Jack London

London wrote several works dealing with these topics, such as his dystopian novel The Iron Heel, his non-fiction exposé The People of the Abyss, War of the Classes, and Before Adam. His most famous works include The Call of the Wild and White Fang, both set in Alaska and the Yukon during the Klondike Gold Rush, as well as the short stories "To Build a Fire", "An Odyssey of the North", and "Love of Life". He also wrote about the South Pacific in stories such as "The Pearls of Parlay" and "The Heathen".

• Name — Jack London • Birth Name — John Griffith Chaney • Born — 12 January 1876 • Birthplace — San Francisco, California, U.S. • Died — 22 November 1916 • Place of death — Glen Ellen, California, U.S. • Occupation — * Novelist • journalist • short story writer • essayist • Notable Works — The Call of the Wild (1903) The Sea-Wolf (1904) White Fang (1906) The Iron Heel (1908) Martin Eden (1909) • Movement — American Realism, Naturalism • Children — Joan London Becky London

Jack London was born January 12, 1876. His mother, Flora Wellman, was the fifth and youngest child of Pennsylvania Canal builder Marshall Wellman and his first wife, Eleanor Garrett Jones. Marshall Wellman was descended from Thomas Wellman, an early Puritan settler in the Massachusetts Bay Colony. Flora left Massillon, Ohio, and moved to the Pacific coast when her father remarried after her mother died. In San Francisco, Flora worked as a music teacher and spiritualist. The biographer Clarice Stasz and others believe London's father was astrologer William Chaney. Flora Wellman was living with Chaney in San Francisco when she became pregnant. Whether Wellman and Chaney were legally married is unknown. Stasz notes that in his memoirs, Chaney refers to London's mother Flora Wellman as having been "his wife"; he also cites an advertisement in which Flora called herself "Florence Wellman Chaney". According to Flora Wellman's account, as recorded in the San Francisco Chronicle of June 4, 1875, Chaney demanded that she have an abortion. When she refused, he disclaimed responsibility for the child. In desperation, she shot herself. She was not seriously wounded, but she was temporarily deranged. After giving birth, Flora sent the baby for wet-nursing to Virginia (Jennie) Prentiss, a neighbor and former slave. Prentiss was an important maternal figure throughout London's life, and he would later refer to her as his primary source of love and affection as a child. Late in 1876, Flora Wellman married John London, a partially disabled Civil War veteran, and brought her baby John, later known as Jack, to live with the newly married couple. The family moved around the San Francisco Bay Area before settling in Oakland, where London completed public grade school. The Prentiss family moved with the Londons, and remained a stable source of care for the young Jack. In 1897, when he was 21 and a student at the University of California, Berkeley, London searched for and read the newspaper accounts of his mother's suicide attempt and the name of his biological father. He wrote to William Chaney, then living in Chicago. Chaney responded that he could not be London's father because he was impotent; he casually asserted that London's mother had relations with other men and averred that she had slandered him when she said he insisted on an abortion. London was devastated by his father's letter; in the months following, he quit school at Berkeley and went to the Klondike during the gold rush boom.

• Illustration — London at the age of nine with his dog Rollo, 1885 London was born near Third and Brannan Streets in San Francisco. The house burned down in the fire after the 1906 San Francisco earthquake; the California Historical Society placed a plaque at the site in 1953. Although the family was working class, it was not as impoverished as London's later accounts claimed. London was largely self-educated. In 1885, London found and read Ouida's long Victorian novel Signa. He credited this as the seed of his literary success. In 1886, he went to the Oakland Public Library and found a sympathetic librarian, Ina Coolbrith, who encouraged his learning. (She later became California's first poet laureate and an important figure in the San Francisco literary community). In 1889, London began working 12 to 18 hours a day at Hickmott's Cannery. Seeking a way out, he borrowed money from his foster mother Virginia Prentiss, bought the sloop Razzle-Dazzle from an oyster pirate named French Frank, and became an oyster pirate himself. In his memoir, John Barleycorn, he claims also to have stolen French Frank's mistress Mamie. After a few months, his sloop became damaged beyond repair. London hired on as a member of the California Fish Patrol. In 1893, he signed on to the sealing schooner Sophie Sutherland, bound for the coast of Japan. When he returned, the country was in the grip of the panic of '93 and Oakland was swept by labor unrest. After grueling jobs in a jute mill and a street-railway power plant, London joined Coxey's Army and began his career as a tramp. In 1894, he spent 30 days for vagrancy in the Erie County Penitentiary at Buffalo, New York. In The Road, he wrote: After many experiences as a hobo and a sailor, he returned to Oakland and attended Oakland High School. He contributed a number of articles to the high school's magazine, The Aegis. His first published work was "Typhoon off the Coast of Japan", an account of his sailing experiences. • Illustration — Jack London studying at Heinold's First and Last Chance in 1886 As a schoolboy, London often studied at Heinold's First and Last Chance Saloon, a port-side bar in Oakland. At 17, he confessed to the bar's owner, John Heinold, his desire to attend university and pursue a career as a writer. Heinold lent London tuition money to attend college. London desperately wanted to attend the University of California, located in Berkeley. In 1896, after a summer of intense studying to pass certification exams, he was admitted. Financial circumstances forced him to leave in 1897, and he never graduated. No evidence has surfaced that he ever wrote for student publications while studying at Berkeley. • Illustration — Heinold's First and Last Chance, "Jack London's Rendezvous" While at Berkeley, London continued to study and spend time at Heinold's saloon, where he was introduced to the sailors and adventurers who would influence his writing. In his autobiographical novel, John Barleycorn, London mentioned the pub's likeness seventeen times. Heinold's was the place where London met Alexander McLean, a captain known for his cruelty at sea. London based his protagonist Wolf Larsen, in the novel The Sea-Wolf, on McLean. Heinold's First and Last Chance Saloon is now unofficially named Jack London's Rendezvous in his honor.

