Liliana Porter
Liliana Porter (born 1941) is an Argentine contemporary artist working in a wide variety of media, including photography, printmaking, painting, drawing, installation, video, theater, and public art.
Liliana Porter

Embajada de EEUU en la Argentina · 6 · CC BY 2.0
- Name
- Liliana Porter
- Born
- 1941
- Birthplace
- Buenos Aires, Argentina
- Education
- Escuela Nacional de Bellas Artes
- Known for
- Photography Printmaking Mixed media Installation art Video art
- Nationality
- Argentina · United States
- Occupation
- artist · painter · university teacher · illustrator · television producer · graphic artist · installation artist · video artist · photographer · printmaker
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Documentary summary
Liliana Porter (born 1941) is an Argentine contemporary artist working in a wide variety of media, including photography, printmaking, painting, drawing, installation, video, theater, and public art.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
Liliana Porter (born 1941) is an artist, graphic artist and illustrator, among other activities, of Argentine and American nationality. The artist was born in Buenos Aires.
Liliana Porter was educated at Ibero-American University. The artist worked for Queens College and is a member of Liliana Porter and Ana Tiscornia and National Academy of Fine Arts (Argentina).
Among the works is Alice: The Way Out. Languages used include Spanish. Honours include Guggenheim Fellowship and New York Foundation for the Arts.
Composed from admitted, traceable facts · 27 September 2026
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Documentary evidence
Documentary basis
Authority files
wikidata · Q528501 · wikipedia · Liliana Porter
In this article
Key facts
Key facts
• Name — Liliana Porter • Born — 1941 • Birthplace — Buenos Aires, Argentina • Education — Escuela Nacional de Bellas Artes • Known for — Photography Printmaking Mixed media Installation art Video art • Website — lilianaporter.com
Artwork
Artwork
• Illustration — 50th Street (IRT Broadway–Seventh Avenue Line) Porter's work often focuses on themes of simulacrum, mass reproduction, entropy, and boundaries between image and reality. She cites Luis Felipe Noe, Giorgio Morandi, Roy Lichtenstein, the Arte Povera group, and the Guerrilla Girls as influences on her work. She has exhibited internationally, and currently lives and works in New York. • Illustration — Scarborough Train Station (2) She has twice created work for the MTA of New York City's Arts for Transit and Urban Design program—a program dedicated to creating public art for New York City Subway stations. In 1994, Porter created the mosaic series Alice: The Way Out, featuring imagery inspired by Lewis Carroll's Alice in Wonderland for the 50th Street subway station. In 2012, she collaborated with Uruguayan artist Anna Tiscornia to create Untitled With Sky, a glass windscreen and glass mosaic seating for the Scarborough station. Porter and Tiscornia are continuing their collaboration and will exhibit their new work in January 2013 at the Galería del Paseo in Montevideo, Uruguay. In 2018, the Pérez Art Museum Miami, presented a major solo project by Porter. The site specific installation El hombre con el hacha y otras situaciones breves (2014/2017) comprised nearly one hundred individual sculptural pieces and fragments relating the artist's signature language, themes, and characters including elements first presented in Liliana Porter's 2017 Venice Biennale project for the Argentina pavilion.
Life and career
Dated record
Life and career
The full dated record · 1 entries
1941
Liliana Porter born at Buenos Aires.
Publications
* * *
Education and teaching experience
Porter was born in Buenos Aires, Argentina in 1941, lives and works in New York. As a teenager, she attended the Universidad Iberoamericana in Mexico City, Mexico, where she studied under Guillermo Silva Santamaria and Mathias Goeritz. She returned to Argentina and completed her training at the Escuela Nacional de Bellas Artes in Buenos Aires. In 1964, she moved to New York City, where she co-founded the New York Graphic Workshop with fellow artists Luis Camnitzer and José Guillermo Castillo. In 1974 she was a co-founder and etching instructor at Studio Camnitzer, an artist's residence studio near Lucca, Italy that welcomes artists working in all media. After holding teaching positions at the Porter-Wiener Studio, the Printmaking Workshop, SUNY Purchase and State University of New York at Old Westbury, Porter became a professor at Queens College, City University of New York in 1991 and remained there until 2007.
