Ivan Milev

Ivan Milev was born in the town of Kazanlak in the family of shepherd Milyu Lalev. In 1917–1918, he fought as a soldier in World War I. On 18 November 1918, the same year that he finished high school in his hometown, he arranged an exhibition in Kazanlak. For two years he was a teacher in Gorski Izvor, Haskovo Province. In 1920, he was admitted to the National Academy of Art in Sofia, where he studied under Prof. Stefan Badzhov, and had three one-man exhibitions. He also contributed to the communist comic magazine Red Laughter (Червен смях, Cherven smyah) as an illustrator and cartoonist. In the summer of 1923, he visited Turkey, Greece and Italy with a group of fellow students. He was introduced to the achievements of the Italian Renaissance and the Italian Baroque in Rome, Naples, Florence and Venice. In 1926, he graduated in set decoration from the National Academy and worked for the Ivan Vazov National Theatre as a stage designer. Afterwards he became an independent freelance painter and illustrator and he also painted frescoes. With a group of colleagues he took part in the Shipka Memorial design competition, but came second. Generally living in poverty, Milev had a brief 18-month marriage to opera singer Katya Naumova; their daughter Mariya Mileva eventually became an architect. Milev died of Influenza in Sofia on 25 January 1927, shortly before his thirtieth birthday. Regarded as one of the great masters of distemper and watercolour painting in Bulgarian art, Milev often created socially loaded works. His characteristic decorative style was much influenced by the European Secession, but it was also related to Bulgarian folk art and icon painting. Milev's paintings are exhibited in the National Art Gallery, Sofia Art Gallery, the Shumen, Kazanlak and other cities' galleries. Milev is portrayed on the obverse of the current 5 Bulgarian leva banknote issued in 1999, with some of his works depicted on the reverse side.

Gadulka player— 1924, gouache Triptych or The Maglizh monastery— 1924, gouache Fortune-telling— 1924–1926, watercolour and gouache Village madonna— 1925, watercolour Refugee women— 1925, watercolour September 1923— circa 1926, watercolour Winter landscape— 1926, watercolour and gouache Winter fairy tale— 1926, watercolour and gouache Our mothers are always dressed in black— 1926, watercolour Refugees— 1926, watercolour and gouache The black bread— 1926, watercolour and gouache Composition— circa 1926, watercolour and gouache