Joy Mallari
Joy Mallari (born 1966) is a contemporary Filipino painter and visual artist. Mallari is known for a visual style similar to the contemporary Filipino figurative expressionism common among members of the Grupong Salimpusa and Sanggawa art movements, but distinguished by a narrative approach which one critic has described as exploring "the linkages between literature and art" - an approach which she attributes to her exposure to the pre-digital animation industry during her developmental years as an artist. She is also known for exploring themes of identity and marginalization in Philippine society.
Joy Mallari

Isabella Zucchelli · CC BY-SA 4.0
- Name
- Joy Mallari
- Born
- 1966
- Birthplace
- Philippines
- Occupation
- painter
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Documentary summary
Joy Mallari (born 1966) is a contemporary Filipino painter and visual artist. Mallari is known for a visual style similar to the contemporary Filipino figurative expressionism common among members of the Grupong Salimpusa and Sanggawa art movements, but distinguished by a narrative approach which one critic has described as exploring "the linkages between literature and art" - an approach which she attributes to her exposure to the pre-digital animation industry during her developmental years as an artist. She is also known for exploring themes of identity and marginalization in Philippine society.
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wikidata · Q16196578 · wikipedia · Joy Mallari
In this article
Biography
Biography
The children's book "Doll Eyes", which she co-created with writer Eline Santos, won the National Children's Book Award in 2011.
Key facts
Key facts
• Name — Joy Mallari • Born — 1966 • Birthplace — Philippines
Early influences
Early influences
Mallari cites her childhood years during the Philippines' Martial Law Period and the tumultuous period following the removal of the Marcos administration as formative experiences which had given her a need to engage and participate in society through her art by the time she started taking up her bachelor's degree at University of the Philippines Diliman's College of Fine Arts. At UP, Mallari became part of Grupong Salingpusa, a group of young student artists which would later become significant voices in the Philippine contemporary art movement, including such figures as Elmer Borlongan, Karen Flores and Manny Garibay. She also became part of Artista ng Bayan (ABAY), a volunteer group that practiced social activism by coming up with the murals and effigies which were used in street rallies. A subset of Grupong Salingpusa, consisting of Mallari, Borlongan, Flores, Mark Justiniani, and Federico Slevert, later came together to form the Sanggawa Art Collective in 1994.
Expatriate period and return to the Philippines
Expatriate period and return to the Philippines
In the late '90s, Mallari moved to Los Angeles temporarily, living there for eight years before she returned to the Philippines in 2006. According to Mallari, this expatriate period heightened her awareness race politics and the underrepresentation of minorities in the arts. Upon returning to the Philippines, Mallari became based in Parañaque City, on the southern part of the Philippines' National Capital Region.
Shows
Shows
Mallari's works have been featured in exhibitions all over the world, including Manila, Los Angeles, Denmark, Mexico, Japan, Australia, Singapore and Malaysia. Notable Solo Exhibitions include: • "Rekwerdo" in 2008 at Sitio Remedios in Ilocos Norte and • "Perennial", also in 2008, at Art Verite in Taguig. • "Doll Eyes" in 2010 at the UP Vargas Museum • "Scribe" in 2014 at Secret Fresh gallery at the Ronac Art Center in San Juan City.
Animation influence
The death of her mother forced Mallari to take a leave of absence from UP in order to work full-time and support her family. Borlongan referred her to a newly opened animation company, where she found herself working on background animation alongside early pioneers in the Philippine animation industry, and some of the last generation of Philippine billboard artists. Mallari would later cite this period as an important learning experience, with the influence of animation resurfacing in her later works.
Primary material
Documents and archives
reference work
- “Joy Mallari”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q16196578: Joy Mallari
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Christie's. Lot Notes, Joy Mallari: Beautiful Glitch.
- 2.Chuaunsu, Jewel. A Question of Identity. Contemporary Art Philippines. 54–59. 2011.
- 3.Santos, Eline. Doll Eyes. Center for Art, New Ventures and Sustainable Development (CANVAS). 2010.
- 4.The Importance of Being Elmer Borlongan. Yahoo! Philippines. 25 June 2012.
- 5.Teehankee, Pepper. Scribe by Joy Mallari. The Philippine Star; The Pepper Mill. 2014-01-07.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 20 August 2026.
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