Eugène Devéria
Illustration — Self-portrait in 1838 Eugène François Marie Joseph Devéria (22 April 1805, in Paris – 3 February 1865, in Pau) was a French Romantic history painter, portraitist and muralist.
Also recorded as Eugène-François-Marie-Joseph Devéria · Eugène Deveria · Eugene Francois Marie Joseph Deveria · Eugène François Marie Joseph Devéria
Eugène Devéria

Eugène Devéria · Paris Musées · Public domain
- Born
- 1805.
- Died
- 1865.
- Nationality
- France.
- Occupation
- painter, sculptor, draftsperson and artist.
- Fields
- history painting.
- Movements
- Romanticism.
- Known for
- Battle of La Marsaille, October 4 and 1693.
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Illustration — Self-portrait in 1838 Eugène François Marie Joseph Devéria (22 April 1805, in Paris – 3 February 1865, in Pau) was a French Romantic history painter, portraitist and muralist.
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Authority files
wikidata · Q676001 · wikipedia · Eugène Devéria
In this article
Biography
Biography
He was one of five children born to François-Marie Devéria, a Bureau Chief in the Ministry of the Navy. His mother, Désirée François-Chaumont, came from a colonial family in Saint-Domingue that fled to France during the Revolution. His brother, Achille, was also a painter. After their father's death, Achille became the family's provider. Eugène displayed some artistic talent and became Achille's first pupil. Later, he would study with Anne-Louis Girodet and Guillaume Guillon Lethière. His first submissions to the Salon were for the Salon of 1824, but they attracted little notice. His first success came in the 1827 Salon with a canvas depicting the birth of King Henry IV. At this time, he was sharing a studio on the Boulevard Saint Michel with Louis Petitot, Pierre Cartellier and Louis Boulanger. Although he received several commissions, including one for a "Museum of the History of France" that was being planned by King Louis-Philippe, he was not generally successful. So, in 1838, he accepted a proposal to redo all of the painted decorations at Avignon Cathedral and left Paris. The task turned out to be greater than he expected. Together with unsanitary conditions and a flood that almost took the lives of him and his family, he became ill and exhausted. In 1841, he left Avignon to recuperate in Béarn. That same year, he married his partner, Caroline-Aglaé Lavie du Rausel (1793-1863), a creole with whom he had been living for many years, and who had given him a daughter in 1831. He was also raising a niece and nephew as his own. When he was feeling better, they all settled in Pau. In 1843, he converted to Protestantism, which soon came to be as important to him as his painting. This created a rift with his family and friends in Paris; one that was never healed. To support his large family, he gave drawing lessons and painted portraits of the wealthy visitors to Pau. In the summer, he would paint portraits at the spa in Eaux-Bonnes. He continued to send works to the Salon, but they were received with increasing indifference. His last submission was in 1861. He also made several trips abroad, but found few customers. In 1856, he attempted to finish his work in Avignon, but his daughter, Marie, who had accompanied him, died on the return trip. He made another visit to Avignon in 1857, but his work there remained unfinished.
Identity and origins
Identity and origins
The authorities additionally record the headings Eugène-François-Marie-Joseph Devéria, Eugène Deveria, Eugene Francois Marie Joseph Deveria, Eugène François Marie Joseph Devéria and Eugene Deveria. His recorded language was French. He was the child of François-Marie Devéria.

Le corps de la jeunne femme (Constance Mayer) qui vient de se donner la mort est découvert par son compagnon (Pierre-Paul Prud'hon) qui tombe dans les bras d'un des deux hommes qui l'accompagnent; dans la partie gauche de la scène, une huile sur toile figurant le Christ en croix au pied duquel se tient la Vierge est en cours d'exécution. Gravure publiée dans "L'Artiste" en 1831.
Eugène Devéria · Paris Musées
Life and career
Dated record
Life and career
Explore 1805–1865
The full dated record · 3 entries
1805
Eugène Devéria was born in 1805.
1826
La Lecture de la sentence de Marie Stuart by Eugène Devéria (Musée des Beaux-Arts d'Angers).
1865
Eugène Devéria died in 1865.
Selected paintings
• Illustration — The Return to the Market • Illustration — The Birth of Henry IV • Illustration — Breton Family, Praying at a Country Shrine • Illustration — The Reading of Mary Stuart's Sentence • Illustration — Posthumous portrait of Esprit Calvet
Primary material
Documents and archives
scholarly publication
- Devéria, Eugène François Marie Joseph, Benezit Dictionary of Artists, 2011
Scholarly · Crossref registry · 2011
- Eugène Devéria 1805-1865: Paul Mironneau, Eugène Devéria, La peinture et l’histoire; Guillaume Ambroise, Eugène Devéria, Variations sur les genres artistiques, Studi Francesi, 2008
Scholarly · Crossref registry · 2008
- Eugène Devéria, protestant romantique, Les Protestants et la création artistique et littéraire, 2008
Scholarly · Crossref registry · 2008
reference work
- Wikidata, structured authority record Q676001: Eugène Devéria
Reputable secondary · Wikimedia Foundation
- “Eugène Devéria”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Verifiedscholarly publication
Verifiedscholarly publication
Eugène Devéria, protestant romantique, Les Protestants et la création artistique et littéraire, 2008Crossref registry
Verifiedreference work
Wikidata, structured authority record Q676001: Eugène DevériaWikimedia Foundation
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Further particulars
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Formation and teaching. Devéria studied at Beaux-Arts de Paris. Each of those relationships is stated by the authority record rather than inferred from style.
Recognition and collections
Work by Eugène Devéria is
Art Institute of Chicago, Musée des Beaux-Arts de Pau, Metropolitan Museum of Art and Musée de l'Histoire de France
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Sculpture
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