• Illustration — Miners and prospectors ascend the Chilkoot Trail during the Klondike Gold Rush. On July 12, 1897, London (age 21) and his sister's husband Captain Shepard sailed to join the Klondike Gold Rush. This was the setting for some of his first successful stories. London's time in the harsh Klondike, however, was detrimental to his health. Like so many other men who were malnourished in the goldfields, London developed scurvy. His gums became swollen, leading to the loss of his four front teeth. A constant gnawing pain affected his hip and leg muscles, and his face was stricken with marks that always reminded him of the struggles he faced in the Klondike. Father William Judge, "The Saint of Dawson", had a facility in Dawson that provided shelter, food and any available medicine to London and others. His struggles there inspired London's short story, "To Build a Fire" (1902, revised in 1908), which many critics assess as his best. His landlords in Dawson were mining engineers Marshall Latham Bond and Louis Whitford Bond, educated at the Bachelor's level at the Sheffield Scientific School at Yale and at the Master's level at Stanford, respectively. The brothers' father, Judge Hiram Bond, was a wealthy mining investor. While the Bond brothers were at Stanford, Hiram at the suggestion of his brother bought the New Park Estate at Santa Clara as well as a local bank. The Bonds, especially Hiram, were active Republicans. Marshall Bond's diary mentions friendly sparring with London on political issues as a camp pastime. London left Oakland with a social conscience and socialist leanings; he returned to become an activist for socialism. He concluded that his only hope of escaping the work "trap" was to get an education and "sell his brains". He saw his writing as a business, his ticket out of poverty and, he hoped, as a means of beating the wealthy at their own game. On returning to California in 1898, London began working to get published, a struggle described in his novel Martin Eden (serialized in 1908, published in 1909). His first published story since high school was "To the Man On Trail", which has frequently been collected in anthologies. When The Overland Monthly offered him only five dollars for it—and was slow paying—London came close to abandoning his writing career. In his words, "literally and literarily I was saved" when The Black Cat accepted his story "A Thousand Deaths" and paid him $40—the "first money I ever received for a story". London began his writing career just as new printing technologies enabled lower-cost production of magazines. This resulted in a boom in popular magazines aimed at a wide public audience and a strong market for short fiction. In 1900, he made $2,500 in writing, about $ in today's currency. Among the works he sold to magazines was a short story known as either "Diable" (1902) or "Bâtard" (1904), two editions of the same basic story. London received $141.25 for this story on May 27, 1902. In the text, a cruel French Canadian brutalizes his dog, and the dog retaliates and kills the man. London told some of his critics that man's actions are the main cause of the behavior of their animals, and he would show this famously in another story, The Call of the Wild. • Illustration — George Sterling, Mary Austin, Jack London, and Jimmie Hopper on the beach at Carmel, California In early 1903, London sold The Call of the Wild to The Saturday Evening Post for $750 and the book rights to Macmillan. Macmillan's promotional campaign propelled it to swift success. While living at his rented villa on Lake Merritt in Oakland, California, London met poet George Sterling; in time they became best friends. In 1902, Sterling helped London find a home closer to his own in nearby Piedmont. In his letters London addressed Sterling as "Greek", owing to Sterling's aquiline nose and classical profile, and he signed them as "Wolf". London was later to depict Sterling as Russ Brissenden in his autobiographical novel Martin Eden (1910) and as Mark Hall in The Valley of the Moon (1913). In later life London indulged his wide-ranging interests by accumulating a personal library of 15,000 volumes. He referred to his books as "the tools of my trade".

The Crowd gathered at the restaurants (including Coppa's) at the old Montgomery Block and later was a: Bohemian group that often spent its Sunday afternoons picnicking, reading each other's latest compositions, gossiping about each other's infidelities and frolicking beneath the cherry boughs in the hills of Piedmont – Alex Kershaw, historian Formed after 1898, they met at Xavier Martinez's home on Sundays, and at Jack London's home on Wednesdays. The group usually included George Sterling (poet) and his wife Caroline "Carrie" E. (née Rand) Sterling, Anna Strunsky, Herman Whitaker, Ambrose Bierce, Richard Partington and his wife Blanche, Joseph Noel (dramatist, novelist and journalist), Joaquin Miller, Arnold Genthe and the hosts, Jack London and his wife, Bessie Maddern London, and Xavier Martinez and his wife, Elsie Whitaker Martinez.

• Illustration — Jack with daughters Becky (left) and Joan (right) • Illustration — Bessie Maddern London and daughters, Joan and Becky London married Elizabeth Mae (or May) "Bessie" Maddern on April 7, 1900, the same day The Son of the Wolf was published. Bess had been part of his circle of friends for a number of years. She was related to stage actresses Minnie Maddern Fiske and Emily Stevens. Stasz says, "Both acknowledged publicly that they were not marrying out of love, but from friendship and a belief that they would produce sturdy children." Kingman says, "they were comfortable together... Jack had made it clear to Bessie that he did not love her, but that he liked her enough to make a successful marriage." London met Bessie through his friend at Oakland High School, Fred Jacobs; she was Fred's fiancée. Bessie, who tutored at Anderson's University Academy in Alameda California, tutored Jack in preparation for his entrance exams for the University of California at Berkeley in 1896. Jacobs was killed aboard the Scandia in 1897, but Jack and Bessie continued their friendship, which included taking photos and developing the film together. This was the beginning of Jack's passion for photography. During the marriage, London continued his friendship with Anna Strunsky, co-authoring The Kempton-Wace Letters, an epistolary novel contrasting two philosophies of love. Anna, writing "Dane Kempton's" letters, arguing for a romantic view of marriage, while London, writing "Herbert Wace's" letters, argued for a scientific view, based on Darwinism and eugenics. In the novel, his fictional character contrasted two women he had known. London's pet name for Bess was "Mother-Girl" and Bess's for London was "Daddy-Boy". Their first child, Joan, was born on January 15, 1901, and their second, Bessie "Becky" (also reported as Bess), on October 20, 1902. Both children were born in Piedmont, California. Here London wrote one of his most celebrated works, The Call of the Wild. While London had pride in his children, the marriage was strained. Kingman says that by 1903 the couple were close to separation as they were "extremely incompatible". "Jack was still so kind and gentle with Bessie that when Cloudsley Johns was a house guest in February 1903 he didn't suspect a breakup of their marriage." London reportedly complained to friends Joseph Noel and George Sterling: Stasz writes that these were "code words for [Bess's] fear that [Jack] was consorting with prostitutes and might bring home venereal disease." On July 24, 1903, London told Bessie he was leaving and moved out. During 1904, London and Bess negotiated the terms of a divorce, and the decree was granted on November 11, 1904.

• Illustration — 13 star American flag carried by Jack during the War London accepted an assignment of the San Francisco Examiner to cover the Russo-Japanese War in early 1904, arriving in Yokohama on January 25, 1904. He was arrested by Japanese authorities in Shimonoseki, but released through the intervention of American ambassador Lloyd Griscom. After travelling to Korea, he was again arrested by Japanese authorities for straying too close to the border with Manchuria without official permission, and was sent back to Seoul. Released again, London was permitted to travel with the Imperial Japanese Army to the border, and to observe the Battle of the Yalu. London asked William Randolph Hearst, the owner of the San Francisco Examiner, to be allowed to transfer to the Imperial Russian Army, where he felt that restrictions on his reporting and his movements would be less severe. However, before this could be arranged, he was arrested for a third time in four months, this time for assaulting his Japanese assistants, whom he accused of stealing the fodder for his horse. Released through the personal intervention of President Theodore Roosevelt, London departed the front in June 1904.

