Johannes Itten
Johannes Itten (11 November 1888 – 25 March 1967) was a Swiss expressionist painter, designer, teacher, writer and theorist associated with the Bauhaus (Staatliches Bauhaus) school. Together with German-American painter Lyonel Feininger and German sculptor Gerhard Marcks, under the direction of German architect Walter Gropius, Itten was part of the core of the Weimar Bauhaus.
Also recorded as Johannes van Itten
Johannes Itten

Photograph: Paula Stockmar (as mentioned at https: Derivative work: MagentaGreen · This file was derived from: Itten001.jpg · CC BY-SA 3.0
- Name
- Johannes Itten
- Born
- 11 November 1888
- Birthplace
- Südern-Linden, Switzerland
- Died
- 25 March 1967
- Place of death
- Zürich, Switzerland
- Field
- Painting, Drawing, Color theory, Architecture
- Training
- Academy of Arts, Stuttgart
- Movement
- Expressionism
- Nationality
- Switzerland
- Occupation
- painter · writer · architect · draftsperson · photographer · graphic artist · sculptor
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Johannes Itten (11 November 1888 – 25 March 1967) was a Swiss expressionist painter, designer, teacher, writer and theorist associated with the Bauhaus (Staatliches Bauhaus) school. Together with German-American painter Lyonel Feininger and German sculptor Gerhard Marcks, under the direction of German architect Walter Gropius, Itten was part of the core of the Weimar Bauhaus.
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Authority files
wikidata · Q123138 · wikipedia · Johannes Itten
In this article
Key facts
Key facts
• Name — Johannes Itten • Born — 11 November 1888 • Birthplace — Südern-Linden, Switzerland • Died — 25 March 1967 • Place of death — Zürich, Switzerland • Field — Painting, Drawing, Color theory, Architecture • Training — Academy of Arts, Stuttgart • Movement — Expressionism • Works — Farbkreis (1961)
Life and work
Life and work
He was born in Südern-Linden, Switzerland. From 1904 to 1908 he trained as an elementary school teacher. Beginning in 1908 he taught using methods developed by the creator of the kindergarten concept, Friedrich Fröbel, and was exposed to the ideas of psychoanalysis. In 1909 he enrolled at the École des Beaux-Arts in Geneva but was unimpressed with the educators there, and returned to Bern. Itten's studies at the Bern-Hofwil Teachers' Academy with Ernst Schneider proved seminal for his later work as a master at the Bauhaus. Itten adopted principles espoused by Schneider, including the practice of not correcting his students' creative work on an individual basis, for fear that this would crush the creative impulse. Rather, he selected certain common mistakes to correct for the class as a whole. In 1912, he returned to Geneva, where he studied under Eugène Gilliard, an abstract painter. He was heavily influenced by Adolf Hölzel and Franz Cižek. Itten opened a private art school in Vienna, using the work and textbook of Eugène Gilliard as a base. From Hölzel, Itten adopted a series of basic shapes (the line, the plane, the circle, the spiral) as a means from which to begin creation, and the use of gymnastic exercises to relax his students and prepare them for the experiences that were to occur in the class. • Illustration — "Farbkreis" by Johannes Itten (1961). Main topic: RYB color model. From 1919 to 1922, Itten taught at the Bauhaus, developing the innovative "preliminary course" which was to teach students the basics of material characteristics, composition, and color. "Itten theorized seven types of color contrast and devised exercises to teach them. His color contrasts include[d] (1) contrast by hue, (2) contrast by value, (3) contrast by temperature, (4) contrast by complements (neutralization), (5) simultaneous contrast (from Chevreul), (6) contrast by saturation (mixtures with gray), and (7) contrast by extension (from Goethe)." In 1919 he invited Gertrud Grunow, to teach a course on the "theory of harmony" at the Bauhaus. This involved using music and relaxation techniques with the aim of improving the students' creativity. In 1920 Itten invited Paul Klee and Georg Muche to join him at the Bauhaus. He published a book, The Art of Color, which describes his ideas as a furthering of Adolf Hölzel's color wheel. Itten's so called "color sphere" went on to include 12 colors. In 1924, Itten established the Ontos Weaving Workshops near Zürich, with the help of Bauhaus weaver Gunta Stölzl. • Illustration — The grave of Itten, his second wife Anneliese, née Schlösser (1913-2002), and of one of their three children, Klaus Itten (1944-2023), who was a professor of geography at the University of Zurich, at the cemetery of Hönggerberg in Zürich. Itten was a follower of Mazdaznan, a neo-Zoroastrian religion founded in the United States. He observed a strict vegetarian diet and practiced meditation as a means to develop inner understanding and intuition, which was for him the principal source of artistic inspiration and practice. Itten's mysticism and the reverence in which he was held by a group of the students, some of whom converted to Mazdaznan (e.g. Georg Muche), created conflict with Walter Gropius who wanted to move the school in a direction that embraced mass production rather than solely individual artistic expression. The rift led to Itten's resignation from the Bauhaus and his prompt replacement by László Moholy-Nagy in 1923. From 1926 to 1934 he had a small art and architecture school in Berlin, in which Ernst Neufert, the former chief-architect of Walter Gropius at the Bauhaus, taught as well from 1932 to 1934. Itten's works exploring the use and composition of color resemble the square op art canvases of artists such as Josef Albers, Max Bill and Bridget Riley, and the expressionist works of Wassily Kandinsky. • 1926–1934 Private art school in Berlin • 1932–1938 Director of the Textilfachschule in Krefeld • 1938–1954 Director at the Kunstgewerbeschule Zürich • 1943–1960 Director of the Textilfachschule in Zürich • 1949–1956 Director of the Museum Rietberg, Zürich, a museum for non-European art • 1955 works as freelance painter • 1955 colour courses at the HfG Ulm (Hochschule für Gestaltung Ulm)
Filmography
Filmography
• „Johannes Itten – Bauhaus-Pionier", Documentary, Directed by: Marina Rumjanzewa, 2018
Identity and origins
Identity and origins
The authorities additionally record the heading Johannes van Itten. His recorded languages were German and Standard High German. His recorded confession was Mazdaznan. He married Hildegard Anbelang, Anneliese Itten and Annelise Itten. 2 children are recorded: Marion Lichardus-Itten and Klaus Itten.
