Larry Abramson

The recorded working language is English. The field of work recorded is painting. Employment is recorded with Bezalel Academy of Art and Design. Work by Larry Abramson is recorded in the collections of Israel Museum and Herzliya Museum of Contemporary Art. Distinctions recorded are Mendel and Eva Pundik Foundation Prize for Israeli Art.

• Name — Larry Abramson לארי אברמסון • Born — 1954 • Birthplace — South Africa • Field — Painting • Training — Chelsea College of Art and Design • Movement — Israeli art • Works — Hevel (1989–1990) Larry Abramson (born 1954) is a South African-born Israeli artist.

Larry Abramson was born in 1954 in South Africa. In 1961, his family immigrated to Israel and lived in Jerusalem. He attended high school in the Hebrew University Secondary School. In 1970, as a high school senior, he was one of the signators of a conscientious objectors to Israeli rejection of Egyptian President Nasser's peace initiative. In 1973 Abramson studied a Foundation Course at the Chelsea College of Art and Design, London. Upon his return to Israel he took a position as printer and curator of exhibitions at the Jerusalem Print Workshop, where he worked for nine years, until 1986.

Abramson's first solo exhibition was in 1975. His work during the 1980s dealt with a variety of iconic symbols from modernist European art, particularly the "Black Square" by Kazimir Malevich, which he used to create dynamic situations combining abstraction and a figurative art idiom. During 1993 and 1994 Abramson created the series of work "tsooba," which was exhibited at the Kibbutz Art Gallery, Tel Aviv. The series was composed of 38 landscape paintings (oil on canvas), 38 impressions on newspaper of the landscape paintings, and a group of still life paintings after samples of flora taken from the site. This series relates to a mound of ruins near Kibbutz Tzova, a site which was painted a decade earlier by the artist Joseph Zaritsky. While Zaritsky ignored the Palestinian ruins found on the site and thus abstracted the landscape, Abramson painted the view realistically and then defaced it. By "seeing" the ruins of the Palestinian village, he criticizes the Israeli point of view which seeks to erase the Palestinian identity from the appropriated territory. In 1984, Abramson joined the teaching staff of the art department of the Bezalel Academy of Arts and Design in Jerusalem. In 1992, he was appointed head of the Fine Art department, and in 1996, he founded and headed the Bezalel Program for Young Artists (Master of Fine Art). In 2000 and 2003, he was invited as a guest lecturer at the San Francisco Art Institute, and in 2002, he joined the academic team planning the establishment of a new art department at the Shenkar College of Engineering and Design in Ramat Gan, Israel. In May 2002, Abramson published in the journal Studio an article entitled "We Are All Felix Nussbaum", in which he raised the problematic relationship between art and history in the post-Holocaust era. In 2005, Abramson mounted an exhibition of works under the name "The Pile," which included charcoal drawings of piles of construction debris, relating to the issue of representation of ruins in art and the figure of Jewish-German painter Felix Nussbaum. This series was exhibited at the Felix Nussbaum Haus Museum in Osnabrück, (Germany, and at the Chaim Atar Museum of Art on Kibbutz Ein Harod in the Jezreel Valley. In 2007, Abramson held an exhibition of recent paintings at the Gordon Gallery in Tel Aviv, and in 2010, an extensive retrospective exhibition of his work was held at the Tel Aviv Museum of Art.

• Illustration — Nevo, 1984 acrylic on canvas private collection • Illustration — Beam XXIII (From the series "Beams"), 1992 Israel Museum Collection B94.0723 • Illustration — Hevel, 1989-1990 Israel Museum Collection B94.0029 • Illustration — Return of the Black Square IV, 1990 Israel Museum Collection B92.1558 • Illustration — Column VII, 1988 Israel Museum Collection B90.0049 • Illustration — from tsoba, 1993-4 oil on canvas private collection • Illustration — from tsoba, 1993-4 impression on newspaper no.XIV private collection • Illustration — Panic III, 2009 oil on canvas Collection of Gordon Gallery, Tel Aviv • Illustration — Israel-Palestine I, 2010 oil and acrylic on canvas

Larry Abramson is recorded as having received Mendel and Eva Pundik Foundation Prize for Israeli Art. Recognition and collections. Abramson received Mendel and Eva Pundik Foundation Prize for Israeli Art.