Lidia Zavadsky
Lidia Zavadsky (1937 – November 8, 2001) was an Israeli visual artist. Her work mainly focused on ceramic sculpture. She was head of the ceramics department at Bezalel Academy of Art.
Lidia Zavadsky

לידיה זבצקי, קרמיקאית ישראלית, נולדה בפולין, 1937-2002. · User:talmoryair, 2012-08-14 · CC BY-SA 3.0
- Born
- 1937
- Birthplace
- Drohobycz, Poland
- Died
- 8 November 2001
- Place of death
- Jerusalem, Israel
- Known for
- Ceramic design
- Name
- Lidia Zavadsky לידיה זבצקי
- Nationality
- Israel
- Occupation
- sculptor · ceramicist
- Fields
- pottery · ceramic art
- Education
- Bezalel Academy of Art and Design · European Ceramics Work Center
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Lidia Zavadsky (1937 – November 8, 2001) was an Israeli visual artist. Her work mainly focused on ceramic sculpture. She was head of the ceramics department at Bezalel Academy of Art.
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Authority files
wikidata · Q12408672 · wikipedia · Lidia Zavadsky
In this article
Biography
Biography
She was a Holocaust survivor.
פסל
לידיה זבצקי, קרמיקאית ישראלית, נולדה בפולין, 1937-2002. · User:talmoryair, 2012-08-14
![לידיה זבצקי, ללא כותרת, ראשית שנות ה-70 של המאה ה-20[?], אבנית, גובה 37 ס"מ](https://upload.wikimedia.org/wikipedia/commons/thumb/8/88/1974_crafts_of_israel015-5.jpg/800px-1974_crafts_of_israel015-5.jpg)
לידיה זבצקי, ללא כותרת, ראשית שנות ה-70 של המאה ה-20[?], אבנית, גובה 37 ס"מ
Ruth Dayan, Wilburt Feinberg, Crafts of Israel, Macmillan, 1974
Key facts
Key facts
• Born — 1937 • Birthplace — Drohobycz, Poland • Died — 8 November 2001 • Place of death — Jerusalem, Israel • Known for — Ceramic design • Name — Lidia Zavadsky לידיה זבצקי
Early life
Early life
Lidia Zavadsky (originally Felicia Schindler) was born in 1937 in Drohobycz, Poland (today Drohobych, Ukraine). When she was 2 years old her father was exiled to Siberia and later was recruited to the Red Army and his traces were lost. After the Nazi invasion she stayed with her mother in the Drohobycz ghetto. After the end of the ghetto they hid in a cellar for two years. Towards the end of World War II they were taken to Wrocław, Poland. There her mother remarried and gave birth to her half-brother in 1946. In 1958 her family immigrated to Israel while she stayed in Poland. She graduated in law studies at the University of Wrocław. After graduation she joined her family in 1961. In Israel she found difficulties in adapting and could not use her academic skills for employment. As a result, she worked in cleaning and soon felt discontented, turning to the Polish embassy to ask for a permit to return. There she met a young man Pyotr who came with the same purpose. They found support in each other and decided to stay in Israel and start a new career in art studies at the Bezalel Academy. Due to the lack of a sculpture studies department at Bezalel Academy, she opted to study in the ceramics department instead. During those days the department was focused on pottery. She supported her studies through cleaning the department's works, as well as restoring pottery at archaeological digs. In 1966 her elder daughter was born followed by her son in 1977.
Career
Career
She excelled in her studies and after graduation she joined the department in 1965. In 1982 she was invited as guest lecturer for McGregor Art School at Toowoomba, In 1981 she published a book about Rakou techniques and working processes. She was later appointed professor at Bezalel Academy. In the same year she was guest lecturer for a series of workshops in Canada. In 1987 she was nominated to be the head of the ceramics department. During her years in Bezalel she transformed the department of ceramics from a department of pottery into an advocate of ceramic sculpture. Her art was characterized by deep intellectual curiosity and neverending experimentation with techniques, materials and ways of expression. She studied ancient traditional Chinese glazing methods of the Tang Dynasty in China and applied them to her art while creating human size jars in bright colors derived from lead. She won numerous grants and awards, among them the Sandberg Prize (1992). It was the first time ever that this prize was awarded to an artist in the ceramics medium. This prize enabled her to start her research and experimentation with ancient traditional Chinese glazes. Her last monumental work was a life-size realist sculpture in the image of a bright green donkey. it was displayed at the first Biennial of ceramics in Haaretz Museum and later she gifted it to the museum. This image was inspired by a donkey whom she cured and cared for in her back yard. As a consequence of using toxic lead for her art, Lidia developed cancer and died at age 64 in November 2001. Her works are kept in local and international public collections. One person Exhibitions • 1977 – Ha'aretz Museum, Tel Aviv • 1985 – "Contemporary Porcelain" New York. • 1993 – Israel Museum, Jerusalem. • 1994 – European Ceramics Work center • 's-Hertogenbosch, Netherlands. • 1994 – Kagelbanan gallery, Stockholm, Sweden • 1995 – Kamaras Gallery, Borholm, Sweden • Illustration — Stone Jar Jerusalem Municipality. • Illustration — Jar 1993 Jerusalem Municipality • Illustration — Efrayim, Efrayim 2000 Ha' aretz Museum
Identity
Identity
Lidia Zavadsky is recorded with the occupation ceramicist. Recorded as sculptor and ceramicist.
Life and career
Dated record
Life and career
Explore 1937–2001
The full dated record · 5 entries
1937
Lidia Zavadsky born at Drohobych.
1993
Burial Urn is dated 1993.
1993
Stone Jar is dated 1993.
2000
Ephraim... Ephraim! is dated 2000.
2001
Lidia Zavadsky died on 8 November 2001.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Drohobych.
Birth place
Israel.
Death place
Primary material
Documents and archives
authority record
- Wikidata, structured authority record Q12408672: Lidia Zavadsky
General reference · Wikidata
reference work
- “Lidia Zavadsky”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Grants and awards
• 1990 Jerusalem Prize for Sculpture and Painting • 1992 The Sandberg Grant for Development the Israel Museum, Jerusalem.
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority record
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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