Laura Knight

Laura Knight was recorded at birth as Laura Johnson. The authorities additionally record the headings Dame Knight, Miss Laura Johnson, Laura Johnson Knight, Dame Laura née Johnson and Dame Laura Knight. Her recorded language was English.

She married Harold Knight.

Laura Knight worked in visual arts. Her work is associated with Impressionism.

She belonged to Royal Academy of Arts. She worked at Netherlands and Amsterdam.

Laura Knight received Dame Commander of the Order of the British Empire. Work by Laura Knight is held by Minneapolis Institute of Art, The Nelson-Atkins Museum of Art, Auckland Art Gallery and Finnish National Gallery.

53 works under this name are catalogued by Wikidata Query Service, The Metropolitan Museum of Art, The Art Institute of Chicago and Wellcome Collection. Their recorded dates run from 1894 to 2013.

Two Dancers, dated 1912, held by Penlee House Museum and Gallery, inventory PEZPH : 2000.42. Sea and Rocks, dated 1928. Motherhood, dated 1922. The Beach, dated 1909, held by Laing Art Gallery, inventory TWCMS : C651. The Fair, dated 1919, held by Laing Art Gallery, inventory TWCMS : C6967. The Mirror, dated 1922, held by Bolton Museum, inventory BOLMG:1975.170. The Cruel Sea, dated 1967, held by Bolton Museum, inventory BOLMG:1971.P.47. Ruby Loftus Screwing a Breech Ring, dated 1943, held by Imperial War Museum London, inventory Art.IWM ART LD 2850. The frozen pond, held by Art Gallery of New South Wales, inventory 816. The Knap Stroppers, held by Philadelphia Museum of Art, inventory 1978-1-37. The Bathing pool, dated 1918, held by Auckland Art Gallery, inventory M1921/1/13. Dame Laura Knight with model, Ella Louise Naper ('Self Portrait'), dated 1913, held by National Portrait Gallery, inventory NPG 4839. Mending linen, held by Museum of New Zealand Te Papa Tongarewa, inventory 1936-0012-43. Holiday time, held by Museum of New Zealand Te Papa Tongarewa, inventory 1944-0011-1. The Gypsy, dated 1939, held by National Gallery, inventory N05330. Spring, dated 1918, held by National Gallery, inventory N04838. Take Off, dated 1943, held by Imperial War Museum London, inventory Art.IWM ART LD 3834. Suffolk Mare and Foal, dated 1940, held by National Trust, inventory 1433853. Physical Training at Witley Camp, dated 1910, held by Canadian War Museum, inventory 19710261-0808. The Green Feather, dated 1911, held by National Gallery of Canada, inventory 379. Bareback Rider, dated 1935, held by Q214867, inventory 2015.19.1550. A Balloon Site, Coventry, dated 1943, held by Imperial War Museum London, inventory 15503. Land girl with horse drawn plough, held by UK National Archives. Harvest, dated 1939, held by Art Gallery of South Australia, inventory 0.1660. Corporal J. D. M. Pearson, GC, WAAF, dated 1940, held by Imperial War Museums, inventory IWM ART LD 626. Dressing the Children, dated 1906, held by Ferens Art Gallery, inventory KINCM:2005.5110. The Cornish Coast, dated 1917, held by National Museum Cardiff, inventory NMW A 3706. Carnaval, dated 1920, held by Manchester Art Gallery, inventory 1922.3. In the Coulisses, held by Falmouth Art Gallery, inventory FAMAG:1923.2. Autumn Sunlight, Sennen Cove, Cornwall, dated 1922, held by Birmingham Museums Trust, inventory 1922P146. Two Girls by a Jetty, dated 1922, held by Newnham College, inventory VPC-PP-024. The Rehearsal, dated 1923, held by Potteries Museum & Art Gallery, inventory 1967.FA.34. Ethel Bartlett (1896–1978), held by The Atkinson, inventory SOPAG:314. The Grand Parade; Charivari, dated 1928, held by Newport Museum and Art Gallery, inventory NPTMG:1961.28. Susie and the Wash Basin, dated 1929, held by Harris Museum, inventory PRSMG : P356. Elsie on 'Hassan', dated 1929. The Last Act, dated 1929, held by Dundee Art Galleries and Museums, inventory 1-1952. The Three Clowns, dated 1930, held by Leicester Museum & Art Gallery, inventory L.F7.1934.0.0. A Musical Clown, dated 1930, held by Harris Museum, inventory PRSMG : P357. The Rosinbacks, dated 1930, held by Potteries Museum & Art Gallery, inventory 1932.FA.3. Summer's Joy, dated ca. 1921, lithograph, held by The Metropolitan Museum of Art, inventory 2019.592.148. Waiting to Go On Stage, dated n.d., watercolor and gouache, with charcoal, on ivory wove paper (discolored to cream), laid down on ivory wood-pulp laminate board, held by The Art Institute of Chicago, inventory 1933.491. Before the Act, dated n.d., watercolor and pen and brush and black ink, on ivory wove paper, held by The Art Institute of Chicago, inventory 1933.490. Study of a Young Woman, dated 1926, watercolor, pastel, and charcoal on ivory laid paper, laid down on cream laminated board, held by The Art Institute of Chicago, inventory 2012.555. Dancing on Hampstead Heath, dated 1923, etching and aquatint on white wove paper, held by The Art Institute of Chicago, inventory 1928.215. Untitled (Sky Study), dated 1954, graphite on ivory wove paper, held by The Art Institute of Chicago, inventory 2021.571. Untitled (Study of Trees), dated 1958, pen and black ink and fabricated black chalk on ivory wove paper, held by The Art Institute of Chicago, inventory 2021.572. Feminist perspectives in medical ethics / edited by Helen Bequaert Holmes and Laura M. Purdy., dated [1992], held by Wellcome Collection. Pity the shame of an elderly dame... without Cetiprin : Lady Laura de St Quintin, 1397 / AB Kabi., dated 1972, held by Wellcome Collection. Women of to-day / by Margaret Cole., dated 1938, held by Wellcome Collection. Blood magic : the anthropology of menstruation / edited, with an introduction by Thomas Buckley and Alma Gottlieb., dated [1988], held by Wellcome Collection. Nothing : from absolute zero to cosmic oblivion : amazing insights into nothingness / edited by Jeremy Webb., dated 2013, held by Wellcome Collection. Private Letter Book, dated October 1894 - February 1895, held by Wellcome Collection.

