Juno Gemes
Juno Gemes (born 1944) is a Hungarian-born Australian activist and photographer, best known for her photography of Aboriginal Australians. A performer, theatre director, writer and publisher, Gemes was one of the founders of Australia's first experimental theatre group The Human Body.
Juno Gemes

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- Name
- Juno Gemes
- Born
- 1944
- Birthplace
- Budapest, Hungary
- Education
- University of Sydney National Institute of Dramatic Art
- Occupation
- Photographer
- Known for
- Photographs depicting cultural and political struggle of Indigenous Peoples in Australia
- Nationality
- Australia
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Juno Gemes (born 1944) is a Hungarian-born Australian activist and photographer, best known for her photography of Aboriginal Australians. A performer, theatre director, writer and publisher, Gemes was one of the founders of Australia's first experimental theatre group The Human Body.
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Juno Gemes (born 1944) is a photographer and writer, of Australian nationality. The photographer was born in Budapest. Juno Gemes was educated at National Institute of Dramatic Art and University of Sydney.
Composed from admitted, traceable facts · 01 October 2026
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In this article
Key facts
Key facts
• Name — Juno Gemes • Born — 1944 • Birthplace — Budapest, Hungary • Mother — Lucy • Father — Alex Gemes • Partner — Robert Adamson • Education — University of Sydney National Institute of Dramatic Art • Occupation — Photographer • Known for — Photographs depicting cultural and political struggle of Indigenous Peoples in Australia
Early life
Early life
Juno Gemes was born in 1944 in Budapest, Hungary, emigrating to Australia with her parents Alex and Lucy Gemes in 1949.
Theatre
Theatre
Gemes studied at the University of Sydney and the National Institute of Dramatic Art (NIDA) and graduated in 1964. In 1968 Gemes directed The Human Body Australia's first experimental theatre group, established with Johnny Allen and Clem Gorman. Some of The Human Body Performances at the Powerhouse warehouse in Haymarket featured a geodesic light dome built by Jacky Joy Jacobson and Michael Glasheen from 5,000 light bulbs. Gemes worked in theatre and film, and in the late 1960s and 1970s worked sporadically in London, where she wrote for the London-based underground newspaper International Times. While in London, Gemes performed in some of Yoko Ono's work including the avant-garde film Bottoms and a performance piece The scream at the Perfumed Garden.
Publishing
Publishing
In 1986, Gemes and her partner Australian poet Robert Adamson co-founded, with writer Michael Wilding, independent publishing company Paper Bark Press (sometimes spelt Paperbark), which published Australian poetry. Wilding left the company in 1990, and Gemes and Adamson continued to run the company until 2002. In 1997, Adamson and Gemes collaborated on the publication The Language of Oysters. In January 2025, Gemes published Until Justice Comes: Fifty Years of The Movement for Indigenous Rights. PHOTOGRAPHS 1970 - 2024, through Upswell Press.
Personal life
Personal life
Gemes' son, Orlando Gemes, born in London in 1975, is pictured with Essie Coffey OAM in a portrait at the National Portrait Gallery. He travelled with his mother as she documented Aboriginal people and activism.
Selected exhibitions
Selected exhibitions
• 1982, 5 – 26 November: We wait no more Hogarth Gallery & Apmira • 1985, 26 October: Gemes created a visual document of the historic Uluru Handback Ceremony at Uluru NT. • 1989, from 19 December: Literary Images, Jacqueline Mitelman, Virginia Wallace-Crabbe and Juno Gemes. Special collections section, library of the Australian Defence Force Academy, launched by Robin Wallace-Crabbe • 2005, 30 June to 30 November: Our Community exhibition, National Museum of Australia, Canberra • 2005, 12 July – 10 September: PROOF: Portraits from The Movement 1978–2003 National Portrait Gallery and Macquarie University Gallery 10 March – 10 May 2004. • 2016, November–December: Gemes' work was included in an exhibition at Carriageworks in Redfern, Sydney, celebrating the 40th anniversary of NAISDA Dance College, called Naya Wa Yugali ("We Dance" in Darkinyung language). • 2019: Juno Gemes: The Quiet Activist, A Survey Exhibition 1979–2019 • 2019, 17 – 29 September: group show entitled Three Women Artists In Country, Maunsel Wickes at Barry Stern Galleries
Photography
Gemes began exhibiting her photography in Australia in 1966, and held her first solo exhibition, We Wait No More, in 1982. In 1971, Gemes became involved with the Yellow House Artist Collective in Potts Point, Sydney. Collaborating with another member of the Collective, landscape artist Mick Glasheen, to document traditional stories about Uluru. They stayed in the Central Desert for six months in a geodesic dome seeking out the Pitjantjara elders in the area. Gemes is known for her photographs depicting the cultural and political struggle of indigenous peoples in Australia, including land rights, the handing back of Uluru to the traditional owners, and the National Apology to the Stolen Generations in the Federal Parliament. Gemes describes Nothing Personal by James Baldwin and Richard Avedon, which examines American culture including civil rights and the rise of black nationalism, as an early influence in her work. In 1976, Gemes photographed American civil rights leader James Baldwin on the rooftop of the Athenaeum Hotel in London. Under Another Sky, Juno Gemes Photography 1968–1988, a survey of Gemes work from more than twenty years, was exhibited in Budapest and Paris in the late 1980s. In 2018, Gemes told The Sydney Morning Herald her reason for taking up photography: "It was because I saw that Aboriginal people were invisible that I took up the camera." Much of her work has documented the Aboriginal rights and land rights movements, from the Aboriginal Tent Embassy to 2008 when she was one of ten photographers selected to officially document the Apology to Australia's Indigenous peoples. Gemes has thirty works in the collection of the National Portrait Gallery in Australia. Her papers are held at the National Library of Australia and the Mitchell Library of the State Library of New South Wales.
