Hsu Tsang-houei
Hsu Tsang-Houei (September 6, 1929 – January 1, 2001) was a Taiwanese musician and music educator.
Also recorded as Xu Changhui
Hsu Tsang-houei

Public domain
- Born
- 1929 · Taichū Prefecture.
- Died
- 2001
- Nationality
- Taiwan
- Occupation
- composer · ethnomusicologist
- Education
- National Taiwan Normal University · University of Paris
- Teachers
- André Jolivet
- Honours
- Chevalier des Arts et des Lettres
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Hsu Tsang-Houei (September 6, 1929 – January 1, 2001) was a Taiwanese musician and music educator.
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wikidata · Q7210810 · wikipedia · Hsu Tsang-Houei
In this article
Early life and education
Early life and education
Hsu was born in Hemei Village, Changhua County, Taichung, Taiwan, in the period of Japanese occupation, and went to Japan to study at the age of 12, majoring in violin. He came back to Taiwan and studied at Taiwan Provincial Normal College (now National Taiwan Normal University) department of music, serving as a violinist at Taiwan Provincial Symphony Orchestra (now National Taiwan Symphony Orchestra) after graduating. Hsu went to Europe and studied violin with Colette de Lioucount, then to France to study at the University of Paris, majoring in composition and studying under André Jolivet. In 1959, he chose the poem "Yesterday Someone Came from the Sea" and composed it into a soprano solo piece, which was selected for the competition of the Italian Modern Music Society, and then began his composing career.
Career
Career
Besides music composing, he also collected local music cultural works, for example, Taiwanese folk songs. Furthermore, Hsu used Western compositional methods to rewrite traditional Chinese music, such as the cantata "Song of Burial Flowers" based on A Dream of Red Mansions; as well as the opera from The Legend of the White Snake, and the "Baijiachun Concerto", which were well-known and well received. Hsu was influenced by Béla Bartók's use of folk music, as well as Antonín Dvořák's embrace of nationalism. In addition to composing music, Hsu formed many modern music groups, and devoted himself to the education of modern music and the preservation of folk music. He was a co-founder of the Asian Composers League which now confers theTsang-Houei Hsu Memorial Prize (許常惠紀念獎) in his memory. Hsu taught multiple generations of students in the field of Taiwanese folk music and introduced the indigenous music of Taiwan to an international audience. In 1988, he took a group of indigenous artists on a tour of European countries including France, Switzerland, Germany and the Netherlands. Among the performers were Amis husband and wife duo Difang and Igay Duana, whose vocal performance were famously recorded and used without their permission as a centerpiece of the popular song "Return to Innocence" by the new age band Enigma. They would later settle with Enigma for an undisclosed amount of money. In 1992, he founded the Journal of Music Research at National Taiwan Normal University's College of Music.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Hsu Tsang-Houei (許常惠), the Taiwanese Composer and Folklore Music Collector. culture.teldap.tw.
- 2.國史館. Academia historica via web.archive.org. 2007-05-22.
- 3.https://www.ethnomusicology.org/general/custom.asp?page=gtp_ups
- 4.Piano Music of Native Chinese Composers, with Particular Focus on the Piano Works Since 1950: a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, L.v. Beethoven, S. Prokofiev, F. Chopin, R. Schumann, J. Brahms, M. Ravel, and A. Skryabin. UNT Digital Library. 1988-05.
- 5.New Perspectives on Music History in the 20th and 21st Century. transcript Verlag. 27-03-2021.
- 6.Tsang-Houei Hsu. Taiwan Philharmonic, NSO. 2012.
- 7.Grace Lin on Apple Music. Apple Music.
- 8.https://www.eclassical.com/shop/17115/art47/4879847-455436-4710887870288.pdf
- 9.https://etheses.whiterose.ac.uk/15666/1/PhD%20Resubmission%20September%202016%20PDF.pdf, p. 81
- 10.A Critical History of New Music in China. Chinese University Press. 2010. 978-962-996-360-6.