• Illustration — London (right) at the Bohemian Grove with his friends Porter Garnett and George Sterling; a painting parodies his story The White Silence. On August 18, 1904, London went with his close friend, the poet George Sterling, to "Summer High Jinks" at the Bohemian Grove. London was elected to honorary membership in the Bohemian Club and took part in many activities. Other noted members of the Bohemian Club during this time included Ambrose Bierce, Gelett Burgess, Allan Dunn, John Muir, Frank Norris, and Herman George Scheffauer. Beginning in December 1914, London worked on The Acorn Planter, A California Forest Play, to be performed as one of the annual Grove Plays, but it was never selected. It was described as too difficult to set to music. London published The Acorn Planter in 1916.

• Illustration — Jack and Charmian London (c. 1915) at Waikiki After divorcing Maddern, London married Charmian Kittredge in 1905. London had been introduced to Kittredge in 1900 by her aunt Netta Eames, who was an editor at Overland Monthly magazine in San Francisco. The two met prior to his first marriage but became lovers years later after Jack and Bessie London visited Wake Robin, Netta Eames' Sonoma County resort, in 1903. London was injured when he fell from a buggy, and Netta arranged for Charmian to care for him. The two developed a friendship, as Charmian, Netta, her husband Roscoe, and London were politically aligned with socialist causes. At some point the relationship became romantic, and Jack divorced his wife to marry Charmian, who was five years his senior. Biographer Russ Kingman called Charmian "Jack's soul-mate, always at his side, and a perfect match." Their time together included numerous trips, including a 1907 cruise on the yacht Snark to Hawaii and Australia. Many of London's stories are based on his visits to Hawaii, the last one for 10 months beginning in December 1915. The couple also visited Goldfield, Nevada, in 1907, where they were guests of the Bond brothers, London's Dawson City landlords. The Bond brothers were working in Nevada as mining engineers. London had contrasted the concepts of the "Mother Girl" and the "Mate Woman" in The Kempton-Wace Letters. His pet name for Bess had been "Mother-Girl"; his pet name for Charmian was "Mate-Woman". Charmian's aunt and foster mother, a disciple of Victoria Woodhull, had raised her without prudishness. Every biographer alludes to Charmian's uninhibited sexuality. • Illustration — The Snark in Australia, 1921 Joseph Noel calls the events from 1903 to 1905 "a domestic drama that would have intrigued the pen of an Ibsen.... London's had comedy relief in it and a sort of easy-going romance." In broad outline, London was restless in his first marriage, sought extramarital sexual affairs, and found, in Charmian Kittredge, not only a sexually active and adventurous partner, but his future life-companion. They attempted to have children; one child died at birth, and another pregnancy ended in a miscarriage. In 1906, London published in Collier's magazine his eye-witness report of the San Francisco earthquake.

In 1905, London purchased a 1000 acre ranch in Glen Ellen, Sonoma County, California, on the eastern slope of Sonoma Mountain. He wrote: "Next to my wife, the ranch is the dearest thing in the world to me." He desperately wanted the ranch to become a successful business enterprise. Writing, always a commercial enterprise with London, now became even more a means to an end: "I write for no other purpose than to add to the beauty that now belongs to me. I write a book for no other reason than to add three or four hundred acres to my magnificent estate." • Illustration — London in 1914 Stasz writes that London "had taken fully to heart the vision, expressed in his agrarian fiction, of the land as the closest earthly version of Eden... he educated himself through the study of agricultural manuals and scientific tomes. He conceived of a system of ranching that today would be praised for its ecological wisdom." He was proud to own the first concrete silo in California. He hoped to adapt the wisdom of Asian sustainable agriculture to the United States. He hired both Italian and Chinese stonemasons, whose distinctly different styles are obvious. The ranch was an economic failure. Sympathetic observers such as Stasz treat his projects as potentially feasible, and ascribe their failure to bad luck or to being ahead of their time. Unsympathetic historians such as Kevin Starr suggest that he was a bad manager, distracted by other concerns and impaired by his alcoholism. Starr notes that London was absent from his ranch about six months a year between 1910 and 1916 and says, "He liked the show of managerial power, but not grinding attention to detail.... London's workers laughed at his efforts to play big-time rancher [and considered] the operation a rich man's hobby." London spent $80,000 ($ in current value) to build a 15000 sqft stone mansion called Wolf House on the property. Just as the mansion was nearing completion, two weeks before the Londons planned to move in, it was destroyed by fire. London's last visit to Hawaii, beginning in December 1915, lasted eight months. He met with Duke Kahanamoku, Prince Jonah Kūhiō Kalaniana'ole, Queen Lili'uokalani and many others, before returning to his ranch in July 1916. He was suffering from kidney failure, but he continued to work. The ranch (abutting stone remnants of Wolf House) is now a National Historic Landmark and is protected in Jack London State Historic Park.

London witnessed animal cruelty in the training of circus animals, and his subsequent novels Jerry of the Islands and Michael, Brother of Jerry included a foreword entreating the public to become more informed about this practice. In 1918, the Massachusetts Society for the Prevention of Cruelty to Animals and the American Humane Education Society teamed up to create the Jack London Club, which sought to inform the public about cruelty to circus animals and encourage them to protest this establishment. Support from Club members led to a temporary cessation of trained animal acts at Ringling–Barnum and Bailey in 1925.

• Illustration — Grave of Jack and Charmian London London died November 22, 1916, in a sleeping porch in a cottage on his ranch. London had been a robust man but had suffered several serious illnesses, including scurvy in the Klondike. Additionally, during travels on the Snark, he and Charmian picked up unspecified tropical infections and diseases, including yaws. At the time of his death, he suffered from dysentery, late-stage alcoholism, and uremia; he was in extreme pain and taking morphine and opium, both common over-the-counter drugs at the time. London's ashes were buried on his property not far from the Wolf House. London's funeral took place on November 26, 1916, attended only by close friends, relatives, and workers of the property. In accordance with his wishes, he was cremated and buried next to some pioneer children, under a rock that belonged to the Wolf House. After Charmian's death in 1955, she was also cremated and then buried with her husband in the same spot that her husband chose. The grave is marked by a mossy boulder. The buildings and property were later preserved as Jack London State Historic Park, in Glen Ellen, California. • Illustration — Cartoon of Jack London by James Montgomery Flagg. From The Book of Jack London by Charmian London

Because he was using morphine, many older sources describe London's death as a suicide, and some still do. This conjecture appears to be a rumor, or speculation based on incidents in his fiction writings. His death certificate gives the cause as uremia, following acute renal colic. The biographer Clarice Stasz writes, "Following London's death, for a number of reasons, a biographical myth developed in which he has been portrayed as an alcoholic womanizer who committed suicide. Recent scholarship based upon firsthand documents challenges this caricature." Most biographers, including Russ Kingman, now agree he died of uremia aggravated by an accidental morphine overdose. London's fiction features several suicides. In his autobiographical memoir John Barleycorn, he claims, as a youth, to have drunkenly stumbled overboard into the San Francisco Bay: "some maundering fancy of going out with the tide suddenly obsessed me." He said he drifted and nearly succeeded in drowning before sobering up and being rescued by fishermen. In the dénouement of The Little Lady of the Big House, the heroine, confronted by the pain of a mortal gunshot wound, undergoes a physician-assisted suicide by morphine. Also, in Martin Eden, the principal protagonist, who shares certain characteristics with London, drowns himself.

