John Macallan Swan

John Macallan Swan studied at Royal Academy of Arts and Lambeth School of Art. Training under Jean-Léon Gérôme, Pascal Dagnan-Bouveret and Jules Bastien-Lepage is recorded. Mary Rankin Swan is recorded as having studied under John Macallan Swan. The recorded working language is English. The field of work recorded is visual arts, painting and art of sculpture. Subjects and genres recorded for the work are genre, nude, figure and history. Places of work recorded in the authority are Paris, London and Netherlands. Work by John Macallan Swan is recorded in the collections of National Gallery of Victoria, Tate, Royal Academy of Arts, Manchester Art Gallery and Lady Lever Art Gallery.

Swan was born in Brentford, Middlesex, on 9 December 1846. His younger sister, Alice Macallan Swan, also became an artist. He received his art training first in England at the Worcester and Lambeth schools of art and the Royal Academy Schools, and subsequently in Paris, in the studios of Jean-Léon Gérôme and Emmanuel Frémiet. He began to exhibit at the Academy in 1878. His picture The Prodigal Son, bought for the Chantrey collection in 1889 (and now in the Tate Britain), established his reputation as an artist. He married artist Mary Rankin Swan in Ireland in 1884 and had two children with her, including sculptor Mary Alice Swan. He was elected associate in the Royal Academy in 1894 and academician in 1905. He was appointed a member of the Dutch Water-Colour Society in 1885; and associate of the Royal Society of Painters in Water Colours in 1896 and full member in 1899. He was awarded first class gold medals for painting and sculpture in the Paris Exhibition, 1900.

• Illustration — The Prodigal Son, 1888 • Illustration — Fata Morgana. A master of the oil, water-colour and pastel mediums, an accomplished painter and a skilful draughtsman, he ranked also as a sculptor of ability, having worked in nearly every material. He treated the human figure with notable power, but it was by his representations of the larger wild animals, mainly the felidae, that he chiefly established his reputation.

His subjects in oil include animals, figures, and landscapes, and are distinguished by massive, simple treatment, and a strongly imaginative element. Noted examples include: • Ocelot and Fish • Tigers • Tigers Drinking • Ceylon Leopards • Lions • Lioness Defending Her Cubs • Polar Bear Swimming • Illustration — A Black-Maned African Lion - John Macallan Swan in Aberdeen Archives Art Galleries and Museums collection