Skip to the content
Person

Jon Harris

Jon Harris (born 11 July 1967) is a British film editor known for his work on Snatch (2000), Layer Cake (2004), The Descent (2005), Stardust (2007), 127 Hours (2010), The Woman in Black (2012), T2 Trainspotting (2017), Yesterday (2019), The Dig (2021), Speak No Evil (2024), Long Day's Journey Into Night (2025), 28 Years Later (2025) and Clayface (2026). He was nominated for an Academy Award for Best Film Editing for 127 Hours (2010).

Jon Harris

Name
Jon Harris
Born
11 July 1967
Birthplace
Sheffield, Yorkshire, England
Occupation
Film editor
Nationality
United Kingdom.
Languages
English.

Enciclopedia VALÉORINE

Il dossier documentario

Ogni enunciato è letto negli archivi di autorità delle istituzioni nominate. Scegliete «Prova» accanto a un enunciato per vedere la scheda da cui è tratto, il punto esatto e la data di lettura.

Jon Harris (nascita: 11 luglio 1967) figura come montatore negli archivi di autorità della Bibliothèque nationale de France e della Deutsche Nationalbibliothek.

Vita

La nascita di Jon Harris è registrata l'11 luglio 1967.

Istituzioni citate

Bibliothèque nationale de France · Deutsche Nationalbibliothek

Catena di lettura completa (JSON)

Reference Check

Propose documentary evidence for Jon Harris. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.

Sign in to contribute

World of VALÉORINE

Documentary connections

Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.

Documentary evidence

Documentary basis

Authority files

wikidata · Q974800

In this article

  1. 01Biography
  2. 02Notes, references and evidence

The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.

Elsewhere in Film memorabilia

For owners

Own a work by Jon Harris?

A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.