John Farrar

Farrar worked across composer, guitarist, songwriter and record producer. The registers place that work in rock and roll. This article rests on 84 catalogued compositions, 33 published texts, 4 issued recordings and 44 scholarly references drawn from named institutional registers. Every statement below returns to a source shown in the evidence panel; where the record is silent or divided, the article says so instead of resolving it.

• Name — John Farrar • Birth Name — John Clifford Farrar • Born — 8 November 1946 • Birthplace — Melbourne, Victoria, Australia • Children — 2; including Sam

John Clifford Farrar was born on 8 November 1946, and grew up in Moonee Ponds, a suburb of Melbourne. He has an older brother, Reginald, and the family lived in a large household with aunts and uncles. Farrar's mother bought him a country music guitar, which he began playing at the age of twelve.

In 1961, he started playing in a band, The Jaguars, with his older brother Reg. When he was fifteen, the family relocated to nearby Niddrie. In 1963, he joined The Mustangs, alongside Johnny Cooper on vocals, Peter Ramis on bass guitar and Billy on drums.

In late January 1964, he joined The Strangers, replacing the founding guitarist Laurie Arthur, adding another lead vocalist to the group. Other members were Peter Robinson on bass guitar and lead vocals, Graeme Thompson on drums, and Fred Weiland on guitar and backing vocals. They had formed as an instrumental band in Glenroy in 1961, working in the Melbourne dance scene. In June 1964, the band issued its first vocal single, "If You Gotta Make a Fool of Someone", which reached the top 30 on the Melbourne charts in July. They became a popular backing and session band. In August 1964, The Strangers were hired as the house band for the ATV O pop music program, The Go!! Show. Both Farrar's future wife, Pat Carroll, and their close friend, Olivia Newton-John, appeared on The Go!! Show as singers backed by The Strangers. Carroll and Newton-John formed a vocal duo, "Pat and Olivia", and in 1967, they first toured the United Kingdom, including a gig at the infamous Raymond Revuebar club in Soho. After returning to Australia from a tour, Carroll could no longer work in the UK because her work visa had expired, while Newton-John, who was a British citizen, returned to work in the UK. Farrar dated and married Carroll and, following their wedding in 1970, Carroll stopped pursuing headliner status. She occasionally reprised the duo with Newton-John, and worked as a session singer on Farrar's or Newton-John's work. During 1968, The Strangers supported the Australian leg of a tour by the British instrumental group, The Shadows. In June 1970, The Strangers released their most successful hit, "Melanie Makes Me Smile", which peaked at No. 14 on the Go-Set National Top 60 in August. Farrar left the Strangers in July 1970.

• Illustration — Farrar (left) and Hank Marvin (right) performing with Marvin, Welch & Farrar in 1972 In July 1970, Farrar left The Strangers, and he and Carroll moved to Britain, where he was invited to become a member of Marvin, Welch & Farrar, a vocal harmony group featuring two former members of The Shadows, Hank Marvin and Bruce Welch. By that time, Newton-John and Welch were engaged, and Farrar and Welch became two of her songwriters and producers. Welch and Farrar co-produced and performed on Newton-John's cover of Bob Dylan's track, "If Not for You", and the album of the same title, released in November 1971. Farrar also worked as a backing guitarist and vocalist with Cliff Richard. Marvin, Welch & Farrar put out two albums, an eponymous one in 1971, and Second Opinion (in both quadraphonic and stereo formats) in 1972. In 1973, a third album featured just Marvin and Farrar. The Shadows reformed soon after, and Farrar joined as second lead guitarist and vocalist. In 1975, the group represented the UK in the Eurovision Song Contest with "Let Me Be the One". In 1973, Farrar had appeared in the same contest as a backing guitarist and vocalist for Richard's entry, "Power to All Our Friends". The following year he backed and produced Newton-John on her effort, "Long Live Love". From 1971 to 1976, various members of The Shadows were employed as session musicians for Newton-John's early albums, recorded at London's Abbey Road Studios. Aside from Farrar and Welch, they included Brian Bennett, Alan Hawkshaw, Alan Tarney, Dave Richmond, and Trevor Spencer. Some other session musicians were the fellow Australians Kevin Peek and Terry Britten, who had both worked with Richard, and some other musicians. They worked under co-producers Farrar and Welch until midway through Newton-John's second album, Olivia. Thereafter, Farrar was her main producer. He produced her number-one albums, If You Love Me, Let Me Know (1974), Have You Never Been Mellow (1975), and Olivia's Greatest Hits Vol. 2 (1982). Farrar also produced Newton-John's first American number-one hit single, "I Honestly Love You", which was awarded the Grammy Award for Record of the Year in 1975. His last production for Newton-John was her album, Warm and Tender in 1989.