• Illustration — London in his office, 1916 London was vulnerable to accusations of plagiarism, both because he was such a conspicuous, prolific, and successful writer and because of his methods of working. He wrote in a letter to Elwyn Hoffman, "expression, you see—with me—is far easier than invention." He purchased plots and novels from the young Sinclair Lewis and used incidents from newspaper clippings as writing material. In July 1901, two pieces of fiction appeared within the same month: London's "Moon-Face", in the San Francisco Argonaut, and Frank Norris' "The Passing of Cock-eye Blacklock", in Century Magazine. Newspapers showed the similarities between the stories, which London said were "quite different in manner of treatment, [but] patently the same in foundation and motive." London explained both writers based their stories on the same newspaper account. A year later, it was discovered that Charles Forrest McLean had published a fictional story also based on the same incident. Egerton Ryerson Young claimed The Call of the Wild (1903) was taken from Young's book My Dogs in the Northland (1902). London acknowledged using it as a source and claimed to have written a letter to Young thanking him. In 1906, the New York World published "deadly parallel" columns showing eighteen passages from London's short story "Love of Life" side by side with similar passages from a nonfiction article by Augustus Biddle and J. K. Macdonald, titled "Lost in the Land of the Midnight Sun". London noted the World did not accuse him of "plagiarism", but only of "identity of time and situation", to which he defiantly "pled guilty". The most serious charge of plagiarism was based on London's "The Bishop's Vision", Chapter 7 of his novel The Iron Heel (1908). The chapter is nearly identical to an ironic essay that Frank Harris published in 1901, titled "The Bishop of London and Public Morality". Harris was incensed and suggested he should receive 1/60th of the royalties from The Iron Heel, the disputed material constituting about that fraction of the whole novel. London insisted he had clipped a reprint of the article, which had appeared in an American newspaper, and believed it to be a genuine speech delivered by the Bishop of London.

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London wrote from a socialist viewpoint, which is evident in his novel The Iron Heel. Neither a theorist nor an intellectual socialist, London's socialism grew out of his life experience. As London explained in his essay "How I Became a Socialist", his views were influenced by his experience with people at the bottom of the social pit. His optimism and individualism faded, and he vowed never to do more hard physical work than necessary. He wrote that his individualism was hammered out of him, and he was politically reborn. He often closed his letters "Yours for the Revolution". London joined the Socialist Labor Party in April 1896. In the same year, the San Francisco Chronicle published a story about the twenty-year-old London's giving nightly speeches in Oakland's City Hall Park, an activity he was arrested for a year later. In 1901, he left the Socialist Labor Party and joined the new Socialist Party of America. He ran unsuccessfully as the high-profile Socialist candidate for mayor of Oakland in 1901 (receiving 245 votes) and 1905 (improving to 981 votes), toured the country lecturing on socialism in 1906, and published two collections of essays about socialism: War of the Classes (1905) and Revolution, and other Essays (1906). Stasz notes: "London regarded the Wobblies as a welcome addition to the Socialist cause, although he never joined them in going so far as to recommend sabotage." Stasz mentions a personal meeting between London and Big Bill Haywood in 1912. In his 1913 book The Cruise of the Snark, London writes about appeals to him for membership of the Snarks crew from office workers and other "toilers" who longed for escape from the cities, and of being cheated by workmen. In his Glen Ellen ranch years, London felt some ambivalence toward socialism and complained about the "inefficient Italian labourers" in his employ. In 1916, he resigned from the Glen Ellen chapter of the Socialist Party. In an unflattering portrait of London's ranch days, California cultural historian Kevin Starr refers to this period as "post-socialist" and says that "[...] by 1911 [...] London was more bored by the class struggle than he cared to admit." George Orwell, however, identified a fascist strain in London's outlook: But temperamentally he was very different from the majority of Marxists. With his love of violence and physical strength, his belief in 'natural aristocracy', his animal-worship and exaltation of the primitive, he had in him what one might fairly call a Fascist strain.

• Illustration — Jeffries (left) vs. Johnson, 1910 London shared common concerns among many European Americans in California about Asian immigration, described as "the yellow peril"; he used the latter term as the title of a 1904 essay. This theme was also the subject of a story he wrote in 1910 called "The Unparalleled Invasion". Presented as an historical essay set in the future, the story narrates events between 1976 and 1987, in which China, with an ever-increasing population, is taking over and colonizing its neighbors with the intention of taking over the entire Earth. The western nations respond with biological warfare and bombard China with dozens of the most infectious diseases. On his fears about China, he admits (at the end of "The Yellow Peril"), "it must be taken into consideration that the above postulate is itself a product of Western race-egotism, urged by our belief in our own righteousness and fostered by a faith in ourselves which may be as erroneous as are most fond race fancies." By contrast, many of London's short stories are notable for their empathetic portrayal of Mexican ("The Mexican"), Asian ("The Chinago"), and Hawaiian ("Koolau the Leper") characters. London's war correspondence from the Russo-Japanese War, as well as his unfinished novel Cherry, show he admired much about Japanese customs and capabilities. London's writings have been popular among the Japanese, some of whom believe he portrayed them positively. In "Koolau the Leper", London describes Koolau, who is a Hawaiian leper—and thus a very different sort of "superman" than Martin Eden—and who fights off an entire cavalry troop to elude capture, as "indomitable spiritually—a... magnificent rebel". This character is based on Hawaiian leper Kaluaikoolau, who in 1893 revolted and resisted capture from forces of the Provisional Government of Hawaii in the Kalalau Valley. Those who defend London against charges of racism cite the letter he wrote to the Japanese-American Commercial Weekly in 1913: In 1996, after the City of Whitehorse, Yukon, renamed a street in honor of London, protests over London's alleged racism forced the city to change the name of "Jack London Boulevard" back to "Two-mile Hill". Shortly after boxer Jack Johnson was crowned the first black world heavyweight champion in 1908, London pleaded for a white candidate to come forward to defeat Johnson. Nat Fleischer, a boxing writer, reported that London told Jim Jeffries: "it's up to you, to save the white race." The phrase about saving the "white race" was an embellishment by Fleischer, but it is clear from London's writings that he preferred that a white boxer win the title of champion. The term "great white hope" in boxing is often attributed to London, but it was first used in contexts outside of boxing in the 19th century, and in the 1960s to refer to Jeffries.

