Jacques Auguste Regnier
Illustration — Old Mortality • Illustration — The Vault of the Quai de Gesvres Jacques Auguste Regnier, sometimes given as Auguste Jacques (26 August 1787, Paris – 2 June 1860, Paris) was a French artist who painted in the Romantic style. He also helped introduce the Troubadour style and was heavily influenced by English literature.
Also recorded as Jacques-Augustin Regnier · Jacques Augustin Regnier · Auguste Jacques Regnier · Auguste Regnier
Jacques Auguste Regnier

Franck Raux · RMN (Musée du Louvre) · Public domain
- Born
- 1787 · Paris.
- Died
- 1860 · Paris.
- Nationality
- France
- Occupation
- painter
- Movements
- Romanticism
- Education
- Beaux-Arts de Paris
- Honours
- Knight of the Legion of Honour
- Languages
- French
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wikidata · Q3158162 · wikipedia · Jacques Auguste Regnier
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Biography
Jacques Auguste Regnier studied at Beaux-Arts de Paris. Jean-Jacques Champin is recorded as having studied under Jacques Auguste Regnier. The recorded working language is French. Work by Jacques Auguste Regnier is recorded in the collections of Musée Carnavalet, Musée de Picardie, Musée national du Château de Fontainebleau, paintings collection of Musée des beaux-arts de Chartres and Musée des Beaux-Arts de Chartres. Distinctions recorded are Knight of the Legion of Honour.
He was trained at the school of Pierre-Henri de Valenciennes, where he was a student of Jean-Victor Bertin, who influenced him to become a painter of landscapes and historical scenes. He began exhibiting at the Salon in 1812 and travelled widely throughout France; visiting Auvergne, Dauphiné, Normandy and Picardy. Following these travels, he produced rural scenes that attracted the attention of the Duchess of Berry and Louis-Philippe I. In addition to these scenes, he produced works illustrating the history of France; notably a depiction of Joan of Arc, swearing her devotion to the salvation of France, which is now at the Palais de Fontainebleau, and works inspired by literature; Walter Scott in particular. His "Old Mortality" is on display at the Louvre. He was, in fact, generally an enthusiast for the Anglomania that developed in France in the 1830s; becoming a member of the circle that surrounded Richard Parkes Bonington, and was one of the first French artists to become interested in the works of John Constable. His friend, Eugène Delacroix, subsequently became a great admirer of Constable after Regnier presented him with some lithographs from his collection. He was also influenced by the young Victor Hugo, and was inspired to pursue his romantic vision of Old Paris. In 1825, with the help of his student, Jean-Jacques Champin, he began creating an illustrated book on the subject, which would be called Vues pittoresques des principaux châteaux et des maisons de plaisance des environs de Paris et des départements lithographié par Auguste Regnier. This was followed by La Seine et ses abords (1836), Habitations des personnages les plus célèbres de France depuis 1790 jusqu'à nos jours and Promenade dans les rues de Paris, Dessins d’Auguste Regnier, Lithographiés Jean Jacques Champin. Notices de Charles Nodier (1838). As a result, he was named a Chevalier in the Legion of Honor in 1837 and received commissions from King Louis-Philippe to do illustrations of the Château de Bizy and the Château de Versailles. Despite this success with the aristocracy, he fell victim to the increasing fashion for Realism and his career effectively came to an end together with the July Monarchy in 1848.
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The biographical narrative on this page is based on the Wikipedia article Jacques Auguste Regnier, revision 1350793066 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Eugène Delacroix, Journal, p. 106, Nouvelle édition intégrale établie par Michèle Hannoosh, « Domaine romantique », Éditions Corti, 2009.
Bibliography printed in the source article · 2
- Véronique Miltgen, Peintures du XIXe siècle 1800-1914, Musée des beaux-arts de Tours, 2001.
- Eugène Delacroix, Journal, new edition, restored by Michèle Hannoosh, Éditions Corti, 2009, pgs.106 and 2314
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 04 September 2026.
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