Lars Graugaard
Illustration — Grup Instrumental de València and Lars Graugaard ca. 2014 Lars Graugaard (born Copenhagen, 10 February 1957) is a Danish composer of contemporary classical music and a laptop performer of improvised music and experimental techno music.
Lars Graugaard
Lars Graugaard · CC BY-SA 4.0
- Born
- 1957 · Frederiksberg.
- Nationality
- Kingdom of Denmark
- Occupation
- composer · university teacher · flautist · musician
- Education
- Oxford Brookes University · Royal Danish Academy of Music
- Teachers
- Niels Viggo Bentzon · Poul Birkelund
- Languages
- Danish
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Lars Graugaard (naissance : 1957) figure dans les notices d'autorité comme musicien, compositeur et flûtiste.
Vie
Lars Graugaard naquit en 1957.
Institutions citées
Bibliothèque nationale de France · Deutsche Nationalbibliothek
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wikidata · Q1395405 · wikipedia · Lars Graugaard
In this article
Education
Education
Graugaard studied at The Royal Danish Academy of Music between 1977 and 1983. He studied composition with Niels Viggo Bentzon, flute performance with Poul Birkelund, and supplementary studies with Michel Debost. Graugaard graduated in 1983 with an MA in flute performance. In the early 1980s he briefly sought compositional advice from leading Danish composers before pursuing self-guided studies in composition and other forms of musical creation. He received a PhD from Oxford Brookes University in 2006 with his dissertation Gesture And Emotion In Interactive Music – Artistic and Technological Challenges, under the supervision of Robert Rowe and Paul Dibley.
Career
Career
Since the late 2000s he has used empirical studies from cognitive musicology into the correlation between emotion and score notation to guide musical discourse and development. This allows him to preserve his compositional materials and procedures, while at the same time attending the music's expressive dimension, as manifested in works such as "Three Places" (2011), "Venus" (2013) and "Engage And Share" (2014). Implementing aspects of his compositional procedures in computer code has allowed him to use empirical models of pitch sequences.
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Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Lars Graugaard, revision 1268535438 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Christensen, Jean: The Middle Generation: Second Wave (2002). In White, John D. (Ed.): New Music In The Nordic Countries, pp. 104-105, Pendragon Press.
- 2.Gabrielsson, Alf & Juslin, Patrik N. (2002): Emotional Expression in Music. In Davidson, Richard, Scherer, Klaus, Goldsmith, H. Hill (Eds.): Handbook of Affective Sciences, pp. 503-513, Oxford University Press.
- 3.Temperley, David (2006). A Probabilistic Model of Melody Perception. Cognitive Science 32 (2008), pp. 418–444.
References
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 24 August 2026.
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