Juan José Saer

In 2004, he received a Platinum Konex Award for his 1994–98 work.

Juan José Saer studied at National University of the Littoral. The recorded working language is Spanish. The field of work recorded is Argentine literature, Latin American literature and Spanish-language literature. Subjects and genres recorded for the work are poetry and essay. Employment is recorded with National University of the Littoral and University of Rennes. Distinctions recorded are Premio Nadal, Konex Award and Prix Laure Bataillon.

• Name — Juan José Saer • Born — 28 June 1937 • Birthplace — Serodino, Argentina • Died — 11 June 2005 • Place of death — Paris, France • Occupation — Novelist, writer • Education — law and philosophy • Alma Mater — National University of the Littoral • Partner — Laurence Gueguen (1968-2005) • Awards — Premio Nadal

Born in Serodino, a small town in the Santa Fe Province, to Syrian immigrants originally from Damascus, Saer studied law and philosophy at the National University of the Littoral, where he taught History of Cinematography. Thanks to a scholarship, he moved to Paris in 1968 where he taught at the University of Rennes. Suffering from lung cancer, he died in Paris on 11 June 2005, at the age of sixty-seven. He was buried in the Père-Lachaise cemetery. At the time of his death he was writing the last chapters of his longest novel, La Grande, which ended up appearing posthumously along with Trabajos, a collection of literary articles that appeared in various newspapers and magazines that Saer already had ready for publication. In 2012, the first instalment of his previously unpublished working notebooks were edited and published as Papeles de trabajo by Seix Barral in Argentina. A second volume soon followed, which was the result of five years of editing work by a team coordinated by Julio Premat, who wrote the introduction of the first volume. These notebooks allow readers a privileged insight into the creative processes of Saer. As critics point out, the books of Juan José Saer may be taken as a single "oeuvre", set in his "La Zona", a fluvial region around the Argentinian city of Santa Fé, populated by characters who are developed and become referential from novel to novel. Saer's novels frequently thematize the situation of the self-exiled writer through the figures of two twin brothers, one of whom remained in Argentina during the dictatorship, while the other, like Saer himself, moved to Paris; several of his novels trace their separate and intertwining fates, along with those of a host of other characters who alternate between foreground and background from work to work. Like several of his contemporaries (Ricardo Piglia, César Aira, Roberto Bolaño), Saer's work often builds on particular and highly codified genres, such as detective fiction (The Investigation), colonial encounters (The Witness), travelogues (El río sin orillas), or canonical modern writers (e.g. Proust, in The One Before and Joyce, in "Sombras sobre vidrio esmerilado").

• Responso (1963) • La vuelta completa (1966) • Cicatrices (1969). Scars, trans. Steve Dolph (Open Letter, 2011) • El limonero real (1974). The Regal Lemon Tree, trans. Sergio Waisman (Open Letter, 2020) • Nadie nada nunca (1980). Nobody Nothing Never, trans. Helen R. Lane (Serpent's Tail, 1993) • El entenado (1983). The Witness, trans. Margaret Jull Costa (Serpent's Tail, 1990) • The Sixty-Five Years of Washington (1986). The Sixty-Five Years of Washington, trans. Steve Dolph (Open Letter, 2010) • La ocasión (1987). The Event, trans. Helen R. Lane (Serpent's Tail, 1995; Open Letter, 2025) • El río sin orillas (1991) • Lo imborrable (1992) • La pesquisa (1994). The Investigation, trans. Helen R. Lane (Serpent's Tail, 1999) • Las nubes (1997). The Clouds, trans. Hilary Vaughn Dobel (Open Letter, 2016) • La grande (novel) (2005). La Grande, trans. Steve Dolph (Open Letter, 2014)

• En la zona, 1957-1960 (1960) • Palo y hueso (1965) • Unidad de lugar (1967) • La mayor (1976). The One Before, trans. Roanne Kantor (Open Letter, 2015) • Lugar (2000)

• El arte de narrar: poemas, 1960/1975 (1977) • El arte de narrar: poemas (1960-1987) (2008)

• El concepto de ficción (1997) • La narración-objeto (1999) • Trabajos (2005)

• Palo y hueso (1968) • Las veredas de Saturno (1985, co-authored with Hugo Santiago)

• Narraciones 1 (1983) • Narraciones 2 (1983) • Cuentos completos, 1957–2000 (2001) • Papeles de trabajo. Borradores inéditos (2012) • Papeles de trabajo II. Borradores inéditos (2013) • Poemas. Borradores inéditos 3 (2013) • Ensayos. Borradores inéditos 4 (2015) • A medio borrar (2017)

• "Shadows on Jeweled Glass", trans. Jim Hicks (The Massachusetts Review 51.1, 2010)

Juan José Saer worked in Argentine literature, Latin American literature and Spanish-language literature. He was employed by National University of the Littoral and University of Rennes.

Juan José Saer is recorded as writer.

Along with Juan Carlos Onetti, Saer is the Rioplatense writer (language of Rio de la plata)who most evidences within his work the influence of the American writer William Faulkner, especially for the recurrence of a group of characters (Carlos Tomatis, Pichón Garay, Ángel Leto, Washington Noriega and the Matemático, among others) in a specific space (the city of Santa Fe). • Illustration — Cover of the first edition of La grande, the author's latest novel.

Four of his novels - The Investigation (La Pesquisa), The Witness (El Entenado), La grande (novel) and The Sixty-Five Years of Washington (The Sixty-Five Years of Washington) - appear on various lists made by Latin American and Spanish writers and critics of recent great books in the Spanish language. Martin Kohan considers Saer to be the most important writer of Argentina after Jorge Luis Borges. Beatriz Sarlo considers him to be the best Argentine writer of the second half of the 20th century.