Jean Morin

Training under Philippe de Champaigne is recorded. Nicolas de Plattemontagne is recorded as having studied under Jean Morin. The recorded working language is French. Subjects and genres recorded for the work are portrait. Places of work recorded in the authority are Paris. Work by Jean Morin is recorded in the collections of The Nelson-Atkins Museum of Art, Auckland Art Gallery, Tate, Metropolitan Museum of Art and Vanderbilt Museum of Art.

Morin was born and died in Paris. His father Étienne Morin was a master painter who died young (circa 1612–1615). He was married to Marie Oignet (or Houegnet, Vanier, Wanier etc.) who was very likely Flemish. Jean had two sisters: Marie, who never married (1611–1703) and Catherine (near 1610–1672), who in 1631 married the Flemish painter and engraver Matthieu van Plattenberg, called Plattemontagne in France. Van Plattenberg was originally from Antwerp and became a founding member of the Royal Academy of Painting and Sculpture. Their son (and therefore nephew of Jean Morin) was the painter Nicolas de Plattemontagne who studied under Morin and Philippe de Champaigne. • Illustration — Memento Mori Van Plattenberg and Morin worked together on various publications such as a series of landscapes and marine scenes. Morin likely never married.

His graphic work consists of 118 plates, which are undated and the chronology of which is unknown. Six plates do not have his signature. The works include: • 50 portraits • 34 devotional subjects • 20 landscapes • 11 book illustrations • 3 genre scenes. Many of these works were made after paintings of leading artists of the time.

• Illustration — Louis XIII • Illustration — Anne d'Autriche • Illustration — Cardinal Richelieu • Illustration — Jacques Lemercier • Illustration — Cardinal Mazarin • Illustration — François Potier • Illustration — Arnaud d'Andilly • Illustration — Rene de Longueil • Illustration — Henri de Lorraine • Illustration — Theophile Brachet de la Milletiere • Illustration — Pierre Bartier, Bishop of Montauban • Illustration — Antoine Vitre