In 1974, Farrar used the talk box on an instrumental track, "No, No, Nina". The device, which was based on effects devices that were first developed in the late 1930s, had been used by Joe Walsh on the 1973 US Top 40 single "Rocky Mountain Way". In 1976, Peter Frampton released two Top 10 US singles from the Frampton Comes Alive! album that used the talk box as well. Farrar's talk box track was held back from release by EMI until 1997, when it appeared on the CD album, The Shadows at Abbey Road, containing mostly unreleased material. A vocal version of "No, No, Nina" appeared on the Specs Appeal album as a Eurovision contender track, but it was voted sixth out of six initial entries. Aside from instrumentation and vocals, Farrar worked as an arranger on The Shadows' albums: Rockin' with Curly Leads, Specs Appeal, Tasty and Live at the Paris Olympia. Farrar's work with Newton-John embraced a wide range of styles, from "You're the One That I Want" (duet with John Travolta) to "Physical". Farrar's biggest success with Newton-John as a writer-producer came with the film version of the musical, Grease. In 1977, during filming, its producers were replacing some of Jim Jacobs and Warren Casey's pieces from the original score and wanted some more commercial songs, including a solo number for Newton-John, so Farrar wrote and submitted two originals, "Hopelessly Devoted To You" and "You're the One That I Want". Both were accepted, despite strong reservations from director Randal Kleiser, who believed that the songs didn't fit the style, and became two of the soundtrack's most successful singles, being international number-one hits during 1978. In June 2004, Farrar recalled writing the two songs: "'You're the One That I Want': The weird thing was it was the fastest song I ever wrote. It came so fast, the actual melody and the feel of it. 'Hopelessly Devoted To You': I spent the longest period writing the lyrics of any song I've ever written. Every thesaurus and every rhyming dictionary I had, just trying to really make it work properly". Other number-one hits for Newton-John that were written and produced by Farrar are "Have You Never Been Mellow" (1975), "Don't Stop Believin'" (an easy-listening chart-topper from 1976, not the Journey song of the same name), and "Magic" (1980). Farrar produced one side of the Xanadu soundtrack for the 1980 film of the same name. The other side featured tracks by Electric Light Orchestra and was produced by their guitarist-vocalist, Jeff Lynne. In March 1981, Farrar was nominated for a Golden Raspberry Award for Worst Original Song for the song "Suspended in Time" from Xanadu. In 1995, Farrar collaborated with Newton-John and lyricist Tim Rice on the score of Cliff Richard's musical, Heathcliff based on the Emily Brontë novel Wuthering Heights. Farrar also co-wrote songs for a musical based on the 1959 film, Gidget, which, As of 2012 April, had been indefinitely postponed. Farrar runs the Moonee Ponds Studio at Sweetwater Road in Malibu.

Farrar and Carroll are the parents of Phantom Planet and Maroon 5 bass guitarist Sam Farrar (born 29 June 1978), and Max Farrar, composer and music producer. Farrar is the father-in-law of former Agent Sparks member Stephanie Eitel, who is married to Sam. As of 2012 April, Farrar and Carroll reside in Malibu, California.

According to AllMusic John Farrar has been credited with: vocals (lead, backing), guitars (lead, rhythm, bass guitar, acoustic, slide guitar, acoustic slide, electric slide), piano (electric), keyboards, mellotron, synthesizer, vocoder, synclavier, mandolin, and horn.

• 1973 "Power to all Our Friends" (backing Cliff Richard). • 1974 "Long Live Love" (producer to Olivia Newton-John) • 1975 "Let Me Be the One" (member of The Shadows).

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John Farrar was born on 8 November 1946 in Melbourne. Farrar held the nationality of Australia. Married to: Pat Carroll. Recorded child: Sam Farrar. Farrar worked as composer, guitarist, songwriter and record producer. Farrar was active from 1961. The fields Farrar worked in include rock and roll. Farrar played the guitar.