Identity
Identity
"Education is revelation that affects the individual."--Gotthold Ephraim Lessing, The Education of the Human Race, 1780. Recorded as painter, writer, architect and draftsperson.

Wilmersdorf Konstanzer Straße 14 Ehemalige Itten-Schule
Fridolin freudenfett
Life and career
Dated record
Life and career
The full dated record · 2 entries
1888
Johannes Itten was born in 1888.
1967
Johannes Itten died at Zurich.
Influence
Itten's work on color is also said to be an inspiration for seasonal color analysis. Itten had been the first to associate color palettes with four types of people, and had designated those types with the names of seasons. His studies of color palettes and color interaction directly influenced the Op Art movement and other color abstraction base movements. Shortly after his death, his designations gained popularity in the cosmetics industry with the publication of Color Me A Season. Cosmetologists today continue to use seasonal color analysis, a tribute to the early work by Itten.
Primary material
Documents and archives
Institutional database
- Wikidata, structured authority record Q123138: Johannes Itten
Scholarly · Wikimedia Foundation
reference work
- “Johannes Itten”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Fiell, Charlotte. Design of the 20th Century. Taschen. 353. 2005. 9783822840788.
- 2.Curtis, William. Modern Architecture Since 1900. Fudge cakes Hall. 121. 1987. 0-13-586694-4.
- 3.Droste, Magdalena (2002). Bauhaus: 1919-1933, pp. 24–32. Taschen. .
- 4.Ruhrberg, Karl, and Walther, Ingo F. (2000). Art of the 20th Century, p. 177. Taschen. .
- 5.Éva Forgács. The Bauhaus Idea and Bauhaus Politics. Central European University Press. 58–. 1 January 1995. 978-1-85866-012-7.
- 6.Frampton, Kenneth. Modern Architecture: a critical history. Thames and Hudson, Inc. 124. 1992. 0-500-20257-5.
- 7.The Weavers on the Bauhaus Stairway. www.guntastolzl.org.
- 8.Magdalena Droste and the Bauhaus Archive, Bauhaus, Taschen, 2006
- 9.Raizman, David (2003). A History of Modern Design, p. 184. London: Laurence King Publishing Ltd. .
- 10.David Burton. Applying Color. Art Education. National Art Education Association. 37. 1. 40–43. 1984. 10.2307/3192794.
Bibliography printed in the source article · 4
- cite book
- Itten, Johannes, and Birren, Faber (1970). The Elements of Color: A Treatise on the Color System of Johannes Itten Based on His Book The Art of Color. New York: Van Nostrand Reinhold.
- cite book
- Eric Cimino. Student Life at the Bauhaus, 1919-1933. M.A. Thesis, UMass-Boston, 2003.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
Institutional database
Wikidata, structured authority record Q123138: Johannes IttenWikimedia Foundation
Verifiedreference work
Partially resolved
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Johannes Itten studied at State Academy of Fine Arts Stuttgart and École supérieure des beaux-arts, Genève. He trained under Adolf Hölzel. Each of those relationships is stated by the authority record rather than inferred from style.
Johannes Itten worked in painting. His work is associated with Expressionism. He was employed by cirrus and Bauhaus. He worked at Weimar, Berlin, Amsterdam and Zurich. Itten received Sikkens Prize.
Career and activity
Recognition and collections
Work by Johannes Itten is
Art Institute of Chicago, Thyssen-Bornemisza Museum, Museum of Modern Art and Metropolitan Museum of Art
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Sculpture
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