Joannès Barbier
Jean Ennemond Barbier, commonly known as Joannès Barbier, was a French photographer known for his images in colonial West Africa in the 1890s, operating out of Senegal. His images reached notoriety when he took pictures of massacred Africans, in some cases arranging the scenes for photographic effect. Later, he acted as an organizer of "black villages" or human zoos at the colonial exhibitions in Lyon in 1894, Paris in 1895, and Rouen in 1896. • Illustration — 1890.
Joannès Barbier

Émile Tilly · Public domain
- Name
- Joannès Barbier
- Birth Name
- Jean Ennemond Barbier
- Born
- 3 March 1854
- Birthplace
- 2nd arrondissement of Lyon, Lyon, France
- Died
- 20 December 1909
- Place of death
- 5th arrondissement of Lyon, Lyon, France
- Occupation
- photographer
- Known for
- Photographs of Africa in the late 19th century.
- Full name
- Jean Ennemond Barbier.
- Nationality
- France
- Fields
- ethnography
- Languages
- French
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Jean Ennemond Barbier, commonly known as Joannès Barbier, was a French photographer known for his images in colonial West Africa in the 1890s, operating out of Senegal. His images reached notoriety when he took pictures of massacred Africans, in some cases arranging the scenes for photographic effect. Later, he acted as an organizer of "black villages" or human zoos at the colonial exhibitions in Lyon in 1894, Paris in 1895, and Rouen in 1896. • Illustration — 1890.
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Note VALÉORINE
Joannès Barbier (1854–1909) was a French photographer. Born Jean Ennemond Barbier in 2nd arrondissement of Lyon, the photographer died in 5th arrondissement of Lyon.
Joannès Barbier held the position of council member and lived in Lyon. The photographer was active in ethnography. Languages used include French.
Composed from admitted, traceable facts · 26 September 2026
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wikidata · Q112632601 · wikipedia · Joannès Barbier
In this article
Biography
Biography
While some photos which Barbier is known for were controversial, he also took images of normal life, such as this image of a group of Fulani musicians from Mali playing hoddu lutes. • Illustration — 1891. Wolofs near Saint-Louis. • Illustration — Madior Tioro Fall, son of Damel Madiodio Déguen Coddou, leader of Diambour people. • Illustration — Diolas of Gambia at the banks of the Casamance. • Illustration — alt=Photographie d'un groupe de femmes partiellement dénudées, fixant l'objectif. Un homme assis au premier plan joue d'un instrument de musique. Circumcised girls [sic] in Mellacorea • Illustration — alt=Photographie, vue en plongée d'un large cercle de personnes sur la place d'un village africain. Tam-tam at Bakel in honor of the capture of Nioro. • Illustration — 1894. Photo of a black albino woman from Senegal by Joannès Barbier on the occasion of the colonial exhibition in Lyon. • Illustration — c. 1894-1896 Cabinet card showing a woman from Senegal working while carrying a child.
![Horseman in Senegal, photo postcard by Joannès Barbier. The horseman is Madior Tioro Fall, son of Damel Madiodio Déguen Coddou. [1] Summary of the history before this photo: History given with the photo breaks down into the following: Diambor revolt (Dec 1856-Dec 1859), a rivalry between "the Fall Tié Ndela and the Fall Madior Tioro." [1] Who they were Fall Tié Ndela was also Damel Tié Ndela.](https://upload.wikimedia.org/wikipedia/commons/thumb/b/b3/Horseman_in_Senegal%2C_photo_postcard_by_Joann%C3%A8s_Barbier.jpg/666px-Horseman_in_Senegal%2C_photo_postcard_by_Joann%C3%A8s_Barbier.jpg)
Horseman in Senegal, photo postcard by Joannès Barbier. The horseman is Madior Tioro Fall, son of Damel Madiodio Déguen Coddou. [1] Summary of the history before this photo: History given with the photo breaks down into the following: Diambor revolt (Dec 1856-Dec 1859), a rivalry between "the Fall Tié Ndela and the Fall Madior Tioro." [1] Who they were Fall Tié Ndela was also Damel Tié Ndela.
