Joyce Mansour
Joyce Mansour, Joyce Patricia Adès, (25 July 1928 – 27 August 1986), was an Egyptian-French author, notable as a surrealist poet. She became the best known surrealist female poet, author of 16 books of poetry, as well as a number of important prose and theatre pieces.
Joyce Mansour
- Name
- Joyce Mansour
- Birth Name
- Joyce Patricia Adès
- Born
- 25 July 1928
- Birthplace
- Bowden, England
- Died
- 27 August 1986
- Place of death
- Paris, France
- Education
- Cairo University
- Field
- Poetry
- Movement
- Surrealism
- Full name
- Joyce Patricia Ades.
- Nationality
- Egypt and France.
- Occupation
- poet, playwright and writer.
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Documentary summary
Joyce Mansour, Joyce Patricia Adès, (25 July 1928 – 27 August 1986), was an Egyptian-French author, notable as a surrealist poet. She became the best known surrealist female poet, author of 16 books of poetry, as well as a number of important prose and theatre pieces.
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Note VALÉORINE
Joyce Mansour (1928–1986) was a playwright, poet and writer, of Egyptian and French nationality. The playwright was born Joyce Patricia Ades in Bowden and died in Boulogne-Billancourt.
Joyce Mansour was educated at Cairo University. The playwright lived in Cairo, Cheshire and Paris. Joyce Mansour was associated with surrealism.
Languages used include French. Works are held at Bryn Mawr College Special Collections.
Composed from admitted, traceable facts · 27 September 2026
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wikidata · Q3091214 · wikipedia · Joyce Mansour
In this article
Key facts
Key facts
• Name — Joyce Mansour • Birth Name — Joyce Patricia Adès • Born — 25 July 1928 • Birthplace — Bowden, England • Died — 27 August 1986 • Place of death — Paris, France • Education — Cairo University • Field — Poetry • Movement — Surrealism
Biography
Biography
Mansour was born in Bowden in England, to a Syrian-Jewish family originally from Aleppo, and lived in Cheshire for a month. During her youth, Mansour excelled as a runner and a high jumper. She also competed in equestrian competitions. before her parents moved the family to Cairo, Egypt. Mansour first came in contact with Parisian surrealism while still living in Cairo where she met surrealist Georges Henein. She moved to Paris in 1953, at the age of 25. In 1947, her first marriage at the age of 19 ended after six months when her husband died. Her second marriage was to Samir Mansour in 1949 and they divided their time between Cairo and Paris. Mansour began to write in French.They befriended the french writer and poet André Breton, the co-founder, leader, and principal theorist of surrealism. She died of cancer in Paris in 1986.
Career
Career
Mansour’s first published collection of poems, titled: Cris, was published in Paris in 1953 by Pierre Seghers. This collection of work references male and female anatomy in explicit language that was unusual for the time. Religious language can also be found. However, it is inverted, replacing what would be Christ with the lover. References of Egyptian mythology are also present in Cris. Mansour references the White Goddess as well as Hathor. In 1954, Joyce Mansour became involved with the surrealist movement after Jean-Louise Bédouin wrote a review praising Cris in Médium: Communication surréaliste that May. Joyce Mansour actively participated in the second wave of surrealism in Paris. Her apartment was a popular meeting place for members of the surrealist group. L'exécution du testament du Marquis de Sade, the performance piece by Jean Benoît took place in Mansour’s apartment. She collaborated with representatives such as Pierre Alechinsky, Enrico Baj, Hans Bellmer, Gerardo Chávez, Jorge Camacho, Ted Joans, Pierre Molinier, Reinhoud d'Haese and Max Walter Svanberg.
Poetry
Poetry
• « Cris», Ed. Seghers, París, 1953 • « Déchirures», Les Éditions de Minuit, París, 1955 • « Rapaces», Ed. Seghers, París, 1960 • « Carré blanc», Le Soleil Noir, París, 1966 • « Les Damnations», Ed. Visat, París, 1967 • « Phallus et momies», Éd. Daily Bul, 1969 • « Astres et désastres», 1969 • « Anvil Flowers», 1970 • « Prédelle Alechinsky à la ligne», 1973 • « Pandemonium», 1976 • « Faire signe au machiniste», 1977 • « Sens interdits», 1979 • « Le Grand Jamais», 1981 • « Jasmin d'hiver», 1982 • « Flammes immobiles», 1985 • « Trous noirs», Ed. La pierre d'Alun, Bruxelles, 1986 (illustrated by fundamental Peruvian painter Gerardo Chávez) • Emerald Wounds: Selected Poems, published by City Lights Books. 7/11/2023.. • in the glittering maw: selected poems, published by world poetry books. 2024
Prose
Prose
• « Les Gisants satisfaits», Jean-Jacques Pauvert, París, 1958 • « Jules César», Éd. Pierre Seghers, París, 1956 • « Le Bleu des fonds», Le Soleil Noir, París, 1968 • « Ça», Le Soleil Noir, París, 1970 • « Histoires nocives», Gallimard, París, 1973
Identity
Identity
Joyce Mansour is recorded with the occupation playwright. Established in Library of Congress under n85036435. Recorded at birth as Joyce Patricia Ades. Recorded as poet, playwright and writer. Established in FAST under 153561.
