John Griffiths

After a thirty-year career at the University of Melbourne (1980–2011), he now works as a freelance scholar and performer.

John Griffiths studied at Monash University. The recorded working language is English. Employment is recorded with University of Melbourne and Monash University. Distinctions recorded are Member of the Order of Australia and Fellow of the Australian Academy of the Humanities.

Griffiths graduated from Monash University in Melbourne (Australia) with a Bachelor of Arts degree and a PhD in 1984. From childhood he also studied guitar, initially with his father and then with Susan Ellis, Sadie Bishop and Sam Dunn during his school years. After completing his BA, he continued his performance studies in Germany with Siegfried Behrend and in Spain with José Luis Lopátegui. He also studied lute and vihuela performance at the Schola Cantorum Basiliensis with Hopkinson Smith and Eugen M. Dombois. His doctoral thesis on the Vihuela Fantasia established him as a leading scholar of early Spanish instrumental music. This has remained one of the principal areas of his research, alongside broader work on Spanish music and on European music for lute and related instruments. From 1980 until 2011, Griffiths was on the staff of the Faculty of Music (now Conservatorium of Music) at the University of Melbourne, as director of early music for the entire period, and as head of the School of Music in 1991. He was appointed to a chair of music in 1995, and in 1996 founded the Early Music Studio at the university which he directed until June 2011. In 2007 he also established the Lyrebird Press at the University of Melbourne to continue the legacy of Louise Hanson Dyer, the Melbourne philanthropist and arts patron who founded Éditions de l'Oiseau-Lyre in Paris in 1932. This press continues to publish monuments of Australian music from the nineteenth and twentieth centuries, as well as works by obscure European composers of the Renaissance, Baroque, and Classical periods. Since July 2011, he has been a professorial fellow in the School of Languages and Linguistics at the University of Melbourne. He is also co-director of the Corpus des Luthistes project at the Centre d'Etudes Supérieures de la Renaissance in Tours, vice-president of the Sociedad de la Vihuela in Spain, and chair of the "Tablature in Western Music" study group of the International Musicological Society. In 1993 he was made an Officer of the Order of Isabella the Catholic by King Juan Carlos I of Spain. As a performer, Griffiths has appeared around the world as a soloist and as a member of the ensemble La Romanesca that he founded in 1978 with Hartley Newnham, Ros Bandt and Ruth Wilkinson. He tends to treat many of his solo performances as an extension of his research work, and as an opportunity to present newly discovered works, or new interpretations of established repertory. He has taught for many years in summer schools in Spain, especially the Festival Internacional de Guitarra in Córdoba, and Festival Internacional de Música Antigua de Daroca. Among his publications are new editions of early sources of music for vihuela and lute, studies on interpretation, music analysis, tablature printing in the renaissance, and the role of plucked instruments in Renaissance society. He has contributed articles on the vihuela and many related areas to the major reference works The New Grove Dictionary of Music and Musicians, Die Musik in Geschichte und Gegenwart, and the Diccionario de la Música Española e Hispanoamericana. His work on the life and music of the vihuelist Esteban Daza is particularly noteworthy as is his work on music printing in Spain. In the 2019 Australia Day Honours Griffiths was made a Member of the Order of Australia (AM) for "significant service to music education as an academic and musicologist, and to professional societies". He was elected a Fellow of the Australian Academy of the Humanities in 2006.

• Monodies. La Romanesca. Move Records MD3044, 2005 [Part new, partial reissue of 1982 recording] • I am Music: works by Francesco Landini (c.1325–1397). The Ensemble of the Fourteenth Century, directed by J. Griffiths and J. Stinson. The Music of the Fourteenth Century, vol. 2. MD3093. Move Records, 1997. • The Echo of Orpheus: Vihuela Music of Renaissance Spain. Move Records MD 3092, 1995 • An Iberian Triangle: Music of Christian, Jewish and Moorish Spain before 1492. La Romanesca. Move Records MD 3114, 1992. • Every Delight and Fair Pleasure:The Music of Northern Italy. The Ensemble of the Fourteenth Century, directed by J. Griffiths and J. Stinson. The Music of the Fourteenth Century, vol. 2. MD3092. Move Records, 1991. • Two Gentlemen of Verona. The Ensemble of the Fourteenth Century, directed by J. Griffiths and J. Stinson. The Music of the Fourteenth Century, vol. 1. MD3091. Move Records, 1987. • Medieval Monodies. La Romanesca. Move Records MS3044, 1982. Reissued on Compact Disc 1988 • Love Lyrics and Romances of Renaissance Spain. La Romanesca. Move Records MS3034, 1980.