Élisabeth Sonrel
Elisabeth Sonrel (1874 – 1953) was a French painter and illustrator in the Art Nouveau style. Her works included allegorical subjects, mysticism, symbolism, portraits, and landscapes. • Illustration — Virgin And Child, Between Saint Geneviève And Joan Of Arc, 1916 Born in Tours, she was the daughter of painter Nicolas Stéphane Sonrel, who was also her first teacher. For further study she went on to Paris as a student of Jules Lefebvre at the Ecole des Beaux-Arts.
Also recorded as Elisabeth Sonrel
Élisabeth Sonrel

Élisabeth Sonrel · Public domain
- Born
- 1874
- Died
- 1953
- Nationality
- France
- Occupation
- painter · illustrator
- Movements
- Art Nouveau
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Elisabeth Sonrel (1874 – 1953) was a French painter and illustrator in the Art Nouveau style. Her works included allegorical subjects, mysticism, symbolism, portraits, and landscapes. • Illustration — Virgin And Child, Between Saint Geneviève And Joan Of Arc, 1916 Born in Tours, she was the daughter of painter Nicolas Stéphane Sonrel, who was also her first teacher. For further study she went on to Paris as a student of Jules Lefebvre at the Ecole des Beaux-Arts.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Élisabeth Sonrel. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
Documentary evidence
Documentary basis
Authority files
wikidata · Q4428845 · wikipedia · Élisabeth Sonrel
In this article
Gallery
Gallery
In 1892 she painted her diploma work, Pax et Labor, which was to be displayed at the Musée des Beaux-Arts de Tours. From then on she exhibited at the Salon des Artistes Français between 1893 and 1941, her signature pieces being large watercolors in a Pre-Raphaelite manner, which she adopted after a trip to Florence and Rome, discovering the Renaissance painters – some of her work having clear overtones of Botticelli. Her paintings were often inspired by Arthurian romance, Dante Alighieri's 'Divine Comedy' and 'La Vita Nuova', biblical themes, and medieval legends. Her mystical works include 'Ames errantes' (Salon of 1894) and 'Les Esprits de l’abime' (Salon of 1899) and 'Jeune femme a la tapisserie'. • Illustration — Young Woman with a Headdress (a cornette), 1904 At the Exposition Universelle of 1900, the primary theme of which was Art Nouveau, her 1895 painting 'Le Sommeil de la Vierge' (Sleep of the Virgin), was awarded a bronze medal, and the Henri Lehmann prize of 3000 francs by L'académie des Beaux-Arts. From 1900 onwards she confined her painting to portraits, scenic Brittany landscapes, and the occasional flower study. She made regular painting trips to Brittany, inspired by the forest of Brocéliande, and from 1910 to various places on the coast such as Concarneau, Plougastel, Pont-l'Abbé and Loctudy, often staying at inns and accompanied by one or two students. She painted several works in Le Faouët before constructing a villa in La Baule in the 1930s. Working mainly in watercolour and gouache, she discovered a ready supply of models among young girls in the area, and found Bretons generally to be friendly, honest and self-confident. Her final exhibit at the Salon was in 1941 at the age of 67. There is also a record of her having exhibited at Liverpool. In her early years Sonrel produced posters, postcards and illustrations, in Art Nouveau style. She died in Sceaux, Hauts-de-Seine in 1953.
• Illustration — Young Woman with Hydrangeas • Illustration — Young girl in yellow • Illustration — Les Rameaux (Palm Sunday), 1897 • Illustration — A young lady • Illustration — Our Lady of the Cow Parsley., 1923 • Illustration — Catherine La Rose
Identity and origins
Identity and origins
Élisabeth Sonrel was recorded at birth as Élisa Marie Stéphanie Adrienne Sonrel. The authorities additionally record the heading Elisabeth Sonrel. Her recorded language was French. She was the child of Nicolas Stephane Sonrel and Marie Élisa Gillet.

A young lady
Élisabeth Sonrel

Béatrice Portinari, oil on canvas 65 x 54 cm
Élisabeth Sonrel
Life and career
Dated record
Life and career
The full dated record · 2 entries
1874
Élisabeth Sonrel was born in 1874.
1953
Élisabeth Sonrel died at Sceaux.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Gérald Schurr et Pierre Cabanne, "Dictionnaire des Petits Maîtres de la peinture, 1820-1920". Editions de l’Amateur. Volume II, page 422-423
- 2.Catherine Renoir. Elisabeth Sonrel.
- 3.texte, Groupe Bayard. Auteur du. La Croix. Gallica. 18 June 1895.
- 4.Le Studio T. Elisabeth Sonrel / Peinture / Culture bretonne / Bretagne.com - Tourisme et Loisirs en Bretagne.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Wikidata, structured authority record Q4428845: Élisabeth SonrelWikimedia Foundation
Secondary witnessreference work
Secondary witness
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Formation and teaching. Élisabeth Sonrel studied at Académie Julian. She trained under Jules Lefebvre. Her recorded influences include Sandro Botticelli and Pre-Raphaelite Brotherhood.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Illustration
5,224 published records in this field, each with its sources named.
- Eliran KantorIllustrator
- Elisabeth Hallowell SaundersIllustrator
- Elisabeth MacIntyreIllustrator
- Elisabeth PauliIllustrator
- Elise GravelIllustrator
- Elise PrimaveraIllustrator
- Elisha CooperIllustrator
- Eliza TurckIllustrator
Best supported in this field
For owners
Own a work by Élisabeth Sonrel?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.