John Jelliff

Most pieces can only be attributed to the firm.

• Name — John Jelliff • Born — 30 July 1813 • Birthplace — Norwalk, Connecticut, U.S. • Died — 2 July 1893 • Occupation — Furniture designer and manufacturer • Parents — Hezekiah Jelliff Nancy Bennett • Illustration — John Jelliff armchair in the Metropolitan Museum of Art

Born in Norwalk, Connecticut. Son of Hezekiah Jelliff and Nancy Bennett. John Jelliff apprenticed to Alonzo W. Anderson, a cabinetmaker in New York City in 1828, and moved to New Jersey in the early 1820s. He first worked for Lemuel M. Crane of Newark, and took over the Crane business in 1838. Jelliff then partnered with Thomas L. Vantilburg through 1843. In 1854, Jelliff partnered with Henry H. Miller, who served as his foreman. By the late 1850s Jelliff's work reflected the Italian renaissance style; he later found inspiration in the designs of John Henry Belter. By 1874, the Jelliff factory had 40000 sqft of floor space, employed 45 men and did annual sales of $100,000 (equivalent to $ million in), catering to the needs of the leading families in Newark. Jelliff retired in 1890. In spite of the industrialization of his time, Jelliff refused to produce machine-made furniture. The company produced rosewood, walnut and mahogany furniture with the occasional use of a fruitwood or maple as inlay. The company was an integral part of Newark's manufacturing history. "Perhaps the history of no single firm has been more closely interwoven with the progress of Newark in wealth, culture and refinement than John Jelliff & Co." Jelliff Avenue in Newark is named after John Jelliff. A large collection of pencil sketches and drawings in Jelliff's hand survives, showing that he was the firm's chief designer. The drawings are held by the Newark Museum.

The firm produced furniture in several revival styles, including: Gothic revival (1825 – 1865), Louis XVI revival (1860-1890), and Renaissance Revival (1860-1885)

• Illustration — The Salon at the Armour-Stiner House One of the best-known undertakings of Jelliff & Miller is a parlor suite from the 1870s, consisting of a sofa, armchair and four side chairs, now in the Ballentine House, which adjoins the Newark Museum. Jelliff's crowning achievement in carved furniture is the bishop's throne, dating to about 1850, in Newark's St. Patrick's Roman Catholic Church. The throne is "one of the chief monuments to the Gothic revival style in America." Jelliff also designed the cover of the church's baptismal font. Jelliff's work is also included in the permanent collections of numerous museums, including: • Metropolitan Museum of Art - 68.133.3 • New Jersey Historical Society - 1989.42.1 • Museum of Fine Arts in Boston - 1990.258 • Brooklyn Museum - 1994.18 • Indianapolis Museum of Art at Newfields - 79.148 • Museum of Arts and Sciences in Daytona Beach