With other modernist writers of the day, London supported eugenics. The notion of "good breeding" complemented the Progressive era scientism, the belief that humans assort along a hierarchy by race, religion, and ethnicity. The Progressive Era catalog of inferiority offered basis for threats to American Anglo-Saxon racial integrity. London wrote to Frederick H. Robinson of the periodical Medical Review of Reviews, stating, "I believe the future belongs to eugenics, and will be determined by the practice of eugenics." Although this led some to argue for forced sterilization of criminals or those deemed feeble-minded, London did not express this extreme. His short story "Told in the Drooling Ward" is from the viewpoint of a surprisingly astute "feebled-minded" person. Hensley argues that London's novel Before Adam (1906–07) reveals pro-eugenic themes. London advised his collaborator Anna Strunsky during preparation of The Kempton-Wace Letters that he would take the role of eugenics in mating, while she would argue on behalf of romantic love. (Love won the argument.) The Valley of the Moon emphasizes the theme of "real Americans," the Anglo Saxon, yet in Little Lady of the Big House, London is more nuanced. The protagonist's argument is not that all white men are superior, but that there are more superior ones among whites than in other races; encouraging the best in any race to mate will improve its population qualities. Living in Hawaii challenged his orthodoxy. In "My Hawaiian Aloha," London noted the liberal intermarrying of races, concluding how "little Hawaii, with its hotch potch races, is making a better demonstration than the United States."

• Illustration — Jack London (date unknown) • Illustration — London's 1903 story "The Shadow and the Flash" was reprinted in the June 1948 issue of Famous Fantastic Mysteries • Illustration — Bookplate used by Jack London Western writer and historian Dale L. Walker writes: London's true métier was the short story... London's true genius lay in the short form, 7,500 words and under, where the flood of images in his teeming brain and the innate power of his narrative gift were at once constrained and freed. His stories that run longer than the magic 7,500 generally—but certainly not always—could have benefited from self-editing. London's "strength of utterance" is at its height in his stories, and they are painstakingly well-constructed. "To Build a Fire" is the best known of all his stories. Set in the harsh Klondike, it recounts the haphazard trek of a new arrival who has ignored an old-timer's warning about the risks of traveling alone. Falling through the ice into a creek in seventy-five-below weather, the unnamed man is keenly aware that survival depends on his untested skills at quickly building a fire to dry his clothes and warm his extremities. After publishing a tame version of this story—with a sunny outcome—in The Youth's Companion in 1902, London offered a second, more severe take on the man's predicament in The Century Magazine in 1908. Reading both provides an illustration of London's growth and maturation as a writer. As Labor (1994) observes: "To compare the two versions is itself an instructive lesson in what distinguished a great work of literary art from a good children's story." Other stories from the Klondike period include: "All Gold Canyon", about a battle between a gold prospector and a claim jumper; "The Law of Life", about an aging American Indian man abandoned by his tribe and left to die; "Love of Life", about a trek by a prospector across the Canadian tundra; "To the Man on Trail," which tells the story of a prospector fleeing the Mounted Police in a sled race, and raises the question of the contrast between written law and morality; and "An Odyssey of the North," which raises questions of conditional morality, and paints a sympathetic portrait of a man of mixed White and Aleut ancestry. London was a boxing fan and an avid amateur boxer. "A Piece of Steak" is a tale about a match between older and younger boxers. It contrasts the differing experiences of youth and age but also raises the social question of the treatment of aging workers. "The Mexican" combines boxing with a social theme, as a young Mexican endures an unfair fight and ethnic prejudice to earn money with which to aid the revolution. Several of London's stories would today be classified as science fiction. "The Unparalleled Invasion" describes germ warfare against China; "Golia" is about an irresistible energy weapon; "The Shadow and the Flash" is a tale about two brothers who take different routes to achieving invisibility; "A Relic of the Pliocene" is a tall tale about an encounter of a modern-day man with a mammoth. "The Red One" is a late story from a period when London was intrigued by the theories of the psychiatrist and writer Jung. It tells of an island tribe held in thrall by an extraterrestrial object. Some nineteen original collections of short stories were published during London's brief life or shortly after his death. There have been several posthumous anthologies drawn from this pool of stories. Many of these stories were located in the Klondike and the Pacific. A collection of Jack London's San Francisco Stories was published in October 2010 by Sydney Samizdat Press.

• Illustration — London writing, 1905 London's most famous novels are The Call of the Wild, White Fang, The Sea-Wolf, The Iron Heel, and Martin Eden. In a letter dated December 27, 1901, London's Macmillan publisher George Platt Brett, Sr., said "he believed Jack's fiction represented 'the very best kind of work' done in America." Critic Maxwell Geismar called The Call of the Wild "a beautiful prose poem"; editor Franklin Walker said that it "belongs on a shelf with Walden and Huckleberry Finn"; and novelist E.L. Doctorow called it "a mordant parable... his masterpiece." The historian Dale L. Walker commented: Jack London was an uncomfortable novelist, that form too long for his natural impatience and the quickness of his mind. His novels, even the best of them, are hugely flawed. Some critics have said that his novels are episodic and resemble linked short stories. Dale L. Walker writes: The Star Rover, that magnificent experiment, is actually a series of short stories connected by a unifying device... Smoke Bellew is a series of stories bound together in a novel-like form by their reappearing protagonist, Kit Bellew; and John Barleycorn... is a synoptic series of short episodes. Ambrose Bierce said of The Sea-Wolf that "the great thing—and it is among the greatest of things—is that tremendous creation, Wolf Larsen... the hewing out and setting up of such a figure is enough for a man to do in one lifetime." However, he noted, "The love element, with its absurd suppressions, and impossible proprieties, is awful." The Iron Heel is an example of a dystopian novel that anticipates and influenced George Orwell's Nineteen Eighty-Four. London's socialist politics are explicitly on display here. The Iron Heel meets the contemporary definition of soft science fiction. The Star Rover (1915) is also science fiction.

London's literary executor, Irving Shepard, quoted a Jack London Credo in an introduction to a 1956 collection of London stories: I would rather be ashes than dust! I would rather that my spark should burn out in a brilliant blaze than it should be stifled by dry-rot. I would rather be a superb meteor, every atom of me in magnificent glow, than a sleepy and permanent planet. The function of man is to live, not to exist. I shall not waste my days in trying to prolong them. I shall use my time. The biographer Stasz notes that the passage "has many marks of London's style" but the only line that could be safely attributed to London was the first. The words Shepard quoted were from a story in the San Francisco Bulletin, December 2, 1916, by journalist Ernest J. Hopkins, who visited the ranch just weeks before London's death. Stasz notes, "Even more so than today journalists' quotes were unreliable or even sheer inventions," and says no direct source in London's writings has been found. However, at least one line, according to Stasz, is authentic, being referenced by London and written in his own hand in the autograph book of Australian suffragette Vida Goldstein: Dear Miss Goldstein:– Seven years ago I wrote you that I'd rather be ashes than dust. I still subscribe to that sentiment. Sincerely yours, Jack London Jan. 13, 1909 In his short story "By The Turtles of Tasman", a character, defending her "ne'er-do-well grasshopperish father" to her "antlike uncle", says: "... my father has been a king. He has lived.... Have you lived merely to live? Are you afraid to die? I'd rather sing one wild song and burst my heart with it, than live a thousand years watching my digestion and being afraid of the wet. When you are dust, my father will be ashes." The last three sentences of the credo have been deemed to be an authentic quotation of Jack London by The Oxford Dictionary of American Quotations. Likewise, National Public Radio has ascribed the quotation to Jack London, and explained that it was published via a journalist; NPR did not question the accuracy of that reporter who first published the credo in 1916. Part of the credo was used to describe the philosophy of the fictional character James Bond, in the Ian Fleming novel You Only Live Twice (1964), and again in the movie No Time to Die (2021). According to a 2021 article about that Bond movie in The Independent, "The quote was originally...by the American writer Jack London...."

