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Ivan Aguéli

Ivan Aguéli (born John Gustaf Agelii; May 24, 1869 – October 1, 1917), also named Shaykh ʿAbd al-Hādī al-ʿAqīlī (Arabic: شيخ عبد الهادی عقیلی) upon his conversion to Islam, was a Swedish wandering Sufi, painter and author. He was one of the initiators of René Guénon into Sufism and founder of the Parisian Al Akbariyya society. His art was a unique form of miniature Post-Impressionism where he used the blend of colours to create a sense of depth and distance.

Also recorded as Ivan Gustaf Agueli · ʻAbdul-Hâdî · ʻAbd al-Hādī · John Gustav Agelii

Ivan Aguéli

Ivan Aguéli - Landscape - A II 1591 - Finnish National Gallery

Ivan Aguéli · http: kokoelmat.fng.fi/app?si=A+II+1591 · Public domain

Full name
John Gustaf Agelii.
Born
1869. · Sala Municipality.
Died
1917. · L'Hospitalet de Llobregat.
Nationality
Sweden.
Occupation
politician, philosopher, painter and writer.
Education
Al-Azhar University and Konstnärsförbundets skola.
Languages
French and Arabic.

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Ivan Aguéli (born John Gustaf Agelii; May 24, 1869 – October 1, 1917), also named Shaykh ʿAbd al-Hādī al-ʿAqīlī (Arabic: شيخ عبد الهادی عقیلی) upon his conversion to Islam, was a Swedish wandering Sufi, painter and author. He was one of the initiators of René Guénon into Sufism and founder of the Parisian Al Akbariyya society. His art was a unique form of miniature Post-Impressionism where he used the blend of colours to create a sense of depth and distance.

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Note VALÉORINE

Ivan Aguéli (1869–1917) was a painter, philosopher and politician, among other activities, of Swedish nationality. The painter was born John Gustaf Agelii in Sala Municipality and died in L'Hospitalet de Llobregat. Ivan Aguéli was educated at Al-Azhar University and Konstnärsförbundets skola.

Languages used include Arabic and French. Works are held at Finnish National Gallery, Gothenburg Museum of Art and Nationalmuseum.

Composed from admitted, traceable facts · 26 September 2026

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Authority files

wikidata · Q1675511 · wikipedia · Ivan Aguéli

In this article

  1. 01Biography
  2. 02Reception, influence and legacy
  3. 03Notes, references and evidence

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