Kanō Tan'yū

Training under Kanō Takanobu is recorded. Kusumi Morikage and Tsurusawa Tanzan are recorded as having studied under Kanō Tan'yū. The field of work recorded is painting. Places of work recorded in the authority are Tokyo. Positions recorded include court painter. Work by Kanō Tan'yū is recorded in the collections of Minneapolis Institute of Art, The Nelson-Atkins Museum of Art, Metropolitan Museum of Art, Art Gallery of New South Wales and Los Angeles County Museum of Art.

• Born — 4 March 1602 • Died — 4 November 1674 • Movement — Kanō school • Illustration — Sanjūrokkasen-gaku (Thirty-six Poetry Immortals framed picture) #3: Ōshikōchi no Mitsune • Illustration — A 1672 work by Tan'yū, from the Freer Gallery of Art.

His original given name was Morinobu; he was the eldest son of Kanō Takanobu and grandson of Kanō Eitoku. In 1617, Tan'yū was appointed by the Tokugawa shogunate to become the shogunate's first official painter. Over the following years, he was given many highly prestigious commissions. Over the 1620s and 1630s, he created a number of large-scale works for Edo Castle, Nijō Castle, Osaka Castle, Nagoya Castle, and Nikkō Tōshō-gū. Prolific in a variety of painting styles, Tan'yū's most famous works are probably those he produced for these large-scale commissions. They are screens and panels, prime examples of the Momoyama style, depicting natural subjects such as tigers, birds and plants, in bright colors and with extensive use of gold leaf. The gold, often used to represent clouds, water, or other background elements, would reflect what little light was available indoors, brightening a castle's dark rooms. Moreover his dignified portrayal of figures appear in Confucius and Two Disciples, a screen painting now in the Boston Museum of Fine Arts. Tan'yū was also accomplished, however, in monochrome ink painting based on the prototypical style of the Muromachi period, yamato-e compositions in a style similar to that of the Tosa school, and Chinese style scrolls. His most famous yamato-e work is a narrative handscroll depicting the life of Tokugawa Ieyasu, the first Tokugawa shōgun and major figure in Japanese history. It was after this commission, in 1640, that the artist first took on the "artist name" of Tan'yū. His works decorated the walls of numerous palaces and castles, including Nijō Castle in Kyōto, the shogun’s castle at Nagoya, and the Kyōto Imperial Palace. In addition to being a highly honored and respected painter in his own right, Tan'yū was known as a collector and connoisseur of Chinese paintings. He made sketches and kept records of many of the paintings that passed through his studio, brought to him for authentication. He died in 1674 at the age of 72.

The authorities additionally record the headings Shirōjirō, Morinobu, Shirojiro, Kano Tan’yu and Tan’yu Kano. His recorded confession was Buddhism. He was the child of Kanō Takanobu. 2 children are recorded: Kanō Tanshin and Kanō Tansetsu. Other recorded relations include Kanō Masunobu.