Joannès Barbier
Key facts
Key facts
• Name — Joannès Barbier • Birth Name — Jean Ennemond Barbier • Born — 3 March 1854 • Birthplace — 2nd arrondissement of Lyon, Lyon, France • Died — 20 December 1909 • Place of death — 5th arrondissement of Lyon, Lyon, France • Occupation — photographer • Years Active — 1887-1907 • Known for — Photographs of Africa in the late 19th century.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1854
Joannès Barbier was born in 1854 at 2nd arrondissement of Lyon.
1909
Joannès Barbier died in 1909 at 5th arrondissement of Lyon.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
- Lyon
Named but not plotted · 2
2nd arrondissement of Lyon.
Birth place
5th arrondissement of Lyon.
Death place
Photographer of the Bakel massacre in 1891
In 1891, Joannès Barbier accompanied French officers during the Tukulor War conflict, when the French attacked the Toucouleur empire. He arrived in Bakel at the time when the executions of Toucouleurs were taking place. He took several views of piled-up or decapitated corpses of "supposed fugitives from the enemy army", probably for the private albums of the soldiers. However, some prints were sent to the photographer's brother (Louis Barbier) in France, and the latter sold them to the newspaper L'Illustration. While this newspaper was usually "not very critical of colonial policy", its editors published his photos in controversial article entitled The Work of Civilization in Africa on April 11, 1891. Among those images were pictures from Bakel and from Nioro (where Emporer Amadhu had set his capital during a war for succession with his brothers. • Illustration — alt=Photographie présentant une dizaine de corps amoncelés sur la berge d'un cours d'eau, six spectateurs se tiennent à l'arrière-plan autour d'une large barque. Joannès Barbier, "Bodies dragged to the river bank to be thrown into the water", January 1891, aristotype print glued to cardboard. Army Museum, Paris. Inv. 2015.10.4. • Illustration — alt=Photographie présentant un homme assis devant quatre têtes humaines coupées, au sol, et une cinquième sur un billot de bois dressé. Joannès Barbier, "Native having just brought to Bakel the heads of prisoners captured among the fugitives of Ahmadou’s bands," 1891, aristotype print glued to cardboard. Army Museum, Paris. • Illustration — Émile Tilly, "Corpses of prisoners executed after the battle of Nioro", engraving from a Joannès Barbier photograph, in “The work of civilization in Africa”, L'Illustration, no. 2511, April 11, 1891. • Illustration — "Native having just brought to Bakel the heads of prisoners captured among the fugitives of Ahmadou’s bands" (L’Illustration, no. 2511, Saturday April 11, 1891).
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.La photographie a été l'un des outils de la domination coloniale. RetroNews.
- 2.Musée de l'Armée - RMN. Photographies en guerre. 78. 2022. 978-2-7118-7905-2.
- 3.Foliard, Daniel. Bakel, 1891: anatomie d'une crise médiatique. Revue d'Histoire du XIXe Siècle. Societe D'Histoire de la Revolution de 1848 et des Revolutions du XIXe Siècle. 58. 189–206. 1 August 2019. 10.4000/rh19.6494.
- 4.Bouyer, Anaëlle. Exotisme et commerce : Les « villages noirs » dans les expositions françaises (1889-1937). Outre-Mers. Revue d'histoire. 90. 338–339. 274, 281–284. 2003.
- 5.Manceron, Gilles. Marianne et les colonies Une introduction à l'histoire coloniale de la France. La Découverte. 123. 2005.
- 6.Karthala. Villages noirs et Visiteurs africains et malgaches en France et en Europe : 1870-1940. 120–121. 2012. 978-2-8111-0723-9.
- 7.Hanson, John H. Historical Writing in Nineteenth Century Segu: A Critical Analysis of an Anonymous Arabic Chronicle. History in Africa. 12. 105–106. 1985. 10.2307/3171715.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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