key facts
• Name — Louis Désiré Blanquart-Evrard • Born — 2 August 1802 • Birthplace — Lille, France • Died — 28 April 1872 • Place of death — Lille, France • Known for — Albumen printing
Biography
Biography
He was born and raised in Lille where he studied chemistry with Charles Frédéric Kuhlmann and miniature painting on porcelain. After Louis Daguerre solved the problem of long exposure time and introduced the daguerreotype, a practical photographic process, to the general public in 1839, Blanquart-Evrard developed interest in photography. He studied the calotype, salt-print negative process, and in 1847 became the first person to publish on negative/positive paper photo process in France. He developed a method of bathing the paper in solutions of potassium iodide and silver nitrate rather than brushing these chemical baths on the surface. In January 1847, he presented his research on stabilizing the photo prints by floating them in the silver solution to the French Academy of Sciences.
Recognition
Recognition
In 1860s, Blanquart-Evrard published several influential essays and books, including, On the intervention of art in photography and La photographie: ses origines, ses progrès, ses transformations where he described the first three decades of the progress of photography and formulated important for the future development of photography as a fine art theoretical and aesthetic ideas. He is now considered as a major figure of the 1850s, a golden decade in the development of photography.
Imprimerie Photographique
• Illustration — Three-color carbon print of botanical specimens by Blanquart-Evrard, 1871. In 1850, he developed and introduced the albumen paper printing technique, which became the staple process of the soon to be popular carte de visite type of photo prints. In September 1851 in Lille, France, with Hippolyte Fockedey, he started the Imprimerie Photographique de Lille, which was the first large scale printing company to employ a large number of employees. Blanquart-Évrard introduced to public the work of many pioneering European photographers, such as Édouard Loydreau (1820–1905), Charles Marville (1813–1879), Ernest Benecke (1817–1894), Thomas Sutton (1819–1875), and Maxime Du Camp (1822–1894). In the 1850s he became known for publishing John Stewart's views of the Pyrenees and Auguste Saltzmann's views of Jerusalem. However, the calotype process that he adopted and improved had the disadvantage of leaving a blank white sky and dark foreground, which led to artist manipulating and using multiple negatives to add clouds to the sky and make the foreground more distinct. The problem with these manipulations was that often the clouds were taken in the morning and the foreground was taken in the afternoon. Also, due to technology deficiency, photo prints were fading with time and Blanquart-Evrard's business venture had to close in 1855, losing in competition with lithographs. Towards the end of his life, Blanquart-Evrard collaborated in color printing with Louis Ducos Du Hauron. A three-color carbon print of botanical specimens produced by Blanquart-Evrard in 1871 has survived.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Lance Day & Ian McNeil, (eds.). Biographical Dictionary of the History of Technology, 1995.
- 2.Encyclopedia of nineteenth-century photography: A-I, Volume 1, edited by John Hannavy. New York: Taylor & Francis, 2007, pp. 167–168.
- 3.Salted Paper, Blanquart-Evrard process
- 4.Photomechanical plates in La photographie, ses origines, ses progrès, ses transformations, David A. Hanson Collection of the History of Photomechanical Reproduction
- 5.Louis-desire Blanquart-evrard (1802–1872) Artwork Images, Exhibitions, Reviews
- 6.Solbert. Blanquart Evrard. Image. International Museum of Photography at George Eastman House Inc. 1. 3. March 1952.
- 7.Hanson, David. Edward Bierstadt: color photography and color printing. The American Printing History Association. 4. 2013.
- 8.Blanquart-Evrard. On the Intervention of Art in Photography: With an Introduction by Thomas Sutton, Translated from the French by Alfred Harral. London: Sampson Low, Son & Co, 1864.
- 9.Blanquart-Evrard. La photographie: ses origines, ses progrès, ses transformations. Lille: Imprimerie L. Danel, 1870.
Bibliography printed in the source article · 2
- Louis-Désiré Blanquart-Evrard, Traité de photographie sur papier, Librairie encyclopédique Roret, 1851
- Louis-Désiré Blanquart Evrard, Intervention de l'art dans la photographie, Leiber, 1864
References
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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