John Theodore Heins
John Theodore Heins (c. 1697 – 1756) was a painter and engraver, probably of German birth, but active in Great Britain. He settled in Norwich and by 1720 was working on a series of portraits of members of prominent local families.
Also recorded as Dietrich Heins · John Theodore Heins Sr. · Dirck Heins · John Theodore Haine, Sr.
John Theodore Heins

Engraver John Theodore Heins · https: objectId=3044630 partId=1 · Public domain
- Born
- c. 1697
- Nationality
- United Kingdom
- Occupation
- painter
- Fields
- portrait
- Languages
- English
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wikidata · Q16842181 · wikipedia · John Theodore Heins
In this article
Biography
Biography
The recorded working language is English. Subjects and genres recorded for the work are portrait. Work by John Theodore Heins is recorded in the collections of Art Institute of Chicago, Royal Museums Greenwich, Yale Center for British Art, Bolton Museum and Victoria Gallery & Museum.

John Theodore Heins, Musical Party at Melton Constable (page 45 crop)
prince Frederick Duleep Singh · Internet Archive identifier: gri_33125000513065
Key facts
Key facts
• Born — c. 1697
Life
Life
Heins was working in Norwich from around 1720. He is recorded as living in Hog Hill in the city in 1729 when he held a raffle, with three of his pictures as prizes. Some of his early works are signed "D. Heins"; the "D" is thought to stand for "Dietrich", the German form of "Theodore". In 1732, he was commissioned to execute the first of a number of portraits of Norwich civic dignitaries which can now be seen at Saint Andrew's Hall in the city. He monopolised civic portraiture in Norwich until 1746, when Thomas Bardwell was commissioned by the city's artillery company to paint a portrait of William Crowe, who became mayor the following year. Heins painted two portraits of the Hanoverian composer and emigre to England, Handel. Some of his finest works were commissioned by the Astley family of Melton Constable, including one of a Musical Party, and a double portrait of Edward and Blanche Astley, the children of Sir Jacob Astley, 3rd Bt. (1692 – 1760). Heins also depicted allegorical and historical subjects and candle-light scenes, and painted genre pieces, including two Scenes from the Life of Thomas Guy. In October 1745, the Gentleman's Magazine published a poem called "Lines on seeing some portraits of the celebrated Mr. Heyns of Norwich". • Illustration — Heins' Allegory of Trade (Yale Center for British Art)
John Theodore Heins junior
John Theodore Heins junior
Strutt says that Heins's son, whom he names only as "J. Heins" was originally apprenticed to a cloth manufacturer, but then, against his parents' wishes, became an artist, painting both oil paintings and miniatures. To Strutt, however, "his chief excellence lay in etching or, rather, scratching, for it was done without the assistance of aquafortis, with the drypoint." He drew the plates for James Bentham's History of Ely. His portraits included a pair of a Mr. Grosse and his wife; Grosse's brother gave Strutt the details of the Heins family which he used in his Biographical Dictionary. John Theodore Heins Junior died in Chelsea in around 1770.
Places
Named by the record
Places
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Germany.
Birth place
Norwich.
Death place
Prints
Joseph Strutt, in his Biographical Dictionary of Engravers (1786), notes that Heins reproduced some of his portraits in mezzotint in what he calls "a very stiff tasteless style", and that he was also said to have etched a few plates. The one print by Heins that Strutt mentions specifically is a half-length portrait of Thomas Gooch, Bishop of Norwich, signed Heins Pinx et fecit, 1741.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article John Theodore Heins, revision 1373054299 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Tate Gallery. Manners and Morals: Hogarth and British Painting 1700-1760. 1987.
- 2.John Stacy. General History of Norfolk. 3. 1131. 1829.
- 3.Crawley, Andrew Moore with Charlotte. Family & friends : a regional survey of British portraiture. H.M.S.O. 116. 1992. 9780117015067.
- 4.Art UK. More about Norwich Civic Portrait Collection.
- 5.General History of Norfolk 1829, p.1131
- 6.National Trust Collections. Edward Astley, later Sir Edward Astley, 4th Bt Astley of Hill Morton (1729–1802) and his Sister Blanche, later Mrs Edward Pratt as Children, with a parrot and a bunch of grapes.
- 7.Answers - the Most Trusted Place for Answering Life's Questions.
- 8.Lines on seeing some portraits of the celebrated Mr. Heyns of Norwich. Gentleman's Magazine. XV. 550. 1745.
- 9.Strutt, Joseph. A Biographical Dictionary Containing All the Engravers, From the Earliest Period of the Art of Engraving to the Present Day. Robert Faulder. 2. 22. 1786.
Bibliography printed in the source article · 1
- Oxford Grove Art The Concise Grove Dictionary of Art. Oxford University Press.
References
Citations
References
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Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 20 August 2026.
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