A short diatribe on "The Scab" is often quoted within the U.S. labor movement and frequently attributed to London. It opens: In 1913 and 1914, a number of newspapers printed the first three sentences with varying terms used instead of "scab", such as "knocker", "stool pigeon" or "scandal monger". Those newspapers did not attribute those sentences to London. This passage as given above was the subject of a 1974 Supreme Court case, Letter Carriers v. Austin, in which Justice Thurgood Marshall referred to it as "a well-known piece of trade union literature, generally attributed to author Jack London". A union newsletter had published a "list of scabs", which was granted to be factual and therefore not libelous, but then went on to quote the passage as the "definition of a scab". The case turned on the question of whether the "definition" was defamatory. The court ruled that "Jack London's... 'definition of a scab' is merely rhetorical hyperbole, a lusty and imaginative expression of the contempt felt by union members towards those who refuse to join", and as such was not libelous and was protected under the First Amendment. Despite being frequently attributed to London, the passage does not appear at all in the extensive collection of his writings at Sonoma State University's website. However, in his book War of the Classes, he published a 1903 speech titled "The Scab" which gave a much more balanced view of the topic:

• The Cruise of the Dazzler (1902) • A Daughter of the Snows (1902) • The Call of the Wild (1903) • The Kempton-Wace Letters (1903) (published anonymously, co-authored with Anna Strunsky) • The Sea-Wolf (1904) • The Game (1905) • White Fang (1906) • Before Adam (1907) • The Iron Heel (1908) • Martin Eden (1909) • Burning Daylight (1910) • Adventure (1911) • The Scarlet Plague (1912) • A Son of the Sun (1912) • The Abysmal Brute (1913) • The Valley of the Moon (1913) • The Mutiny of the Elsinore (1914) • The Star Rover (1915) (published in England as The Jacket) • The Little Lady of the Big House (1916) • Jerry of the Islands (1917) • Michael, Brother of Jerry (1917) • Hearts of Three (1920) (novelization of a script by Charles Goddard) • The Assassination Bureau, Ltd (1963) (left half-finished, completed by Robert L. Fish)

• The Road (1907) • The Cruise of the Snark (1911) • John Barleycorn (1913)

• Through the Rapids on the Way to the Klondike (1899) • From Dawson to the Sea (1899) • What Communities Lose by the Competitive System (1900) • The Impossibility of War (1900) • Phenomena of Literary Evolution (1900) • A Letter to Houghton Mifflin Co. (1900) • Husky, Wolf Dog of the North (1900) • Editorial Crimes – A Protest (1901) • Again the Literary Aspirant (1902) • The People of the Abyss (1903) • How I Became a Socialist (1903) • War of the Classes (1905) • The Story of an Eyewitness (1906) • A Letter to Woman's Home Companion (1906) • "The Lepers of Molokai" in Woman's Home Companion (1908) • "The Nature Man" in Woman's Home Companion (1908) • "The High Seat of Abundance" in Woman's Home Companion (1908) • Revolution, and other Essays (1910) • Mexico's Army and Ours (1914) • Lawgivers (1914) • Our Adventures in Tampico (1914) • Stalking the Pestilence (1914) • The Red Game of War (1914) • The Trouble Makers of Mexico (1914) • With Funston's Men (1914)

• Theft (1910) • Daughters of the Rich: A One Act Play (1915) • The Acorn Planter: A California Forest Play (1916)

• A Heart (1899) • Abalone Song (1913) • And Some Night (1914) • Ballade of the False Lover (1914) • Cupid's Deal (1913) • Daybreak (1901) • Effusion (1901) • George Sterling (1913) • Gold (1915) • He Chortled with Glee (1899) • He Never Tried Again (1912) • His Trip to Hades (1913) • Homeland (1914) • Hors de Saison (1913) • If I Were God (1899) • In a Year (1901) • In and Out (1911) • Je Vis en Espoir (1897) • Memory (1913) • Moods (1913) • My Confession (1912) • My Little Palmist (1914) • Of Man of the Future (1915) • Oh You Everybody's Girl (19) • On the Face of the Earth You are the One (1915) • Rainbows End (1914) • Republican Rallying Song (1916) • Sonnet (1901) • The Gift of God (1905) • The Klondyker's Dream (1914) • The Lover's Liturgy (1913) • The Mammon Worshippers (1911) • The Republican Battle-Hymn (1905) • The Return of Ulysses (1915) • The Sea Sprite and the Shooting Star (1916) • The Socialist's Dream (1912) • The Song of the Flames (1903) • The Way of War (1906) • The Worker and the Tramp (1911) • Tick! Tick! Tick! (1915) • Too Late (1912) • Weasel Thieves (1913) • When All the World Shouted my Name (1905) • Where the Rainbow Fell (1902) • Your Kiss (1914)

