Kimiko Douglass-Ishizaka
Illustration — Ishizaka playing in the Trinitatis Church, Bonn, Germany Kimiko Douglass-Ishizaka (born 4 December 1976) is a German-Japanese composer, pianist, and former Olympic weightlifter and powerlifter.
Also recorded as Kimiko Ishizaka
Kimiko Douglass-Ishizaka
RobertDouglass · CC BY-SA 3.0
- Born
- 1976 · Bonn.
- Nationality
- Germany · Japan
- Occupation
- pianist · weightlifter · musician
- Languages
- German
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Documentary summary
Illustration — Ishizaka playing in the Trinitatis Church, Bonn, Germany Kimiko Douglass-Ishizaka (born 4 December 1976) is a German-Japanese composer, pianist, and former Olympic weightlifter and powerlifter.
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wikidata · Q92122 · wikipedia · Kimiko Ishizaka
In this article
Music
Music
Douglass-Ishizaka worked across pianist, weightlifter and musician. This article rests on 102 catalogued compositions and 6 issued recordings drawn from named institutional registers. Every statement below returns to a source shown in the evidence panel; where the record is silent or divided, the article says so instead of resolving it.
• Illustration — A performance of the Goldberg Variations Born in Bonn, Germany, Ishizaka started playing the piano at age four, was a member of the Ishizaka Trio for 16 years with her brothers and graduated from Hochschule für Musik Köln. As a solo pianist, she has performed concerts throughout Europe, North America and Japan, as well as appearing with the Beethoven Orchester Bonn, the Klassische Philharmonie Bonn and the Jackson Symphony Orchestra (Michigan). • Illustration — Ishizaka performing at the O.H.M. festival in the Netherlands, 2013 In 1998 Ishizaka won the Deutscher Musikwettbewerb (German Music Competition), along with her brothers Kiyondo Ishizaka and Danjulo Ishizaka. Ishizaka is part of the Open Goldberg Variations, a Kickstarter-funded, and Bösendorfer-sponsored team that recorded Johann Sebastian Bach's Goldberg Variations and released the score and recordings into the public domain in May 2012. • Illustration — The Well-Tempered Clavier - Fugue No. 19 in A major (BWV 864) In November 2013 Ishizaka and Open Goldberg Project completed another Kickstarter project to fund the recording Book I of Bach's Well-Tempered Clavier. The new recording was released into the public domain in March 2015. In Gramophone, Donald Rosenberg wrote, "She scales her Bach to the rhythmic, structural and sonic needs of the music, without touching the sustaining pedal." James Oestreich, reviewing for The New York Times, reported that Ishizaka is a "gifted and obviously devoted Bachian" and that she "performed the 24 preludes and fugues of Book 1 from memory and without major flaw". In April 2015, Ishizaka began another Kickstarter-funded project to record Chopin's 24 préludes on an 1842 Pleyel piano. The recordings were released under a Creative Commons license. • Illustration — The Art of Fugue, BWV 1080 - 20 Fuga a3 Soggetti (completion by Ishizaka) Ishizaka made her debut as a composer on March 19, 2016, with her performance of Bach's The Art of the Fugue featuring her own completion of the final fugue. In 2017, she then recorded a version, including her completion, and released it under a Creative Commons license, available for download in audiophile quality from her website. On October 1, 2019, Ishizaka released her album New Me! on her website on the platform Bandcamp.
Weightlifting
Weightlifting
Ishizaka explained in an interview that she began weightlifting after a convicted bank robber encouraged her to work out with free weights instead of relying on exercise machines and similar devices: He had learned in prison that real physical power comes from whole-body exercises such as the squat and deadlift. When I showed alacrity and some talent for the pursuit, he introduced me to a retired Persian weightlifting champion who managed to instill a sense of the purity and respect for the sport. I eventually moved to Cologne from Bonn to be near the weightlifting club, carefully choosing an apartment within walking distance so that I could train four days a week." Her weight training led to a change in her pianistic technique: In my early 20s, I had very thin arms—I couldn't get a beautiful sound out of the piano and I got very tired playing, say, two Chopin études in a row. As I got stronger, I found a way of using my shoulders, arms, and back to produce the sound. These days I only use my fingers for support." She trains with 265lb of weights after practicing piano to maintain her piano performance level.
Powerlifting
Powerlifting
• Illustration — Ishizaka performing the deadlift at the 2005 German Championships in Powerlifting Ishizaka placed 3rd in the weight category < 82 kg in the 2005 German championships in powerlifting and in 2006 placed 2nd in the disciplines of bench press, squat and deadlift.
Olympic weightlifting
Olympic weightlifting
Ishizaka won three medals at the 2008 German championships in Olympic weightlifting. In the spring of 2008 she placed 5th in the ELEIKO Women's Grand Prix in Niederöblarn, Austria, in the 63 kg class. • Illustration — Ishizaka performing the clean and jerk
Origins
Origins
Kimiko Douglass-Ishizaka was born on 4 December 1976 in Bonn. Douglass-Ishizaka held the nationality of Germany and Japan.

Kimiko Douglass-Ishizaka deadlift at the 2005 German Championships in Powerlifting
robertDouglass

Kimiko Douglass-Ishizaka rehearsing with the Jackson Symphony. Steve Osmond conducting.
robertDouglass
Catalogued output
Compositions
The entries below are works composed by the subject, as the institutional registers catalogue them; later performances and commercial recordings of the same music are listed separately. 18 further compositions are catalogued under Douglass-Ishizaka's name without a date the collections agree on, which is why they are set apart from the dated run rather than placed in it. The Well-Tempered Clavier, Book I — 35 catalogued parts. Die Kunst der Fuge, BWV 1080 — 20 catalogued parts. Goldberg-Variationen, BWV 988 — 32 catalogued parts. Our Time Is Running.
Open Goldberg Variations
Open Well-Tempered Clavier
Forget-Me-Not. Étude in A minor, op
11 “Winter Wind”: Lento
The Well-Tempered Clavier, Book I: Prelude and Fugue no
3 in C-sharp major, BWV 848.2/848: Fugue
Please Stop This Train
Just a Moment Ago
3 in C-sharp major, BWV 848.2/848: Prelude
A Walk in a Walk
Free, Completely Free
Primary material
Recordings and discography
The discography assembled here shows how Douglass-Ishizaka's work has been published in sound, not what Douglass-Ishizaka made. 6 sound issues are catalogued, carrying dates from 2012 to 2019. An issue is a published recording, distinct from the composition it carries, from a printed score of that composition and from any single performance of it; none of the entries below is counted in the catalogue of compositions above, and several of them carry the same work in different readings. The performers and issuing labels are as the discographic register states them; where it names no performer the article names none.
New Me!
2019
Goldberg Variations, BWV 988
2012
The Well‐Tempered Clavier, Book I (BWV 846–893)
2015
Die Kunst der Fuge, BWV 1080
2017
Primary material
Documents and archives
institutional register
- IMSLP authority file Category:Ishizaka,_Kimiko
General reference · IMSLP
- Wikidata, structured authority record Q92122: Kimiko Douglass-Ishizaka
General reference · Wikimedia Foundation
reference work
- “Kimiko Ishizaka”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Authority records
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
institutional register
Secondary witnessreference work
Secondary witnessinstitutional register
Wikidata, structured authority record Q92122: Kimiko Douglass-IshizakaWikimedia Foundation
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Music memorabilia
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