Koichi Sugiyama

Sugiyama was also a council member of the Japanese Society for Rights of Authors, Composers, and Publishers (JASRAC), board member of the Japan Institute for National Fundamentals, and honorary chairman of the Japanese Backgammon Society. Sugiyama was also active in politics and activism, promoting ideas such as Japanese nationalism while denying Japanese war crimes.

Koichi Sugiyama studied at University of Tokyo and Seikei Junior & Senior High School. The recorded working language is Japanese. Subjects and genres recorded for the work are orchestra, kayōkyoku, anime song and video game music. Employment is recorded with Japan Composers & Arrangers Association, Fuji Television and Nippon Cultural Broadcasting. Distinctions recorded are CEDEC Awards - Special Award, The Order of the Rising Sun, Gold Rays with Rosette and Person of Cultural Merit.

• Name — Koichi Sugiyama • Native Name — すぎやま こういち • Born — 11 April 1931 • Birthplace — Tokyo, Japan • Died — 30 September 2021 • Place of death — Tokyo, Japan • Education — University of Tokyo • Employer — * Nippon Cultural Broadcasting (1956–1958) • Fuji Television (1958–1965) • Occupation — * Composer • conductor • orchestrator

Sugiyama was born in Tokyo, Japan, on April 11, 1931. In high school, he began to write various small musical works. He attended the University of Tokyo and graduated with full honors in 1956. He then went into the reporting and entertainment sections of Nippon Cultural Broadcasting. He joined Fuji TV as a director in 1958. He left the station in 1965 to become a freelance director but had begun concentrating solely on musical composition and orchestration by 1968. From the late 1960s to the early 1980s, Sugiyama composed for several musicals, commercials, kayōkyoku pop artists, animated movies, and television shows, such as Science Ninja Team Gatchaman: The Movie, The Sea Prince and the Fire Child, and Cyborg 009. He also assisted Riichiro Manabe with the composition for Godzilla vs. Hedorah, composing the record single of the soundtrack and conducting for some of the tracks. Sugiyama also wrote the 1976 single Heart Dorobō for the Japanese pop trio Candies. In a little known foray for Matsushita Electric, Sugiyama composed, arranged & conducted a track called Disco Check, for the fourth volume of Technics '80 Audio Inspection records, performed with 24 instruments by the Nova Studio Group.

Sugiyama's first contact with Enix was by a fan letter he wrote them regarding a PC shogi game in the early 1980s. In response, Enix's staff asked for Sugiyama to compose music for their games. Sugiyama started composing for the PC-8801, and was working for Enix at the time. His first project with the company was the 1986 game Wing-Man 2: Kītakurā no Fukkatsu. Later that year, he composed for his first major project, Dragon Quest. His classical score for the game was considered revolutionary for console video game music. Sugiyama was one of the first video game composers to record with a live orchestra. In 1986 Enix released the CD Dragon Quest Suite, for which Sugiyama's music was performed by the Tokyo Strings Ensemble. The soundtrack's eight melodies, titled Opening, Castle, Town, Field, Dungeon, Battle, Final Battle, and Ending, set the template for many role-playing video game soundtracks released since then, some of which have been organized in a similar manner. In 1987, he composed for Dragon Quest II. Music from the first two Dragon Quest games was performed at one of the first game music concerts, "Family Classic Concert". "Dragon Quest I Symphonic Suite" and "Dragon Quest II Symphonic Suite" were arranged and conducted by Sugiyama himself, and both were performed live by the Tokyo Strings Ensemble on August 20, 1987, at Suntory Hall in Tokyo. He subsequently held the "Family Classic Concerts" annually in Japan until 2019. From 1987 to 1990, Sugiyama continued to compose for various other Enix games. In 1991, he introduced a series of video game music concerts, five in all, called the Orchestral Game Concerts, which were performed by the Tokyo City Philharmonic Orchestra and Tokyo Symphony Orchestra. The performances included music from over eighteen different video game composers, such as Koji Kondo, Yoko Kanno, Nobuo Uematsu, Keiichi Suzuki, as well as Sugiyama himself. These concerts were held from 1991 to 1996; during this time, Sugiyama composed for other video games and arranged for some of them to be performed in the Orchestral Game Concerts. He served as a sound producer on 1991's Master of Monsters, composed by Hayato Matsuo. In September 1995, Sugiyama composed the Dragon Quest Ballet. It premiered in 1996, and has since been performed regularly over the years by the Star Dancers Ballet. During those years, he also released several Dragon Quest Symphonic Suites. In late 2004, he finished and released the Dragon Quest VIII soundtrack. In 2005, Sugiyama was holding a series of concerts in Japan with the Tokyo Metropolitan Symphony Orchestra with music from Dragon Quest VIII, as well as his classic compositions from the past. In August 2005, his music from Dragon Quest was performed live at the European Symphonic Game Music Concert, marking the first time that his music was performed by a live symphonic concert outside of Japan. Sugiyama later composed the score to Dragon Quest X and XI. A television drama played by actor Ken Yasuda detailing Sugiyama's involvement with Dragon Quest aired on Nippon TV on August 27, 2022. Throughout his work Sugiyama repeatedly used motifs to maintain a consistency and nostalgic quality in the different installments. Each of the Dragon Quest games that he worked on included a nearly identical, upbeat theme track titled "Overture". Sugiyama composed more than 500 pieces of music in the 35 years he was involved in the Dragon Quest franchise. Sugiyama's style of composition has been compared to late Baroque and early Classical period styles. Earlier on in his career, Sugiyama said that his process for making music for games was based on seeing initial drafts on its setting and story. Sugiyama's related hobbies included photography, traveling, building model ships, collecting old cameras, and reading. He has opened a camera section on his website, and also founded his own record label, SUGI Label, in June 2004. Sugiyama also composed the fanfares for the opening and closing of the gates at the Tokyo and Nakayama Racecourses. He was given the Order of the Rising Sun, 4th Class, by the Japanese government in 2018 before also being named a Person of Cultural Merit by them two years later. Sugiyama died from septic shock at the age of 90 on September 30, 2021.

