Kusakabe Kimbei
Kusakabe Kimbei (日下部 金兵衛; 1841–1934) was a Japanese photographer. He usually went by his given name, Kimbei, because his clientele, mostly non-Japanese-speaking foreign residents and visitors, found it easier to pronounce than his family name.
Also recorded as Kinbei Kusakabe · Kimbei Kusakabe
Kusakabe Kimbei

中村啓信著『日下部金兵衛: 明治時代カラー写真の巨人』国書刊行会刊 · Public domain
- Name
- Kusakabe Kimbei
- Born
- November 24, 1841 or November 27, 1841
- Birthplace
- Kōfu, Kai Province, Japan
- Died
- April 19, 1932 or April 19, 1934
- Occupation
- photographer Kusakabe Kimbei (日下部 金兵衛; 1841–1934) was a Japanese photographer.
- Nationality
- Japan
- Teachers
- Felice Beato · Baron Raimund von Stillfried
- Languages
- English
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Documentary summary
Kusakabe Kimbei (日下部 金兵衛; 1841–1934) was a Japanese photographer. He usually went by his given name, Kimbei, because his clientele, mostly non-Japanese-speaking foreign residents and visitors, found it easier to pronounce than his family name.
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wikidata · Q1794526 · wikipedia · Kusakabe Kimbei
In this article
Biography
Biography
Training under Felice Beato and Baron Raimund von Stillfried is recorded. The recorded working language is English. Work by Kusakabe Kimbei is recorded in the collections of National Gallery of Victoria, National Gallery of Canada, National Museum of World Cultures, Netherlands Photo Museum and San Francisco Museum of Modern Art.
Key facts
Key facts
• Name — Kusakabe Kimbei • Native Name — 日下部金兵衛 • Born — November 24, 1841 or November 27, 1841 • Birthplace — Kōfu, Kai Province, Japan • Died — April 19, 1932 or April 19, 1934 • Occupation — photographer Kusakabe Kimbei (日下部 金兵衛; 1841–1934) was a Japanese photographer. He usually went by his given name, Kimbei, because his clientele, mostly non-Japanese-speaking foreign residents and visitors, found it easier to pronounce than his family name.
Career
Career
Kusakabe Kimbei worked with Felice Beato and Baron Raimund von Stillfried as a photographic colourist and assistant. In 1881, Kimbei opened his own workshop in Yokohama, in the Benten-dōri quarter. From 1889, the studio operated in the Honmachi quarter. By 1893, his was one of the leading Japanese studios supplying art to Western customers. Many of the photographs in the studio's catalogue featured depictions of Japanese women, which were popular with tourists of the time. Kimbei preferred to portray female subjects in a traditional bijinga style, and hired geisha to pose for the photographs. Many of his albums are mounted in accordion fashion. Around 1885, Kimbei acquired the negatives of Felice Beato and of Stillfried, as well as those of Uchida Kuichi. Kusakabe also acquired some of Ueno Hikoma's negatives of Nagasaki. Kimbei retired as a photographer in 1914.
Gallery
Gallery
• Illustration — Country children • Illustration — Kago Travelling Chair • Illustration — Wringing the Tealeaves on the Furnace • Illustration — Writing Letter (also known as Letter Writer) • Illustration — Yumoto lake at Nikkō, Tochigi (日光市), Japan • Illustration — Buddha statue at Hakone, Japan • Illustration — Bell of Daibutsu in Kyoto • Illustration — Japanese woman in jinrikisha • Illustration — View of Mount Fuji. Hand-coloured albumen silver print, 1880. • Illustration — Japanese Lantern Makers
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Kofu.
Birth place
Kobe.
Death place
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Terry Bennett: Photography in Japan 1853–1912. Tokio 2006, ISBN 0-8048-3633-7, S. 205.
- 2.Mio Wakita: Selling Japan. Kusakabe Kimbei’s Image of Japanese Women. In: History of Photography. Mai 2009, , S. 209–223, S. 211.
- 3.Terry Bennett: Photography in Japan 1853–1912. Tokio 2006, ISBN 0-8048-3633-7, S. 205.
- 4.Mio Wakita: Selling Japan. Kusakabe Kimbei’s Image of Japanese Women. In: History of Photography. Mai 2009, , S. 209–223, S. 211.
- 5.Terry Bennett: Photography in Japan 1853–1912. Tokio 2006, ISBN 0-8048-3633-7, S. 205.
- 6.Terry Bennett: Photography in Japan 1853–1912. Tokio 2006, ISBN 0-8048-3633-7, S. 204.
- 7.Terry Bennett: Photography in Japan 1853–1912. Tokio 2006, ISBN 0-8048-3633-7, S. 206.
- 8.Mio Wakita: Selling Japan. Kusakabe Kimbei’s Image of Japanese Women. In: History of Photography. Mai 2009, , S. 209–223, S. 218 f.
- 9.Mio Wakita: Selling Japan. Kusakabe Kimbei’s Image of Japanese Women. In: History of Photography. Mai 2009, , S. 209–223, S. 221.
- 10.Mio Wakita: Selling Japan. Kusakabe Kimbei’s Image of Japanese Women. In: History of Photography. Mai 2009, , S. 209–223, S. 214.
- 11.Eine Frau mit einer sokuhatsu-Frisur aus einem Japan Magazine von 1913. 20130319010126.
- 12.Eine Frau mit einer shimada-Frisur aus einem Japan Magazine von 1913. 20130319010121.
- 13.Mio Wakita: Selling Japan. Kusakabe Kimbei’s Image of Japanese Women. In: History of Photography. Mai 2009, , S. 209–223, S. 217.
- 14.Terry Bennett: Photography in Japan 1853–1912. Tokio 2006, ISBN 0-8048-3633-7, S. 204 f.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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