John Quincy Adams Ward
John Quincy Adams Ward (June 29, 1830 – May 1, 1910) was an American sculptor, whose most familiar work is his larger than life-size standing statue of George Washington on the steps of Federal Hall National Memorial in New York City.
Also recorded as J. Q. A. Ward · John Q. A. Ward
John Quincy Adams Ward

Wilhelm · AAA Online Archives · Public domain
- Name
- John Quincy Adams Ward
- Birthplace
- Urbana, Ohio, US
- Died
- June 29, 1830
- Place of death
- New York City, US
- Known for
- Sculpture
- Born
- 1830 · Urbana.
- Nationality
- United States
- Occupation
- sculptor
- Fields
- art of sculpture
- Languages
- English
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Documentary summary
John Quincy Adams Ward (June 29, 1830 – May 1, 1910) was an American sculptor, whose most familiar work is his larger than life-size standing statue of George Washington on the steps of Federal Hall National Memorial in New York City.
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Documentary evidence
Documentary basis
Authority files
wikidata · Q2069921 · wikipedia · John Quincy Adams Ward
In this article
Biography
Biography
The recorded working language is English. The field of work recorded is art of sculpture. Henry Kirke Brown is recorded as an influence. Works named in the authority record are Major General George Henry Thomas and Statue of George Washington. Work by John Quincy Adams Ward is recorded in the collections of Art Institute of Chicago, Metropolitan Museum of Art and Smithsonian American Art Museum.
Key facts
Key facts
• Name — John Quincy Adams Ward • Birthplace — Urbana, Ohio, US • Died — June 29, 1830 • Place of death — New York City, US • Known for — Sculpture
Early years
Early years
Ward was the fourth of eight children born to John Anderson Ward and Eleanor Macbeth in Urbana, Ohio, a city founded by his paternal grandfather Colonel William Ward. One of his younger brothers was the artist Edgar Melville Ward. The family lived on William Ward's homestead and 600 acres of land after he died. Growing up, Ward liked to spend his time by the creek-bed fashioning mud into small figures and animals. Ward's interest in three dimensional forms was encouraged by a neighbor and local potter, Miles Chatfield. At the age of 11, Chatfield allowed Ward to have the run of his studio and taught him how to throw a pot and decorate it with bas-reliefs. Ward spent several years working on his family farm, and after seeing a sculpture exhibition in Cincinnati in 1847, felt discouraged from pursuing an artistic career. His family proposed he study medicine, but after contracting malaria, he had to abandon his studies. Ward later lived with his older sister Eliza and her husband Jonathan Wheelock Thomas in Brooklyn, New York, where he trained for seven years (1849 to 1856) under the well-established sculptor Henry Kirke Brown, who carved "J.Q.A. Ward, asst." on his equestrian monument of George Washington in Union Square. Ward went to Washington in 1857, where he made a name for himself with portrait busts of men in public life. In 1861, he worked for the Ames Manufacturing Company of Chicopee, Massachusetts, providing models for decorative objects including gilt-bronze sword hilts for the Union Army. Ames was one of the largest brass, bronze and iron foundries in the United States. Ward set up a studio in New York City in 1861 and was elected to the National Academy of Design the following year; he was their president until 1874. In 1882, a new New York home and studio on 52nd Street was designed for him by his friend Richard Morris Hunt, who was to collaborate with him on many projects over the years. Ward was dedicated to developing an American school of sculpture through his participation in organizations and teaching. He occasionally took on students and assistants, the most notable being Daniel Chester French, Jules Desbois, Francois J. Rey, and Charles Albert Lopez. In 1888–1889, Ward, along with his studio assistant Francois J. Rey and a man named W. Hunt, taught a sculpture class at The Metropolitan Museum of Art. Four years later, he was invited by Harvard University to give a series of lectures. Ward was married three times. He married his first wife, Anna Bannan, on February 10, 1858. After her death, he married Julia Devens Valentine on June 19, 1877. Julia died during childbirth on January 31, 1879.
Career
Career
Nineteenth-century American commissions for sculpture were largely confined to portrait busts and monuments, where Ward was preeminent in his generation. Sculptors also made a living selling bronze reductions of their public works; Ward made use of new galvanoplastic duplicating techniques; many of Ward's reductions and galvanoplastic and die-stamped relief panels survive. His bronze statue of The Pilgrim, a 9 ft tall stylized representation of one of the Pilgrims, British immigrants to the New World led by William Bradford who left from Plymouth, England, in the cargo ship Mayflower in September 1620, sits on Pilgrim Hill in Central Park in New York City. The statue faces westward on the crest of a little knoll at the top of the hill, on a rusticated Quincy granite pedestal that was created by architect Richard Morris Hunt, overlooking the East Drive at East 72nd Street. The statue was donated to New York City in 1885 by the New England Society of New York. In 1902, with the collaboration of Paul Wayland Bartlett, he made the models for the marble pediment sculptures for the New York Stock Exchange. The pediment was carved by the Piccirilli Brothers. Ward participated in numerous organizations and associations during his long career. He was a founder and president of the National Sculpture Society (1893–1905), president of the National Academy of Design (1874), and a member of the Fine Arts Federation, the Architectural League, the National Institute of Arts and Letters, the American Academy of Arts and Letters, The American Institute of Architects, the National Arts Club, and the Century Association. He sat on the Advisory Committee of Fine Arts of the City of New York at the World's Columbian Exposition of 1893 and on the Advisory Committee of Sculptors at the Louisiana Purchase Exposition in 1904. He was one of the original members of the Board of Trustees of The Metropolitan Museum of Art and served on its executive committee until 1901, as well as one of the first trustees in 1897 for the American Academy in Rome. He died at his home in New York City in 1910. A copy of his Indian Hunter stands at his gravesite in Urbana, and his Urbana home is listed on the National Register of Historic Places. His sketchbooks are conserved at the Albany Institute of History & Art. His work was part of the sculpture event in the art competition at the 1928 Summer Olympics.