• "Typhoon off the Coast of Japan" (San Francisco Morning Call, November 12, 1893) • " 'Frisco Kid's' Story" (The High School Aegis, February 15, 1895) • "Sakaicho, Hona Asi and Hakadaki" (The High School Aegis, April 19, 1895) • "Night's Swim In Yeddo Bay" (The High School Aegis, May 27, 1895) • "Who Believes in Ghosts!" (The High School Aegis, October 21, 1895) • "And 'Frisco Kid Came Back" (The High School Aegis, November 4, 1895) • "One More Unfortunate" (The High School Aegis, December 18, 1895) • "O Haru" (1993; written in April 1897) • "The Mahatma's Little Joke" (1993; written in May 1897) • "The Strange Experience of a Misogynist" (1993; written between May and September 1897), originally titled "The Misogynist" • "Two Gold Bricks" (The Owl, September 1897) • "The Plague Ship" (1993; written between September and December 1897) • "The Devil's Dice Box" (The Saturday Evening Post, December 1976; written in September 1898) • "The Test: A Clondyke Wooing" (1983; written in September 1898) • "A Klondike Christmas" (1983; written in November 1898) • "A Dream Image" (1898) • "To the Man on Trail: A Klondike Christmas" (Overland Monthly, January 1899) • "The White Silence" (Overland Monthly, February 1899) • "The Son of the Wolf" (Overland Monthly, April 1899) • "The Men of Forty-Mile" (Overland Monthly, May 1899) • "A Thousand Deaths" (The Black Cat, May 1899) • "An Old Soldier's Story" (Orange Judd Farmer, May 20, 1899) • "In a Far Country" (Overland Monthly, June 1899) • "The Priestly Prerogative" (Overland Monthly, July 1899) • "The Handsome Cabin Boy" (The Owl Magazine, July 1899) • "The Wife of a King" (Overland Monthly, August 1899) • "In the Time of Prince Charley" (Conkey’s Home Journal, September 1899) • "Old Baldy" (Orange Judd Farmer, September 16, 1899) • "The Grilling of Loren Ellery" (Northern Weekly Gazette, September 24, 1899) • "The Rejuvenation of Major Rathbone" (Conkey's Home Journal, November 1899) • "The King of Mazy May" (The Youth's Companion, November 30, 1899) • "The Wisdom of the Trail" (Overland Monthly, December 1899) • "A Daughter of the Aurora" (San Francisco Wave, December 24, 1899) • "Pluck and Pertinacity" (1899) • "An Odyssey of the North" (Atlantic Monthly, January 1900) • "A Lesson in Heraldry" (The National Magazine, March 1900) • "The End of the Chapter" (San Francisco News Letter, June 9, 1900) • "Uri Bram's God" (San Francisco Examiner, June 24, 1900) • "Even unto Death" (San Francisco Evening Post, July 28, 1900) • "Grit of Women" (McClure's Magazine, August 1900) • "Jan the Unrepentant" (Outing, August 1900) • "The Man with the Gash" (McClure's Magazine, September 1900) • "Their Alcove" (Woman's Home Companion, September 1900) • "Housekeeping in the Klondike" (Overland Monthly, September 16, 1900) • "The Proper 'Girlie' " (The Smart Set, October 1900) • "Thanksgiving on Slav Creek" (Harper's Bazar, November 24, 1900) • "Where the Trail Forks" (Outing, December 1900) • "The Great Interrogation" (Ainslee's Magazine, December 1900) • "Semper Idem" (The Black Cat, December 1900) • "A Northland Miracle" (The Youth's Companion, November 4, 1926; written in 1900) • "Dutch Courage" (The Youth's Companion, November 29, 1900) • "A Relic of the Pliocene" (Collier's Weekly, January 12, 1901) • "The Law of Life" (McClure's Magazine, March 1901) • "Siwash" (Ainslee's Magazine, March 1901) • "The Lost Poacher" (The Youth's Companion, March 14, 1901) • "At the Rainbow's End" (Pittsburg Labor Leader, March 24, 1901) • "The God of His Fathers" (McClure's Magazine, May 1901) • "The Scorn of Woman" (Overland Monthly, May 1901) • "The Minions of Midas" (Pearson's Magazine, May 1901) • "Chris Farrington: Able Seaman" (The Youth's Companion, May 23, 1901) • "A Hyperborean Brew" (Metropolitan Magazine, July 1901) • "Bald Face" (The High School Aegis, September 6, 1901) • "Keesh, Son of Keesh" (Ainslee's Magazine, January 1902) • "An Adventure in the Upper Sea" (The Independent, May 1902) • "To Build a Fire" (The Youth's Companion, May 29, 1902; revised version The Century Magazine, August 1908) • "Diable — A Dog" (Cosmopolitan, June 1902), renamed Bâtard in 1904 • "To Repel Boarders" (St. Nicholas, June 1902) • "The 'Fuzziness' of Hoockla-Heen" (The Youth's Companion, July 3, 1902) • "Moon-Face" (San Francisco Argonaut, July 21, 1902) • "Nam-Bok, the Liar" (Ainslee's Magazine, August 1902) • "Li Wan the Fair" (Atlantic Monthly, August 1902) • "The Master of Mystery" (Out West, September 1902) • "In the Forests of the North" (Pearson's Magazine, September 1902) • "The Sunlanders" (Ainslee's Magazine, September 1902) • "The Death of Ligoun" (Ainslee's Magazine, September 1902) • "The Story of Jees Uck" (The Smart Set, September 1902) • "The Sickness of Lone Chief" (Out West, October 1902) • "The League of the Old Men" (Brandur Magazine, October 4, 1902) • "Lost Face" (New York Herald, 1902) • "In Yeddo Bay" (St. Nicholas, February 1903) • "The One Thousand Dozen" (The National Magazine, March 1903) • "The Shadow and the Flash" (The Bookman, June 1903) • "The Faith of Men" (Sunset Magazine, June 1903) • "The Leopard Man's Story" (Frank Leslie's Popular Monthly, August 1903) • "The Marriage of Lit-Lit" (Frank Leslie's Popular Monthly, September 1903) • "Local Color" (Ainslee's, October 1903) • "Too Much Gold" (Ainslee's, December 1903) • "Amateur Night" (The Pilgrim, December 1903) • "The Dominant Primordial Beast" (1903) • "Keesh, The Bear Hunter" (Holiday Magazine for Children, January 1904); often reprinted as "The Story of Keesh" • "The Banks of the Sacramento" (The Youth's Companion, March 17, 1904) • "White and Yellow" (The Youth's Companion, February 16, 1905) • "The King of the Greeks" (The Youth's Companion, March 2, 1905) • "A Raid on the Oyster Pirates" (The Youth's Companion, March 16, 1905) • "The Siege of the 'Lancashire Queen' " (The Youth's Companion, March 30, 1905) • "Charley's Coup" (The Youth's Companion, April 13, 1905) • "Demetrios Contos" (The Youth’s Companion, April 27, 1905) • "Yellow Handkerchief" (The Youth's Companion, May 11, 1905) • "All Gold Cañon" (The Century Magazine, November 1905) • "Love of Life" (McClure's Magazine, December 1905) • "The Sun-Dog Trail" (Harper's Monthly, December 1905) • "A Nose for the King" (The Black Cat, March 1906) • "Planchette" (Cosmopolitan, June 1906) • "The Unexpected" (McClure's Magazine, August 1906) • "Brown Wolf" (Everybody's Magazine, August 1906) • "The