John Henry Dearle

Work by John Henry Dearle is held by Minneapolis Institute of Art, Art Institute of Chicago, Musée d'Orsay and Victoria and Albert Museum.

13 works under this name are catalogued by Wikidata Query Service, Open Library, The Art Institute of Chicago and Wellcome Collection. Their recorded dates run from 1887 to 1906.

Adoration of the Magi, dated 1904, held by Musée d'Orsay, inventory OAO 1786. Tapestry: Greenery, dated 1892, held by Museum of Fine Arts Boston, inventory 2007.314. Angeli Ministrantes, dated 1894, held by Victoria and Albert Museum, inventory T.459-1993. Greenery, dated 1892, held by Museum of Fine Arts Boston. A Straw Barge, held by Sheffield Galleries and Museums Trust, inventory VIS.509. The Seven Gables, Eastbourne, 1903. Compton, dated Design 1896, made 1917–25, cotton, plain weave; block printed, held by The Art Institute of Chicago, inventory 1972.393. Cherwell, dated Design 1887, made 1887–1917, cotton, twill weave with supplementary pile wefts forming cut solid "velveteen"; block printed, held by The Art Institute of Chicago, inventory 1978.193. Florence, dated Design c. 1890, made 1890–1917, cotton, twill weave with supplementary pile wefts forming cut solid 'velvet'; block printed, held by The Art Institute of Chicago, inventory 1996.65. Crested Bird, dated Design c. 1906, made 1917–1925, cotton, plain weave; block printed, held by The Art Institute of Chicago, inventory 1972.394. Daffodil, dated Design c. 1891, made 1891–1917, cotton, plain weave; block printed; six fragments pieced on panel "a", held by The Art Institute of Chicago, inventory 1974.420a. Elmcote, dated Design c. 1900, wool, plain weave; triple cloth; lining: wool, twill weave, held by The Art Institute of Chicago, inventory 1991.167. Henry Wellcome Letter Book 7, dated Aug 1903 - Jul 1904, held by Wellcome Collection.

Work associated with this heading is recorded in 7 named public collections.

Museum of Fine Arts Boston: 2 recorded objects, read from the institution's own published catalogue. Musée d'Orsay: 1 recorded object, read from the institution's own published catalogue. Victoria and Albert Museum: 1 recorded object, read from the institution's own published catalogue. Metropolitan Museum of Art: 1 recorded object, read from the institution's own published catalogue. Sheffield Galleries and Museums Trust: 1 recorded object, read from the institution's own published catalogue. The Art Institute of Chicago: 7 recorded objects, read from the institution's own published catalogue. Wellcome Collection: 1 recorded object, read from the institution's own published catalogue.

3 scholarly publications naming this subject were located in the registry of record.

Dearle, John Henry, Benezit Dictionary of Artists, 2011. Dearle, John Henry (1860–1932), The Bloomsbury Encyclopedia of Design, 2016. Dearle, John H., Benezit Dictionary of Artists, 2011.

2 digitised items associated with this heading are catalogued by Internet Archive.

Rose and Lily (1905) — Internet Archive. Trent (1888) — Internet Archive.

Bibliographic registers publish measured figures for this heading: 6 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 5 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 5 means 5 genuinely separate publishers of record. 13 further registers were consulted and returned nothing for this heading.

training under William Morris is recorded. the recorded working language is English.

Employment is recorded with Morris & Co.

Work by John Henry Dearle is recorded in the collections of Minneapolis Institute of Art, Art Institute of Chicago, Musée d'Orsay, Victoria and Albert Museum and Metropolitan Museum of Art.