Gallery
Gallery
• Illustration — The Pilgrim, 1884, Central Park, New York City alt=The Pilgrim, 1884, Central Park, New York City • Illustration — 7th Regiment Monument, Central Park, New York City • Illustration — Major General John F. Reynolds Statue, Gettysburg National Military Park • Illustration — Major General George Henry Thomas, Thomas Circle, Washington, D.C. • Illustration — George Washington, Newburyport, Massachusetts • Illustration — George Washington, Federal Hall National Memorial, New York City • Illustration — Statue of Marquis de Lafayette, University of Vermont Green, Burlington, Vermont • Illustration — James A. Garfield Monument, United States Capitol grounds, Washington, D.C. • Illustration — Ether Monument, Boston Public Garden • Illustration — Ether Monument, Boston Public Garden • Illustration — Israel Putnam Statue, Bushnell Park, Hartford • Illustration — Smith Memorial Arch, Philadelphia • Illustration — Matthew Perry statue, Touro Park, Newport, Rhode Island • Illustration — August Belmont statue, Newport, Rhode Island
Life and work
Life and work
John Quincy Adams Ward was born on 29 June 1830 in Urbana. Ward held the nationality of United States. Recorded father: John Anderson Ward. Recorded sibling: Edgar Melville Ward. Ward died on 1 May 1910 in New York City. Ward is buried at Oak Dale Cemetery.
Life and career
Dated record
Life and career
Explore 1830–1910
The full dated record · 3 entries
1830
John Quincy Adams Ward was born on 29 June 1830.
1910
Dies at New York City.
1910
John Quincy Adams Ward died at New York City.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Urbana.
Birth place
New York City.
Death place
Catalogued output
Works documented in more than one form
4 titles are catalogued under more than one form, which is to say the registers hold them both as a work and as a distinct object, score, recording or edition. Where a title is documented in several forms the evidence behind it is correspondingly wider, and the article treats those forms as separate records of the same work rather than as separate works. William Wilson Corcoran — catalogued as work of art and sculpture.
Garfield Monument
1887 — catalogued as sculpture and monument
William Shakespeare
1870 — catalogued as sculpture and figurine
The Indian Hunter
1884 — catalogued as sculpture and figurine
Public sculpture
Public sculpture
• 1866 Indian Hunter, in Central Park, Manhattan, New York City • 1867 The Good Samaritan Ether Monument, Boston Public Garden, Boston, Massachusetts • 1868 "Matthew Perry Monument", Touro Park, Newport, Rhode Island • 1869 "Seventh Regiment Memorial", Central Park, New York City. The bronze of a standing Union soldier is set on a high granite pedestal along the West Carriage Drive at 69th Street. Actor and dramatist Steele MacKaye, who served in the 7th Regiment, was its model. • 1871 Major General John F. Reynolds Statue, Gettysburg National Military Park, Gettysburg, Pennsylvania • 1872 William Shakespeare, Central Park, New York City • 1873 Israel Putnam, Bushnell Park, Hartford, Connecticut • 1878 George Washington, Bartlet Mall, Newburyport, Massachusetts • 1878 William Gilmore Simms, White Point Garden, Charleston, South Carolina • 1879 Major General George Henry Thomas, Thomas Circle, Washington, D.C. • 1881 "Victory" (statue), Yorktown Victory Monument, Yorktown, Virginia • 1881 General Daniel Morgan Monument, Spartanburg, South Carolina • 1882 George Washington, Federal Hall National Memorial, New York City • 1883 Lafayette, University of Vermont, Burlington, Vermont • 1884 The Pilgrim, Pilgrim Hill, Central Park, New York City • 1887 James A. Garfield Monument, Capitol Hill, Washington, D.C. • 1888 Lincoln Goodale Monument, Goodale Park, Columbus, Ohio • 1891 Henry Ward Beecher Monument, Cadman Plaza, Brooklyn, New York • 1893 Governor Horace Fairbanks, St. Johnsbury Athenaeum, St. Johnsbury, Vermont • 1898 Equestrian statue of General Winfield S. Hancock, Smith Memorial Arch, Philadelphia, Pennsylvania • 1903 Integrity Protecting the Works of Man, pediment of the New York Stock Exchange Building, Manhattan, New York City • 1905 Abraham Coles (bust), Washington Park, Newark, New Jersey • 1910 Financier August Belmont, Newport, Rhode Island • 1916 General Phillip H. Sheridan Statue, East Capitol Park, Albany, New York (installed posthumously)
Paintings, drawings and prints, 1857–1898
Catalogued output
Paintings, drawings and prints, 1857–1898
These are objects catalogued as visual works, each held or recorded by the institution named against it. 17 works carry dates between 1857 and 1898. The 1850s are the densest part of the run, with 5 titles, and that concentration is a fact about what the registers have catalogued rather than a judgement on the work itself. They belong to a run of 23 titles in all, from 1857 to 1898.