Work associated with this heading is recorded in 13 named public collections.

Royal Academy of Arts: 9 recorded objects, read from the institution's own published catalogue. Nottingham Museums: 6 recorded objects, read from the institution's own published catalogue. Imperial War Museum London: 4 recorded objects, read from the institution's own published catalogue. National Gallery: 4 recorded objects, read from the institution's own published catalogue. Tate: 4 recorded objects, read from the institution's own published catalogue. Imperial War Museums: 4 recorded objects, read from the institution's own published catalogue. Laing Art Gallery: 3 recorded objects, read from the institution's own published catalogue. Bolton Museum: 3 recorded objects, read from the institution's own published catalogue. Harris Museum: 3 recorded objects, read from the institution's own published catalogue. Museum of New Zealand Te Papa Tongarewa: 2 recorded objects, read from the institution's own published catalogue. The Metropolitan Museum of Art: 2 recorded objects, read from the institution's own published catalogue. The Art Institute of Chicago: 8 recorded objects, read from the institution's own published catalogue. Wellcome Collection: 11 recorded objects, read from the institution's own published catalogue.

12 scholarly publications naming this subject were located in the registry of record.

Knight, Laura (Dame), Benezit Dictionary of Artists, 2011. Knight [née Johnson], Dame Laura, Oxford Art Online, 2003. Knight, Dame Laura, (1877–7 July 1970), Who Was Who, 2007. Knight, Dame Laura (1877–1970), Oxford Dictionary of National Biography, 2018. Knight [née Johnson], Dame Laura (1877–1970), painter painter, Oxford Dictionary of National Biography, 2004. A postgraduate curriculum for integrated care: a qualitative exploration of trainee paediatricians and general practitioners’ experiences, BMC Medical Education, 2019. Patient, interrupted: MEG oscillation dynamics reveal temporal dysconnectivity in schizophrenia, NeuroImage: Clinical, 2020. Realist evaluation of UK medical education quality assurance, BMJ Open, 2019. Incisional hernia prevention: risk–benefit from a patient perspective (INVITE) – protocol for a single-centre, mixed-methods, cross-sectional study aiming to determine if using prophylactic mesh in incisional hernia prevention is acceptable to patients, BMJ Open, 2022. Hughes abdominal closure versus standard mass closure to reduce incisional hernias following surgery for colorectal cancer: the HART RCT, Health Technology Assessment, 2022. International guidelines for the imaging investigation of suspected child physical abuse (IGISPA): a protocol for a modified Delphi consensus study, BMJ Open, 2025. The RNA binding proteins LARP4A and LARP4B promote sarcoma and carcinoma growth and metastasis, iScience, 2024.

7 digitised items associated with this heading are catalogued by Internet Archive.

Soul Hackers (The Wave Book 2) (2007) — Internet Archive. Oil paint and grease paint (1936) — Internet Archive. The Secret History Of The World And How To Get Out Alive (1995) — Internet Archive. Fellowship Of The Cosmic Mind: CassWiki. From Cassiopaea with Love — Internet Archive. The Open Mind: Interactive Reading and Focused Writing (2005) — Internet Archive. Josephus, Pilate And Paul Its Just A Matter Of Time (2016) — Internet Archive. Oil Paint and Grease Paint: Autobiography (1936) — Internet Archive.

Bibliographic registers publish measured figures for this heading: 23 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 8 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 8 means 8 genuinely separate publishers of record. 11 further registers were consulted and returned nothing for this heading.

Laura Knight studied at Nottingham Trent University, School of Art and Design. the recorded working language is English.

The field of work recorded is visual arts. The authority associates the name with Impressionism.

Places of work recorded in the authority are Netherlands and Amsterdam. Membership is recorded of Royal Academy of Arts.

Work by Laura Knight is recorded in the collections of Minneapolis Institute of Art, The Nelson-Atkins Museum of Art, Auckland Art Gallery, Finnish National Gallery and Tate.

Distinctions recorded are Dame Commander of the Order of the British Empire.