Kim Cascone
Kim Cascone (December 21, 1955) is an Italian American composer of electronic music who is known for his releases in the ambient, drone, industrial and electro-acoustic genre on his own record label, Silent Records.
Also recorded as Heavenly Music Corporation · Khem One
Kim Cascone
- Name
- Kim Cascone
- Born
- 21 December 1955
- Birthplace
- Albion, Michigan, United States
- Occupation
- Composer, writer, sound designer, teacher, lecturer, music director
- Nationality
- United States
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wikidata · Q1741466 · wikipedia · Kim Cascone
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Institutions cited
Bibliothèque nationale de France · Deutsche Nationalbibliothek
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Key facts
Key facts
• Name — Kim Cascone • Birth Name — Kim Cascone • Born — 21 December 1955 • Birthplace — Albion, Michigan, United States • Instrument — Laptop, Max/MSP, CSound, Pure Data, synthesizer, field recorder, Ardour, hydrophones, electric guitar • Genre — Microsound, noise, ambient, dark ambient, drone, electro-acoustic, field recording, binaural beats • Occupation — Composer, writer, sound designer, teacher, lecturer, music director • Years Active — 1983–present • Label — anechoicmedia Silent Records Sub Rosa Ritornell Raster-Noton C74 12k Nexsound Aural Terrains Störung Monotype Emitter Micro timemachines Daathstaar • Website — Silent Records
Documentary record
Kim Cascone (born 21 December 1955) is recorded as a composer and musician. The birth of Kim Cascone is recorded on 21 December 1955 in Albion, Michigan.
Biography
Biography
Studied Arranging and Compostion, with a concentration on electronic music, at the Berklee College of Music in Boston Massachusetts from 1973 - 1976. Later studied syntheis privately at the New School in Manhattan under Dana McCurdy. In 1989 Cascone became an assistant music editor for director David Lynch on Twin Peaks and Wild At Heart. Musically he has used various aliases over the years but became best known under the moniker Heavenly Music Corporation, a name taken from a track on the record (No Pussyfooting) by Brian Eno and Robert Fripp. Cascone released four full albums under this name from 1993 to 1996. In 1996 Cascone sold Silent Records and Pulsoniq Distribution to work as a sound designer/composer for Thomas Dolby's company Beatnik. After leaving the company in 1998, Cascone went on to serve as the Director of Content for Staccato Systems, a spin-off company from CCRMA, Stanford University where he co-invented an algorithm for realistic audio atmospheres and backgrounds for video games called Event Modeling. He returned to making music in 1999 and has since been releasing records using his own name on various labels as well as his own label, anechoic (named after his last Heavenly Music Corporation release), which he established in 1996. Cascone has released more than 50 albums of electronic music since 1984 and has recorded or performed with Merzbow, Keith Rowe, Tony Conrad, Scanner, John Tilbury, Domenico Sciajno and Pauline Oliveros, among others. In academic writing, Cascone is known for his paper The Aesthetics of Failure, which outlined the use of digital glitches and systemic failure in the creation of post-digital and laptop music. He is also on the advisory board of the academic sound journal Interference based in Dublin, Ireland. Cascone holds dual Italian and American citizenship as of September 2008. In 2016 Cascone rebooted his record label Silent Records. From 2016 to 2017, Cascone served as the music director for The Silent Channel on SomaFM, an online streaming radio station that features the Silent Records catalog.
