Keith Rowe
Keith Rowe (born 16 March 1940) is an English free improvisation tabletop guitarist and painter. Rowe is a founding member of both AMM in the mid-1960s and M.I.M.E.O. Having trained as a visual artist, his paintings have appeared on most of his albums. He is seen as a godfather of EAI (electroacoustic improvisation), with many of his recordings having been released by Erstwhile.
Keith Rowe

Susanna Bolle through Non Event · Keith Rowe · CC BY-SA 2.0
- Name
- Keith Rowe
- Born
- 16 March 1940
- Birthplace
- Plymouth, Devon, United Kingdom
- Nationality
- United Kingdom
- Occupation
- guitarist · painter · musician · artist · composer
- Fields
- free improvisation
- Education
- Arts University Plymouth
- Languages
- English
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Keith Rowe (born 16 March 1940) is an English free improvisation tabletop guitarist and painter. Rowe is a founding member of both AMM in the mid-1960s and M.I.M.E.O. Having trained as a visual artist, his paintings have appeared on most of his albums. He is seen as a godfather of EAI (electroacoustic improvisation), with many of his recordings having been released by Erstwhile.
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Keith Rowe (born 1940) is an artist, composer and guitarist, among other activities, of British nationality. The artist was born in Plymouth.
Keith Rowe was educated at Arts University Plymouth. The artist is a member of AMM.
The work spans free improvisation. Languages used include English.
Composed from admitted, traceable facts · 01 October 2026
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wikidata · Q348449 · wikipedia · Keith Rowe
In this article
Key facts
Key facts
• Name — Keith Rowe • Born — 16 March 1940 • Birthplace — Plymouth, Devon, United Kingdom • Genre — Free improvisation, electroacoustic improvisation • Instrument — Tabletop guitar • Label — Erstwhile Records • Past Member Of — AMM, M.I.M.E.O
Biography
Biography
Rowe began his career playing jazz in the early 1960s with Mike Westbrook and Lou Gare. His early influences were guitarists Wes Montgomery, Charlie Christian, and Barney Kessel. However, Rowe grew tired of what he considered the genre's limitations, and began experimenting with his guitar. An important step was a New Year's resolution to stop tuning his guitar—much to Westbrook's displeasure. He began playing free jazz and free improvisation, abandoning conventional guitar technique. He was featured in Crossing Bridges, a 1985 music program based around jazz guitar improvisation, and broadcast by Channel 4. His change was partially inspired by a teacher in a painting class who told him, "Rowe, you cannot paint a Caravaggio. Only Caravaggio can paint Caravaggio." Rowe said that after considering this idea from a musical perspective, "trying to play guitar like Jim Hall seemed quite wrong." For several years he contemplated how to reinvent his approach to the guitar, again finding inspiration in visual art, specifically American painter Jackson Pollock, who abandoned traditional painting methods to forge his style. "How could I abandon the technique? Lay the guitar flat!" Rowe developed prepared guitar techniques: placing the guitar flat on a table and manipulating the strings, body, and pick-ups in unorthodox ways. He has used needles, electric motors, violin bows, iron bars, a library card, rubber eraser, springs, hand-held electric fans, alligator clips, and common office supplies in playing the guitar. Rowe sometimes incorporates live radio broadcasts into his performances, including shortwave radio and number stations (the guitar's pick-ups will also pick up radio signals, and broadcast them through the amplifier). • Illustration — Axel Dörner and Keith Rowe in Chicago, Illinois, 22 September 2004 Percussionist Eddie Prévost of AMM said Rowe finds radio broadcasts which seem to blend ideally with, or offer startling commentary on, the music. (Prévost, 18). On AMMMusic, towards the end of the cacophonous "Ailantus Glandolusa", a speaker announces via radio that "We cannot preserve the normal music." Prevost writes that during an AMM performance in Istanbul, Rowe located and integrated a radio broadcast of "the pious intonation of a male Turkish voice. AMM of course, had absolutely no idea what the material was. Later, it was complimented upon the judicious way that verses from The Koran had been introduced into the performance, and the respectful way they had been treated!" In reviewing World Turned Upside Down, critic Dan Hill writes, "Rowe has tuned his shortwave radio to some dramatically exotic gameshow and human voices spatter the mix, though at such low volume, they're unintelligible and abstracted. Rowe never overplays this device, a clear temptation with such a seductive technology – the awesome possibility of sonically reaching out across a world of voices requires experienced hands to avoid simple but ultimately short-term pleasure. This he does masterfully, mixing in random operatics and chance encounters with talk show hosts to anchor the sound in humanity, amidst the abstraction." Rowe has worked with Oren Ambarchi, Burkhard Beins, Cornelius Cardew, Christian Fennesz, Kurt Liedwart, Jeffrey Morgan, Toshimaru Nakamura, Evan Parker, Michael Pisaro, Peter Rehberg, Sachiko M, Howard Skempton, Taku Sugimoto, David Sylvian, John Tilbury (on Duos for Doris and E.E. Tension and Circumstance), Christian Wolff, and Otomo Yoshihide. In 2008 at Tate Modern, London, Rowe performed a live collaborative work The Room with film makers, Jarman award winner Luke Fowler, and Peter Todd as a part of the programme accompanying the major retrospective of the painter Mark Rothko. The Room featured films by Fowler and Todd and live guitar improvisation by Rowe with subsequent iterations being presented in France and Spain and the Netmage festival in Bologna Italy. The Room is also the title of a work by Rowe issued on CD in 2007, followed by The Room Extended in 2016 on a four CD set, both released via Erstwhile.
Identity
Identity
Keith Rowe is recorded as guitarist, painter, musician, artist and composer.
Life and career
Dated record
Life and career
The full dated record · 1 entries
1940
Keith Rowe born at Plymouth.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Keith Rowe. paristransatlantic.com.
- 2.Crossing Bridges website
- 3.Dan Warburton. Keith Rowe Interview. January 2001.
- 4.Berendt, Joachim-Ernst. The Jazz Book: From Ragtime to the 21st Century. Lawrence Hill Books. 433–434. 2009. 978-1-55652820-0.
- 5.Prevost, Edwin. No Sound Is Innocent: Amm and the Practice of Self-invention, Meta-musical Narratives, Essays. Copula. 1995. 0-9525492-0-4.
- 6.Erstwhile Records website. Catalog:Erstwhile Records reviews.
- 7.Eyles, John. Keith Rowe: Keith Rowe and John Tilbury: E.E. Tension and Circumstance. All About Jazz. 21 January 2012.
- 8.JRP/Ringier. Luke Fowler. 66. 2009. 978-3-03764-046-3.
- 9.The Room Extended, by Keith Rowe. Erstwhile Records.
References
Citations
References
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Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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