Apostate" (Woman's Home Companion, September 1906) • "Up the Slide" (The Youth's Companion, October 25, 1906) • "A Wicked Woman" (The Smart Set, November 1906) • "The White Man's Way" (Sunday Magazine of the New York Tribune, November 4, 1906) • "The Wit of Porportuk" (The Times Magazine, December 1906) • "When God Laughs" (The Smart Set, January 1907) • "Just Meat" (Cosmopolitan, March 1907) • "Created He Them" (The Pacific Monthly, April 1907) • "Morganson's Finish" (Success Magazine, May 1907) • "A Day's Lodging" (Collier's Weekly, May 25, 1907) • "Negore the Coward" (September 1907) • "Chased by the Trail" (The Youth's Companion, September 26, 1907) • "The Passing of Marcus O'Brien" (The Reader, January 1908) • "Trust" (The Century Magazine, January 1908) • "That Spot" (Sunset Magazine, February 1908) • "Flush of Gold" (Grand Magazine, April 1908) • "Make Westing" (Pall Mall Magazine, April 1908) • "The Enemy of All the World" (The Red Book Magazine, October 1908) • "Aloha Oe" (Lady's Realm, December 1908) • "A Curious Fragment" (Town Topics, December 10, 1908) • "The Dream of Debs" (International Socialist Review, January 1909) • "The House of Mapuhi" (McClure's Magazine, January 1909) • "The Seed of McCoy" (The Century Magazine, April 1909) • "The Madness of John Harned" (Lady's Realm, May 1909) • "South of the Slot" (The Saturday Evening Post, May 22, 1909) • "Good-by, Jack" (The Red Book Magazine, June 1909) • "The Chinago" (Illustrated London News, June 26, 1909) • "The Sheriff of Kona" (The American Magazine, August 1909) • "The Heathen" (Everybody's Magazine, September 1909) • "A Piece of Steak" (The Saturday Evening Post, November 20, 1909) • "Koolau the Leper" (The Pacific Monthly, December 1909) • "Mauki" (Hampton's Magazine, December 1909) • "The Mission of John Starhurst" (Bournemouth Visitors' Directory, December 29, 1909); reprinted as "The Whale Tooth" • "Samuel" (The Bookman, 1909) • "Chun An Chun" (Woman's Magazine, Spring 1910) • "The Terrible Solomons" (Hampton's Magazine, March 1910) • "The Inevitable White Man" (Bristol Observer, May 14, 1910) • "The Unparalleled Invasion" (McClure's Magazine, July 1910) • "Winged Blackmail" (The Lever, September 1910) • "When the World was Young" (The Saturday Evening Post, September 10, 1910) • "The Benefit of the Doubt" (The Saturday Evening Post, November 12, 1910) • "Under the Deck Awnings" (The Saturday Evening Post, November 19, 1910) • "Yah! Yah! Yah!" (Columbian Magazine, December 1910) • "The House of Pride" (The Pacific Monthly, December 1910) • "To Kill a Man" (The Saturday Evening Post, December 10, 1910) • "Bunches of Knuckles" (The New York Herald, December 18, 1910) • "Goliath" (Red Magazine, 1910) • "The 'Francis Spaight' " (January 1911) • "The Hobo and the Fairy" (The Saturday Evening Post, February 11, 1911) • "The Strength of the Strong" (Hampton's Magazine, March 1911) • "The Eternity of Forms" (The Red Book Magazine, March 1911) • "A Son of the Sun" (The Saturday Evening Post, May 27. 1911) • "The Taste of the Meat" (Cosmopolitan, June 1911) • "The Proud Goat of Aloysius Pankburn" (The Saturday Evening Post, June 24, 1911) • "The Meat" (Cosmopolitan, July 1911) • "The Night Born" (Everybody's Magazine, July 1911) • "War" (The Nation, July 29, 1911) • "The Goat Man of Fuatino" (The Saturday Evening Post, July 20, 1911) • "The Stampede to Squaw Creek" (Cosmopolitan, August 1911) • "The Mexican" (The Saturday Evening Post, August 19, 1911) • "Shorty Dreams" (Cosmopolitan, September 1911) • "A Little Account with Swithin Hall" (The Saturday Evening Post, September 2, 1911) • "A Goboto Night" (The Saturday Evening Post, September 30, 1911) • "The Man on the Other Bank" (Cosmopolitan, October 1911) • "The Pearls of Parlay" (The Saturday Evening Post, October 14, 1911) • "The Race for Number Three" (Cosmopolitan, November 1911) • "The End of the Story" (Woman's World, November 1911) • " The Jokers of New Gibbon" (The Saturday Evening Post, November 11, 1911) • "By the Turtles of Tasman" (The San Francisco Call, November 19, 1911) • "The Little Man" (Cosmopolitan, December 1911) • "The Unmasking of the Cad" (Monmouthshire Weekly Post, December 23, 1911) • "The Hanging of Cultus George" (Cosmopolitan, January 1912) • "The Mistake of Creation" (Cosmopolitan, February 1912) • "A Flutter in Eggs" (Cosmopolitan, March 1912) • "The Sea-Farmer" (The Bookman, March 1912) • "The Feathers of the Sun" (The Saturday Evening Post, March 9, 1912) • "The Town-Site of Tra-Lee" (Cosmopolitan, April 1912) • "Wonder of Woman" (Cosmopolitan, May 1912) • "The Prodigal Father" (Woman's World, May 1912) • "The Scarlet Plague" (London Magazine, June 1912) • "The Captain of the Susan Drew" (The San Francisco Call, December 1, 1912) • "Samuel" (The Bookman, May 1913) • "The Sea-Gangsters" (Hearst's Magazine, November 1913) • "Told in the Drooling Ward" (The Bookman, June 1914) • "The Hussy" (Cosmopolitan, December 1916) • "Man of Mine" (Hearst's Magazine, February 1917) • "Like Argus of the Ancient Times" (Hearst's Magazine, March 1917) • "Jerry of the Islands" (Cosmopolitan, 1917) • "When Alice Told Her Soul" (Cosmopolitan, March 1918) • "The Princess" (Cosmopolitan, June 1918) • "The Tears of Ah Kim" (Cosmopolitan, July 1918) • "The Water Baby" (Cosmopolitan, September 1918) • "The Red One" (Cosmopolitan, October 1918) • "In the Cave of the Dead" (Cosmopolitan, November 1918) • "Shin-Bones" (Cosmopolitan, 1918) • "On the Makaloa Mat" (Cosmopolitan, March 1919) • "The Bones of Kahekili" (Cosmopolitan, July 1919) • " Whose Business Is to Live" (September 1922) • "Eyes of Asia" (Cosmopolitan, September 1924) • Illustration — First edition (1902) • Illustration — The Scarlet Plague was reprinted in the February 1949 issue of Famous Fantastic Mysteries

• Son of the Wolf (1900) • The God of His Fathers & Other Stories (1901) • Children of the Frost (1902) • The Faith of Men and Other Stories (1904) • Tales of the Fish Patrol (1906) • Moon-Face and Other Stories (1906) • Love of Life and Other Stories (1907) • Lost Face (1910) • South Sea Tales (1911) • When God Laughs and Other Stories (1911) • The House of Pride & Other Tales of Hawaii (1912) • Smoke Bellew (1912) • A Son of the Sun (1912) • The Night Born (1913) • The Strength of the Strong (1914) • The Turtles of Tasman (1916) • The Human Drift (1917) • The Red One (1918) • On the Makaloa Mat (1919) • Dutch Courage and Other Stories (1922)