Lisa Milne
Lisa Milne (born 22 April 1971 in Aberdeen) is a Scottish soprano described by the BBC as "one of RSAMD's best-known alumni", who was among the first artists to be invited to the BBC Radio 3 New Generation Artists scheme in 1999–2001. Known for her work as a member of the King's Consort and her recordings with Roger Vignoles, Iain Burnside, Malcolm Martineau, and others. She has performed at the Edinburgh Festival and the BBC Proms.
Lisa Milne
- Born
- 1971 · Aberdeen.
- Nationality
- United Kingdom
- Occupation
- singer · musician
- Education
- Royal Conservatoire of Scotland · Harlaw Academy
- Honours
- Royal Philharmonic Society Award (Young Artist)
- Languages
- English
Reference Check
Propose documentary evidence for Lisa Milne. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q1422675 · wikipedia · Lisa Milne
VALÉORINE Encyclopedia
The documentary record
Statements marked “Documentary record” are set in the article beside the passage they confirm. Each is read from the authority records of the institutions named here; select “Prove” to see the record it was read from, where in that record, and when.
Institutions cited
Bibliothèque nationale de France · Deutsche Nationalbibliothek
Complete reading chain (JSON)In this article
Biography
The Scottish soprano Lisa Milne studied at the Royal Scottish Academy of Music and Drama. She was awarded an MBE in the Queen's Birthday Honours in 2005. She was also awarded honorary doctorates by the University of Aberdeen and Robert Gordon's University. A renowned recitalist, she has appeared at Edinburgh and City of London festivals, London's Wigmore Hall. She is regularly partnered by Malcolm Martineau with whom she has performed and recorded a variety of repertoire. In opera, her appearances have included Pamina (Die Zauberflöte) and Susanna (Le nozze di Figaro) at the Metropolitan Opera, New York, and Pamina, Marzelline (Fidelio), Micäela (Carmen) and the title roles in Rodelinda and Theodora at the Glyndebourne Festival. Her many roles at the English National Opera have included Contessa (Le nozze di Figaro), the title role in Alcina, and Anne Trulove (The Rake's Progress). At the Welsh National Opera, she created the role of Sian in the world premiere of James MacMillan's opera The Sacrifice. Highlights have included appearances with the Boston Symphony Orchestra and Levine, the Berlin Philharmonic with Rattle, the Rotterdam Philharmonic Orchestra with Gergiev, the Dresden Staatskapelle with Ticciati, the Seoul Philharmonic Orchestra with Chung, the London Philharmonic Orchestra with Jurowski, the Budapest Festival Orchestra with Fischer and the New York and Vienna Philharmonic Orchestras with Harding. Lisa also sang in concert with Jose Carreras at the reopening of The Usher Hall, Edinburgh with the BBC SSO and again with Carerras at The Royal Albert Hall. She has recorded the songs of Marjory Kennedy Fraser, as well as Vivaldi and Handel with The King's Consort for Hyperion, Idomeneo and La Clemenza di Tito under Mackerras, French Song with Iain Burnside, and Poulenc and Debussy with Martineau. She also played The Governess in the award-winning BBC film 'Turn of the Screw' by Britten directed by Katie Mitchell (2005 Opus Arte) which won Winner Best Fiction Film – Vienna TV and Micaela on the Glyndebourne DVD of 'Carmen' directed by Sir David MacVicar. Lisa currently teaches at the Aberdeen City Music School
Documentary record
Lisa Milne, a singer, soprano and musician, was born in 1971 in Aberdeen. The birth is recorded by the Bibliothèque nationale de France and the Deutsche Nationalbibliothek.
Lisa Milne studied at Royal Conservatoire of Scotland and Harlaw Academy. The recorded working language is English. Distinctions recorded are Royal Philharmonic Society Award (Young Artist).
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Lisa Milne, revision 1311692412 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
People, houses and institutions
Knowledge graph
People, houses and institutions
Teachers, collaborators, publishers and institutions recorded against this person, each on a stated basis.
Studied at
2- Harlaw AcademyOrganisation
Established from a fact already recorded on a verified source.
- Royal Conservatoire of ScotlandOrganisation
Established from a fact already recorded on a verified source.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 24 August 2026.
Elsewhere in Music memorabilia
44,023 published records in this field, each with its sources named.
- Lisa LoebPerson
- Lisa LopesPerson
- Lisa MPerson
- Lisa Marie PresleyPerson
- Lisa MiskovskyPerson
- Lisa MitchellPerson
- Lisa NilssonPerson
- Lisa OrigliassoPerson
Best supported in this field
For owners
Own a work by Lisa Milne?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.