As PGR
As PGR
• Silence (PGR, 1985) • The Flickering of Sowing Time (RRRecords, 1986) • Cyclone Inhabited by Immobility (Permis de Construire, 1987) • The Black Field (Silent Records, 1989) • Fetish, with Arcane Device (Silent Records, 1990) • The Chemical Bride (Silent Records, 1992) • The Morning Book of Serpents (Silent Records, 1995) • A Hole of Unknown Depth (Silent Records, 1996)
As Heavenly Music Corporation
As Heavenly Music Corporation
• In a Garden of Eden (Silent Records, 1993 / Astral Industries, 2018) • Consciousness III (Silent Records, 1994) • Lunar Phase (Silent Records, 1995 / Astral Industries, 2017) • Anechoic (Silent Records, 1996)
As Khem One
As Khem One
• Copperopolis - Guitar Study (Humanhood Recordings, 2018) • Modal Gauzes No. 1 - Guitar Study (Daathstaar, 2018) • Pollen & Fragments (Daathstaar, 2018) • Heliodronus - Messenger of the Sun (Silent Records, 2019) • Lunadronus - The Realm of Lunar Gauzes (Silent Records, 2020) • Threshold of Eastern Octaves (Silent Records, 2022) • Subtle Immobilities (Silent Records, 2024)
With Thessalonians
With Thessalonians
• The Unwinding (Silent Records, 1986) • The Concentration of Light Prior to Combustion (Banned Production, 1986) • Imbrication 2: An Investigaton Into Documenting Change Systems (Angakok, 1988) • The Black Field (Silent Records, 1989) • Soulcraft (Silent Records, 1993) • Solaristics (Noh Poetry Records, 2005)
With Spice Barons
With Spice Barons
• Future Perfect State (Silent Records, 1995)
With KGB Trio
With KGB Trio
• Swiss Pharmaceuticals (Utech, 2005) • Smoke on Devil's Mountain (Scrapple Records, 2008) • Noise Forest (Aural Terrains, 2009)
With Acéphale
With Acéphale
• Kraut Vedas (Silent Records, 2024)
Discography
• Blue Cube (Raster-Noton, 1998) • Cathode Flower (Ritornell, 1999) • (Delete) (Fällt, 2000) • Residualism (Ritornell, 2001) • Dust Theories (c74, 2001) • The Crystalline Address, with Scanner (Sub Rosa, 2002) • Pulsar Studies (anechoic, 2004) • Rondo/7Phases/Blowback, with Merzbow (Sub Rosa, 2004) • Gravity Handler (CRC, 2004) • Statistically Improbable Phrases (anechoic, 2006) • The Astrum Argentum (anechoic, 2008) • Pharmacie: Green & Red (anechoic, 2008) • Music for Dagger & Guitar (Aural Terrains, 2008) • anti-musical celestial forces (Storung, 2009) • The Knotted Constellation (fourteen rotted coordinates) (Monotype, 2011) • Subflowers - Phi (Emitter Micro, 2016)
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Kim Cascone, revision 1351113367 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Watson, Mike. Silent Records. ambientmusicguide.com. 2002.
- 2.Cooper, Sean. Heavenly Music Corporation. AllMusic.
- 3.Demers, Joanna. Listening through the Noise : The Aesthetics of Experimental Electronic Music. Oxford University Press. 73. 2010. 9780199774487.
- 4.Watson, Mike. Heavenly Music Corporation. ambientmusicguide.com. 2002.
- 5.Cox, Christoph. Audio culture: readings in modern music. Continuum. 392. 2004. 9780826416148.
- 6.Statistical sound event modeling system and methods.
- 7.Apple iTunes. Kim Cascone.
- 8.Hayward, Susan. Cinema Studies: The Key Concepts. Routledge. 107. 2013. 9781135120856.
- 9.The Silent Channel from SomaFM.
Bibliography printed in the source article · 10
- Cascone, Kim. "Aesthetics of Failure." Cambridge: MIT Press, 2000.
- Cascone, Kim. "Laptop music-counterfeiting aura in the age of infinite reproduction " Parachute 107, 2002.
- Cascone, Kim. "Grain, Sequence, System: Three Levels of Reception in the Performance of Laptop Music. Contemporary Music Review Volume 22, Issue 4, 2003.
- Cascone, Kim "Evolving the Emergent Content Workshop. Interace Cultures - Artistic Aspects of Interaction - Christa Sommerer, Laurent Mignonneau, Dorothee King (eds.), 2008.
- Cascone, Kim. "Grain of the Auditory Field" Junk Jet No.1, 2007.
- Cascone, Kim. "The Use of Density Groups in Electroacoustic Music" Contemporary Music Review, Volume 30, Issue 2, 2011.
- Cascone, Kim. "Residualism" Sound - Caleb Kelly MIT Press, 2011.
- Cascone, Kim. "Subtle Listening – How Artists Can Develop New Perceptual Circuits" Infinite Grain, March 30, 2014.
- Cascone, Kim. "Transcendigital Imagination: Developing Organs of Subtle Perception" Interference Journal of Sound, Volume 4, 2014.
- Cascone, Kim. "The Noise Field – a Metaphysical Model" liner notes to the album The Noise Fields by PS.T
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 24 August 2026.
Elsewhere in Music memorabilia
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