The run opens with Johnson Mundy, Sculptor and closes with Head of a Black Man
Johnson Mundy, Sculptor
1857
Sketching - George Fuller
1858
Sketching - Emanuel Leutze
1858
George Reynolds
1859
Brown
1859
Sketch Class Series - E.W. Perry
1860
General George B. McClellan
1864
William Tilden Blodgett
1865
The Freedman
1877
Major General George Henry Thomas
1879
Statue of George Washington
1883
Paintings, drawings and prints without a settled date
Catalogued output
Paintings, drawings and prints without a settled date
6 further works are catalogued under Ward's name without a date the collections agree on, which is why they are set apart from the dated run rather than placed in it.
Matthew Perry Monument
Seventh Regiment Memorial
William Earl Dodge
William Wilson Corcoran
Primary material
Documents and archives
authority record
- Wikidata, structured authority record Q2069921: John Quincy Adams Ward
General reference · Wikidata
reference work
- “John Quincy Adams Ward”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Authority records
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Theodore Dreiser. "The Foremost of American Sculptors." The New Voice 16 (June 17, 1899), pp. 4, 5, 13.
- 2.D[aniel] O'C. Townley, "J.Q. Adams Ward." Scribner's Monthly 2 (August 1871), pp. 403-408.
- 3.Sharp, Lewis I., John Quincy Adams Ward: Dean of American Sculpture, University of Delaware Press, Newark, NJ, 1985 p. 40
- 4.Ames Sword Company history
- 5.Sharp, Lewis I. John Quincy Adams Ward: Dean of American Sculpture. Associated University Presses Inc. 20. 1985. 0-87413-253-3.
- 6.Prospectus, Art Schools of the Metropolitan Museum of Art 1888-1889, no. 6 (Department of American Paintings and Sculpture, The Metropolitan Museum of Art, New York City).
- 7.Letter from C. Eliot to John Quincy Adams Ward, October 23, 1893, (Albany Institute of History and Art, Albany, New York).
- 8.Walsh, Kevin. PILGRIM HILL, Central Park. Forgotten New York. January 8, 2020.
- 9.Pilgrim: NYC Parks. Central Park Monuments. June 26, 1939.
- 10.Pilgrim Hill. www.centralpark.com. April 3, 2019.
- 11.Pilgrim Hill. Central Park Conservancy. July 28, 2020.
- 12.Carroll, R. The Complete Illustrated Map and Guidebook to Central Park. Sterling Publishing Company, Incorporated. 57. 2008. 978-1-4027-5833-1.
- 13.Miller, Sara Cedar. Seeing Central Park: The Official Guide Updated and Expanded. Abrams. April 7, 2020. 978-1-68335-879-4.
- 14.Framed certificates at the Albany Institute of History and Art, Albany, New York
- 15.Howe, Winifred E. A History of The Metropolitan Museum of Art. The Metropolitan Museum of Art. 123. 1913.
- 16.Archives of American Art. Finding Aid. American Academy in Rome records, 1855-[ca.1981], (bulk dates 1894-1946). 2011.
- 17.MacMillan Company. American Art Annual, Volume 8. 402. 1911.
- 18.Ohio Outdoor Sculpture Inventory .
- 19.2010a.
- 20.John Quincy Adams Ward. Olympedia.
- 21.The bronze is signed J.Q.A. WARD 1869
- 22.New York City Department of Parks & Recreation. William Shakespeare statue. February 12, 2007.
- 23.pp.187-188
Bibliography printed in the source article · 6
- Adams, Adeline. J. Q. A. Ward, An Appreciation (New York, 1911)
- Adams, Adeline. John Quincy Adams Ward (New York, 1912)
- Durante, Dianne. Outdoor Monuments of Manhattan: A Historical Guide (New York University Press, 2007): description and discussion of Ward's Washington, Greeley, Holley, Conkling, Dodge, and Shakespeare, all in New York, with a list of Ward's other works in the five boroughs.
- Sharp, Lewis I. John Quincy Adams Ward, dean of American sculpture: with a catalogue raisonné. (Newark: University of Delaware, 1985)
- Sharp, Lewis I. New York City Public Sculpture: By 19th-Century American Artists (New York: Metropolitan Museum of Art, 1974) page 12
- Taft, Lorado, History of American Sculpture (New York, 1905)
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority record
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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