Joris Minne
Joris Minne (Ostend, 1897 – Antwerp, 1988) was a Belgian sculptor, graphic artist, illustrator and painter who helped revive the art of engraving in Belgium.
Joris Minne

Vlaamse Gemeenschap · CC BY 4.0
- Born
- 1897 · Ostend.
- Died
- 1988 · Antwerp.
- Nationality
- Belgium
- Occupation
- sculptor · painter · illustrator · printmaker · graphic artist
- Fields
- design · architecture
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Joris Minne (Ostend, 1897 – Antwerp, 1988) was a Belgian sculptor, graphic artist, illustrator and painter who helped revive the art of engraving in Belgium.
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wikidata · Q2524332 · wikipedia · Joris Minne
In this article
Life and work
Life and work
Luc Van Malderen is recorded as having studied under Joris Minne. The field of work recorded is design and architecture. Work by Joris Minne is recorded in the collections of Design Museum Gent, Royal Museum of Fine Arts Antwerp, Museum of Fine Arts Ghent (MSK), Mu.ZEE - Kunstmuseum aan Zee and Middelheim Museum.
• Illustration — Cover of Lumière, September 1919 Joris Minne was born in Ostend. His parents moved to Antwerp soon after he was born. In Antwerp, he completed middle school and then went to the higher school (ateneum) where one of his teachers was August Borms. During the weekend, he attended art classes at the Berchem Academy of Fine Arts. Here, one of his teachers was Frans Mortelmans. During World War I Minne took a job at the Antwerp city Welfare Department. Here he came into contact with Roger Avermaete who was departmental head. Roger Avermaete had a circle of artistic friends who decided to found a magazine. The magazine Lumière was first published in Antwerp in August 1919. The magazine was an artistic and literary journal published in French. Lumière's title was a reference to the magazine Clarté, that was published in Paris by Henri Barbusse. The principal five artists who illustrated the text and the column headings were Frans Masereel, Jan Frans Cantré, Jozef Cantré, Henri van Straten and Joris Minne. They became known as 'De Vijf' or 'Les Cinq' ('The Five'). The magazine Lumière was a key force in generating renewed interest in wood engraving in Belgium. The five artists in 'De Vijf' group were instrumental in popularizing the art of wood, copper and linoleum engraving and introducing Expressionism in early 20th-century Belgium. In 1939 Minne started sculpting and won widespread recognition for his sculptures in 1950 with an exhibition in Antwerp's Middelheimpark. He mainly sculpted wood. Minne's pupils include Chantal De Hemptinne, Claire Pâques, Giele Roelofs and Niel Steenbergen.
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Ostend.
Birth place
Antwerp.
Death place
Primary material
Documents and archives
reference work
- “Joris Minne”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q2524332: Joris Minne
General reference · Wikidata
Honours
• 1919: Commander of the Order of Leopold.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Ontdek beeldhouwer, graficus, illustrator Joris Minne. rkd.nl.
- 2.Ostende, acte de naissance n° 466 du 13 mai 1897.
- 3.Interview de Joris Minne par Joos Florquin, "Ten huize van ...", 1962, sous le lien https://www.dbnl.org/tekst/flor007tenh01_01/flor007tenh01_01_0015.php.
- 4.Gand, acte de décès n° 1682 pour l'année 1878
- 5.En réalité par un privilège de Charles-Quint de 1541, et jusqu'à la fin de l'Ancien Régime, quatre familles eurent à Gand le monopole du métier de boucher. Pour exercer ce métier, il fallait descendre en ligne directe de l'une des quatre familles qui concentraient d'ailleurs déjà le métier de la boucherie entre leurs mains bien avant l'octroi du privilège de 1541. Il s'agissait des familles Minne, Van Melle, Van Loo et Deynoodt. La légende, à laquelle fait allusion Joris Minne, les faisait descendre d'un bâtard du comte de Flandre Guillaume d'Ypres ou de Loo, ou bien, depuis le XIXe siècle, on les disait descendre de Charles-Quint ou du moins que cet empereur avait largement mêlé son sang à celui de ces familles. C'est ainsi que Victor Hugo écrira « c'est une curieuse chose qu'un roi qui faisait de ses bâtards des bouchers ... ». Ils se surnommaient les Enfants du Prince (Prinsekinderen, Prince kinderen). Comme le dit Joris Minne, "Même si ce n'est pas vrai, cela sonne bien".
- 6.Minne, Joris, for Georgius Lucianus Benezit Dictionary of Artists. 10.1093/benz/9780199773787.001.0001/acref-9780199773787-e-00123298.
- 7.Lucien De Roeck : De l’affiche à la lettre = Van affiche tot letter. Racine – Lannoo. 2015. 978-2-87386-919-9.
- 8.de Hemptinne, Chantal. Centre de la Gravure et de l'Image imprimée.
- 9.Francis Mus, « Internationalisme et identité littéraire dans la revue anversoise "Lumière" (1919-1923) » in Bainbrigge, S, Charnley, J, Verdier, C (dir), Francographies - identité et altérité dans les espaces francophones européens, s. l., Peter Lang, 2010, pp. 115-128. (lire en ligne).
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reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
Elsewhere in Prints
4,138 published records in this field, each with its sources named.
- Jordan WolfsonEngraver
- Jörg Ingo MadlenerEngraver
- Jørgen RoedEngraver
- Joris HoefnagelEngraver
- Jos JullienEngraver
- Jōsaku MaedaEngraver
- José CaballeroEngraver
- José CharletEngraver
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