Kippie Moeketsi
Jeremiah "Kippie" Morolong Moeketsi (27 July 1925 – 27 April 1983) was a South African jazz musician, notable as an alto saxophonist. He is sometimes referred to as "the father of South African jazz" and as "South Africa's Charlie Parker". He played with and influenced some of South Africa's great musicians, including Jonas Gwangwa, Abdullah Ibrahim, Miriam Makeba and Hugh Masekela.
Also recorded as Jeremiah "Kippie" Morolong Moeketsi
Kippie Moeketsi
- Name
- Kippie Moeketsi
- Birth Name
- Jeremiah Morolong Moeketsi
- Born
- 27 July 1925
- Birthplace
- Johannesburg, South Africa
- Died
- 27 April 1983
- Full name
- Kippie Morolong Moeketsi.
- Nationality
- South Africa.
- Occupation
- composer, saxophonist and musician.
- Fields
- jazz.
- Honours
- Order of Ikhamanga in Gold.
- Languages
- English.
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Jeremiah "Kippie" Morolong Moeketsi (27 July 1925 – 27 April 1983) was a South African jazz musician, notable as an alto saxophonist. He is sometimes referred to as "the father of South African jazz" and as "South Africa's Charlie Parker". He played with and influenced some of South Africa's great musicians, including Jonas Gwangwa, Abdullah Ibrahim, Miriam Makeba and Hugh Masekela.
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Kippie Moeketsi (1925–1983) was a composer, jazz musician and musician, among other activities, of South African nationality. The composer was born Kippie Morolong Moeketsi in Johannesburg.
The work spans jazz. Languages used include English. Honours include Order of Ikhamanga in Gold.
Composed from admitted, traceable facts · 26 September 2026
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wikidata · Q337061 · wikipedia · Kippie Moeketsi
In this article
Key facts
Key facts
• Name — Kippie Moeketsi • Birth Name — Jeremiah Morolong Moeketsi • Born — 27 July 1925 • Birthplace — Johannesburg, South Africa • Died — 27 April 1983 • Background — person • Genre — Jazz • Instrument — Alto saxophone • Past Member Of — Band in Blue Shantytown Sextet Harlem Swingsters The Jazz Epistles
Biography
Biography
Born into a musical Johannesburg family, Jeremiah Morolong Moeketsi was the youngest of 11 brothers, and one sister who was a nurse (Mirriam Ntsadi Kathar, née Moeketsi), all but four of whom played an instrument. Growing up in George Goch township was unpleasant for him and he was often truant. According to the Johannesburg official website, "His mother used to go looking for him, shouting: 'kippie-kippie-kippie', as if he were a chicken" — hence his nickname. At 20 he started playing clarinet, but would soon move on to the saxophone. Influenced by his pianist brother Jacob Moeketsi, Kippie's career began playing in shebeens with his group, known as the Band in Blue. Over the years he played with several bands, including Shantytown Sextet, the Harlem Swingsters and famously the Jazz Epistles that brought fame to him, Abdullah Ibrahim (or Dollar Brand as he was known then), Jonas Gwangwa, and Hugh Masekela. Moeketsi claimed that he taught Ibrahim everything he knew about music. Ibrahim credited Moeketsi with introducing him to the music of his greatest influence, Thelonious Monk. Often introduced as "Bra Joe from Kilimanjaro" (Abdullah Ibrahim wrote a composition of that title to feature him), Moeketsi joined the cast of Todd Matshikiza's musical King Kong, which would take him to London in 1961. After the Sharpeville massacre of 1960, most of his contemporaries went into exile, but he returned to South Africa. In the oppressive circumstances he would not perform for four years. After many years of alcohol abuse, Moeketsi died penniless and disgruntled in 1983, aged 58.
Identity
Identity
Kippie Moeketsi is recorded as having received Order of Ikhamanga in Gold. Recorded at birth as Kippie Morolong Moeketsi. The authorities additionally record the heading Jeremiah "Kippie" Morolong Moeketsi.
Life and career
Dated record
Life and career
The full dated record · 1 entries
1983
Kippie Moeketsi died in 1983.
Legacy
• The Newtown jazz club Kippies, located at the Market Theatre in Johannesburg, is named after him. • A bronze sculpture of him, designed by Guy du Toit and Egon Tania, was unveiled on 25 September 2009. At the ceremony, Jonas Gwangwa said of his former mentor: "Bra Kippie was a very, very talented musician... he became a father of jazz.... He was very challenging. He'd just walk on stage, take out his horn and play." • Moeketsi is the subject of a 1999 documentary film by Glenn Ujebe Masokoane entitled Blues For Kippie.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1."Kippie Jeremiah Moeketsi", South African History Online.
- 2.Maya Jaggi, "The sound of freedom", The Guardian, 8 December 2001.
- 3.Jürgen Schadeberg, "Profiles", Jazz, Blues & Swing: Six Decades of Music in South Africa, New Africa Books, 2007, p. 145.
- 4.Davie, Lucille. Kippies, the club that wasn't always there. September 16, 2002.
- 5.A tribute to Kiepie Moeketsi - 'Bra Joe from Kilimanjaro'.
- 6.Robin D. G. Kelley, Africa Speaks, America Answers: Modern Jazz in Revolutionary Times, Harvard University Press, 2012, pp. 201–211, note 65, referencing Abdullah Ibrahim, "Monk in Harlem: A Short Brief on Some Aspects of the Music of Thelonious Monk".
- 7."Dollar Brand + 3 - Bra Joe From Kilimanjaro". YouTube.
- 8.Mike Gavin. Township Jazz. Ronnie Scott's. 2001.
- 9.Kippie, the club that wasn't there. City of Johannesburg.
- 10."Kippie Jeremiah Moeketsi", South African History Online, 17 February 2011.
- 11."Kippies, the club that wasn't there" , Joburg official website, 16 September 2002.
- 12."Kippie lives on in Newtown" , Joburg official website, 29 September 2009.
- 13.Essays: Glenn Ujebe Masokoane's Blues For Kippie, a documentary film. www.williambowles.info.
Bibliography printed in the source article · 1
- Peter Esterhuysen, Kippie Moeketsi: Sad Man of Jazz, Viva Books, 1995.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
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Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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