Intellectuals Sugiyama engaged in Nanjing Massacre denial, stating that the facts regarding it were "selective" in nature. He was one of the signatories on "The Facts", a full-page ad published by The Washington Post on June 14, 2007, that was written by a number of Japanese politicians and academics in response to the passing of United States House of Representatives House Resolution 121, which sought an official apology from the Government of Japan regarding their involvement of using comfort women, sexual slaves used by Japanese soldiers during World War II. Sugiyama was also a board member of the Japan Institute for National Fundamentals. In 2012, Sugiyama wrote an editorial saying that he thought Japan was in a state of "civil war between Japanese and anti-Japanese". Giving examples, he argued that the Japanese media portrayed acts of patriotism negatively, such as performing the National Anthem of Japan or raising the Japanese flag. He further thought that the demands of the Japanese anti-nuclear movement to immediately dismantle all nuclear energy facilities without offering any alternative solutions would affect the country's ability to defend itself. In 2015, Sugiyama made an appearance on the Japanese Culture Channel Sakura television program Hi Izuru Kuni Yori where he was shown agreeing with views shared by Japanese politician Mio Sugita who said there was no need for LGBT education in Japanese schools, as well as dismissing concerns about high suicide rates among the community. Sugiyama added that the lack of children born from LGBT couples was an important topic to discuss, also suggesting that Japan was more empowering to women than South Korea. He later made a statement seemingly indicating greater acceptance by saying that LGBT couples have existed throughout human history and he supported the use of governments to occasionally help them.

Works primarily featuring re-used compositions are omitted. Video game scores • Year — Title • 1986 — Wingman 2 • Dragon Quest • 1987 — Dragon Quest II • Jesus • Gandhara: Buddha no Seisen • Animal Land Murder Case • World Golf II • Wingman Special • 1988 — Dragon Quest III • Angelus: Akuma no Fukuin • 1990 — Dragon Quest IV • 4.6 Billion Year Story • World Golf III • 1991 — Akagawa Jirō no Yurei Ressha • Jesus II • Tetris 2 + BomBliss • 1992 — Dragon Quest V • Hanjuku Hero: Aa, Sekaiyo Hanjukunare...! • E.V.O.: Search for Eden • 1993 — Monopoly • Torneko's Great Adventure • 1994 — Itadaki Street 2 • 1995 — Mystery Dungeon: Shiren the Wanderer • Dragon Quest VI • 1996 — Shiren the Wanderer GB • 1998 — Dragon Quest Monsters • 1999 — Torneko: The Last Hope • 2000 — Dragon Quest VII • Shiren the Wanderer 2 • 2001 — Dragon Quest Monsters 2 • 2002 — Torneko's Great Adventure 3 • 2003 — Dragon Quest Monsters: Caravan Heart • Slime Mori Mori Dragon Quest • 2004 — Dragon Quest VIII • 2005 — Dragon Quest Heroes: Rocket Slime • 2006 — Dragon Quest Monsters: Joker • 2009 — Dragon Quest IX • 2010 — Dragon Quest Monsters: Joker 2 • 2011 — Slime Mori Mori Dragon Quest 3 • 2012 — Dragon Quest X • 2017 — Dragon Quest XI

He was employed by Japan Composers & Arrangers Association, Fuji Television and Nippon Cultural Broadcasting. He belonged to Japan Institute for National Fundamentals and JASRAC.

One work is recorded as notable: Dragon Quest Suite. His recorded genres are orchestra, kayōkyoku, anime song and video game music.