Permanent collections
Permanent collections
Porter's work has been featured in the collections of the Museum of Contemporary Art San Diego, Museum of Modern Art New York, TATE Modern (London), Whitney Museum of American Art, Museo Tamayo (Mexico), Museo Nacional de Bellas Artes (Buenos Aires), The Metropolitan Museum of Art (New York), Boston Museum of Fine Art, Smithsonian Institution (Washington D.C.), Pérez Art Museum Miami, Museo de Bellas Artes (Santiago, Chile), El Museo del Barrio (New York), Museo de Arte Moderno de Bogotá, (Bogotá, Colombia) and more.
Documents and archives
Primary material
Documents and archives
Institutional database
- Wikidata, structured authority record Q528501: Liliana Porter
Scholarly · Wikimedia Foundation
reference work
- “Liliana Porter”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Awards
• Guggenheim Fellowship (1980) • The New York Foundation for the Arts Fellowship (1985, 1996, 1999) • NEA Mid-Atlantic Regional Fellowship (1994) • Professional Staff Congress-CUNY Research Award (awarded seven times between 1994 and 2004) • Platinum Konex Award in Mixed Technics (2002), Konex Foundation • Merit Diploma Konex Award (1992 and 2012), Konex Foundation
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Orosz, Demian. La historia sin fin de Liliana Porter. Vos Argentina. 6 August 2016.
- 2.Porter, Liliana. Liliana Porter. lilianaporter.com.
- 3.Giunta, Andrea. A Conversation with Liliana Porter and Luis Camnitzer. Blanton Museum of Art. 2009.
- 4.Tamarind Intstitute. Liliana Porter Bio.
- 5.Blanton Museum. Liliana Porter. The New York Graphic Workshop: 1964–1970.
- 6.History of the Studio. Studio Camnitzer.
- 7.Barbara Krakow Gallery. Liliana Porter Biography. Artists.
- 8.Bio. Liliana Porter.
- 9.Hosfelt Gallery. Artists – LILIANA PORTER.
- 10.Gainza, Maria. Liliana Porter: Centro Cultural Recoleta. Artforum International. March 2004.
- 11.Bazzano-Nelson, Florencia. Liliana Porter and the art of simulation. Ashgate. 7–10. 2008. 9780754664659.
- 12.Tintori, Valentina. Liliana Porter Interview. The Latin American Art Journal.
- 13.Arts for Transit and Urban Design. MTA.Info.
- 14.Biography and CV. Anna Tiscornia.
- 15.Arts for Transit and Urban Design. MTA.info.
- 16.Pérez Art Museum Miami Presents Present Liliana Porter's Most Ambitious Installation to Date Art & Object. www.artandobject.com.
- 17.El hombre con el hacha y otras situaciones breves – Venecia (Man with an Axe and Other Brief Situations – Venice 2017) • Pérez Art Museum Miami. Pérez Art Museum Miami.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
Institutional database
Wikidata, structured authority record Q528501: Liliana PorterWikimedia Foundation
Institutional witnessreference work
Secondary witness
Further particulars
Held on the record
Further particulars
Open the remaining particulars
She was employed by Queens College. She belonged to National Academy of Fine Arts (Argentina) and Liliana Porter and Ana Tiscornia. She worked at Buenos Aires, Mexico City and New York City. Porter received Guggenheim Fellowship and New York Foundation for the Arts.
Career and activity
Recognition and collections
Work by Liliana Porter is
Museo Nacional Centro de Arte Reina Sofía, Tate, Museum of Modern Art and Metropolitan Museum of Art
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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