Life and career
Dated record
Life and career
Explore 1928–1986
The full dated record · 3 entries
1928
Joyce Mansour was born on 1 January 1928.
1986
Dies at Boulogne-Billancourt.
1986
Joyce Mansour died at Boulogne-Billancourt.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Cheshire, Cairo and Paris.
Residences
Bowden.
Birth place
Boulogne-Billancourt.
Death place
Primary material
Documents and archives
scholarly publication
- Joyce Mansour, Surrealist Painters and Poets, 2001
Scholarly · Crossref registry · 2001
- Réinventer le lyrisme : le surréalisme de Joyce Mansour, 2007
Scholarly · Crossref registry · 2007
reference work
- “Joyce Mansour”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
institutional register
- Wikidata, structured authority record Q3091214: Joyce Mansour
General reference · Wikimedia Foundation
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Rondinelli, Maria Francesca. Échos de la mythologie égyptienne dans l'œuvre de deux écrivaines d'Égypte de langue française : Andrée Chedid et Joyce Mansour. Recherches & Travaux. 81. 95–109. 2012-12-30. 0151-1874.
- 2.Joyce Mansour City Lights Booksellers & Publishers.
- 3.Mansour, Joyce. Screams. Post-Apollo Press. 1995. 978-0942996258.
- 4."Shanna Compton Celebrates Joyce Mansour".
- 5.Surrealism and women. 978-0262530989.
- 6.H., Matthews, J. Surrealist poetry in France. Syracuse University Press. 1969. 978-0815621447.
- 7.CONLEY, Katharine. Joyce Mansour's Ambivalent Poetic Body. French Forum. 20. 2. 221–238. 1995. 0098-9355.
Bibliography printed in the source article · 17
- Marie-Francine Mansour, Une vie surréaliste, Joyce Mansour, complice d'André Breton, France-Empire, 2014.
- Mohsen L Belasy, The Tuberose Baby Girl, Sulfur Editions, 2025.
- Mohsen L Belasy, Joyce Mansour the Tuberose Baby Girl. Sulfur Editions, 27 Aug. 2025.
- Marie-Claire Barnet, La Femme cent sexes ou les genres communicants. Deharme, Mansour, Prassinos, Peter Lang, 1998
- Jean-Louis Bédouin, Anthologie de la poésie surréaliste, Éd. Pierre Seghers, Paris, 1983, p. 285
- Adam Biro & René Passeron, Dictionnaire général du surréalisme et de ses environs, co-édition Office du livre, Fribourg (Suisse) et Presses universitaires de France, Paris, 1982
- Stéphanie Caron, Réinventer le lyrisme. Le surréalisme de Joyce Mansour, Droz, Genève 2007.
- Stéphanie Caron, « De la création comme (re)commencement. Petit aperçu sur la genèse des récits de Joyce Mansour : le cas "Napoléon" », in Pleine Marge n° 37, mai 2003
- Georgiana Colvile, Scandaleusement d'elles. Trente-quatre femmes surréalistes, Jean-Michel Place, Paris, 1999, pp. 186–195.
- Georgiana Colvile, « Joyce Mansour et "Les Gisants satisfaits", trente ans après », in Avant-Garde no 4, Rodopi, 1990.
- Marco Conti, Joyce Mansour, l'eros senza fine, Poesia no 127, Crocetti, 1999
- Alain Marc, Écrire le cri, Sade, Bataille, Maïakovski..., preface by Pierre Bourgeade, l'Écarlate, 2000
- J. H. Matthews, Joyce Mansour, Rodopi, Amsterdam, 1985
- Marie-Laure Missir, Joyce Mansour, une étrange demoiselle, Jean-Michel Place, Paris, 2005
- Richard Stamelman, Le Fauve parfum du plaisir, poésie et éros chez Joyce Mansour, Lachenal & Ritter
- Richard Stamelman, La Femme s'entête, la part du féminin dans le surréalisme, Lachenal & Ritter "Pleine Marge", 1998
- Marylaura Papalas, “Female Violence as Social Power: Joyce Mansour’s Surrealist Anti-Muse.” Rebelles et criminelles chez les ecrivaines d'expression francaise, ed. Colette Trout and Frédérique Chevillot, Rodopi, 2013, pp. 201-215.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Joyce Mansour, Surrealist Painters and Poets, 2001Crossref registry
Institutional witnessscholarly publication
Réinventer le lyrisme : le surréalisme de Joyce Mansour, 2007Crossref registry
Institutional witnessreference work
Secondary witnessinstitutional register
Wikidata, structured authority record Q3091214: Joyce MansourWikimedia Foundation
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Books
38,960 published records in this field, each with its sources named.
- Joyce FitzpatrickAuthor
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