Primary material
Documents and archives
reference work
- “Juno Gemes”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q62001848: Juno Gemes
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Juno Gemes b. 1944, Design & Art Australia Online.
- 2.Juno Gemes: The Movement for Civil Rights in Australia, 1971 to 2010. Rochford Street Review. 2020-11-25.
- 3.All alumni. National Institute of Dramatic Art. 23 September 2015.
- 4.Gorman, Clem. Before The Fringe. Stage Whispers. May–June 2010.
- 5.Maxwell, Ian. Mayakovsky's hammer: Experimental theatre as romantic modernism, Sydney, 1968–1970. Australasian Drama Studies. 71. 112–136. October 2017. 0810-4123.
- 6.Glasheen, Michael. Drawing on the land: Garigal country (exhibition catalogue). Issuu. 10 June 2020.
- 7.McIntyre, Iain. Tomorrow is today : Australia in the psychedelic era, 1966–1970. Wakefield Press. 2006. 978-1-86254-697-4.
- 8.Juno Gemes, National Portrait Gallery.
- 9.Adair, Linda. Haunting and luminous 'Juno Gemes: The Quiet Activist – A Survey Exhibition 1979–2019' a response by Linda Adair. Rochford Street Review. 2019-06-25.
- 10.Gemes, Juno. Witnessing the Apology. Australian Aboriginal Studies. 1. 115–123. January 2008.
- 11.Als, Hilton. Richard Avedon and James Baldwin's Joint Examination of American Identity. The New Yorker. 6 November 2017.
- 12.Notebook Revelations: Juno Gemes' portrait of James Baldwin. Rochford Street Review. 2020-11-09.
- 13.Gemes, Juno. "The Political and the Personal Process in Portraiture: Juno Gemes in Conversation - National Portrait Gallery, August 2003". Australian Aboriginal Studies (Canberra, A.C.T. : 1983) 2003.2 (2003): 85–92.
- 14.Baker, Candida. Life on the Hawkesbury: A photographer, a poet and a bowerbird called Spinoza. The Sydney Morning Herald. 4 May 2018.
- 15.Juno Gemes, b. 1944. National Portrait Gallery people.
- 16.Guide to the Papers of Robert Adamson Academy Library UNSW Canberra. www.unsw.adfa.edu.au.
- 17.Paper Bark Press. AustLit. 10 Mar 2004.
- 18.Lea, Bronwyn. Poetry publishing in Australia. Bronwyn Lea. 14 May 2013.
- 19.Craftsman House. The language of oysters. 1997. 978-90-5703-101-4.
- 20.Until Justice Comes, Upswell Press, 2025, ISBN 978-0-6459840-2-6
- 21.Essie Coffey (Bush Queen) and Orlando Gemes, 1978 (printed 2003). National Portrait Gallery collection.
- 22.We wait no more, Hogarth Gallery & Apmira November 5 to 26 1982, Sydney. 1982.
- 23.www.bibliopolis.com. Under Another Sky. Uluru Handback Ceremony, Sir Ninian Stephens, Hon. Barry Cohen With Traditional Owners And Their Children by Juno Gemes, b.1944 Aust on Josef Lebovic Gallery. Josef Lebovic Gallery.
- 24.Guide to antiquarian books now available. Canberra Times. 1989-12-17.
- 25.Hinkson, Melinda. Review Our Community exhibition, National Museum of Australia, Canberra. Aboriginal History. 30. 208. 2006. 0314-8769.
- 26.Photographic proof: Portraits from the Movement 1978–2003 by Juno Gemes. Art Monthly Australia. 166. 11–13. 2003. 1033-4025.
- 27.Bennie, Angela. Charting the moves for justice. Sydney Morning Herald. 9 July 2003.
- 28.NAISDA celebrates 40 years. The Dictionary of Sydney. 24 November 2016.
- 29.Naya Wa Yugali - We Dance. Carriageworks.
- 30.Juno Gemes – The Quiet Activist : Survey exhibition 1979–2019 Head On Photo Festival. www.headon.com.au.
- 31.Fairley, Gina. Review: The Quiet Activist: Juno Gemes Survey, Macquarie University Art Gallery. ArtsHub Australia. 27 June 2019.
- 32.Adair, Linda. Gemes, Crispin & Pollak: Exhibition Preview. Rochford Street Review. 2019-09-14.
References
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References
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General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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