- 11.Asian Composers League - Tsang-Houei Hsu [d. 2001]. asiancomposersleague.org.
- 12.總統贈頒給文藝界傑出人士. web.archive.org. 2021-08-23.
Bibliography printed in the source article · 18
- Chen Bijuan, 2005, « Une nuit chez Li Na » : Recherche sur les œuvres pour piano de Xu Changhui. Journal des sciences humaines et des arts, n° 4:211-43.
- Chen Yuntong, 2001, le parrain de la musique taïwanaise : Xu Changhui, un étranger et gentleman. Revue chinoise et étrangère 69, n° 4 : 146-54+10+129+131+133.
- Dai Renwen, 2004, Recherche sur le piano solo de Xu Changhui. Mémoire de maîtrise du Département de musique de l'Université Soochow.
- Jiang Zhiyao, 2005, Nouvelle musique chinoise sous l'influence de la musique occidentale : Parler du concert de fin d'études "L'enterrement des fleurs" de Xu Changhui. Mémoire de maîtrise du Département de musique de l'Université Soochow.
- Li Weiwei, 2000, Xu Changhui Piano Solo : Fugue n°3 « Une nuit chez Li Na », analyse des travaux et recherche d'interprétation de la performance. Taipei : Yiyun Art.
- Liao Peiru, 2003, Nouvelle étude du mouvement "Folk Song Collection". Mémoire de maîtrise de l'Institut de musicologie, Université nationale de Taïwan.
- Lin Hanzhang, 2004, Discussion sur les styles de « The Overlord Yuji » de Ma Shuilong et « The Name of the Country, Zheng Chenggong » de Xu Changhui : deux exemples de musique traditionnelle de Taiwan et de musique occidentale à la fin des années 1990. Thèse de maîtrise de l' Institut de musique de l'Université normale nationale de Taipei.
- Lin Yun, 1995, analyse et recherche des œuvres musicales de Xu Changhui. Mémoire de maîtrise du département de musicologie de l'Université normale nationale de Taiwan.
- Qiu Kunliang, 1997, Venant de la mer hier : Chant de vie de Xu Changhui. Taipei : Temps Culture.
- Su Yudai, 1994, le manuscrit de la chronique de Xu Changhui. Mémoire de maîtrise du Département de musicologie de l'Université nationale normale.
- Su Yudai, 1997, Chronique de Xu Changhui. Ville de Changhua : Centre culturel du comté de Changhua.
- Wu Lingyi, 2005, la tendance rétro et le style romantique du piano solo de Xu Changhui "Five Interludes". Art Journal : Comprehensive 1, n° 2 : 137-53.
- Wu Meiying, 1998, sur le baptême de la culture traditionnelle dans la création musicale des compositeurs taïwanais : Prenons comme exemples les œuvres de Guo Zhiyuan, Xu Changhui et Ma Shuilong. Mémoire de maîtrise du Département de musique de l' Académie nationale des arts.
- Xiao Zhisui, 2005, « Time Spirit » to « National Spirit » : une discussion dialectique sur l'histoire de l'acceptation du mouvement de la musique moderne de Xu Changhui à partir du « temps » et de « l'espace » (1950-1970). Mémoire de maîtrise de l'Institut de musique de l'Université nationale de Chiao Tung.
- Xu Lisha, 1997a, d'ouest en est : une brève exploration des réalisations du professeur Xu Changhui en ethnomusicologie. Journal de l'Université normale de Taichung, n° 11 : 611-37.
- Xu Lisha, 1997b, Entre tradition et modernité : Recherches sur les œuvres musicales de Xu Changhui. Ville de Changhua : Centre culturel du comté de Changhua .
- Zhao Qin, 2002, Xu Changhui : Cette étoile est à l'est. Taipei : Temps Culture.
- Jian Qiaozhen, 2012, la trajectoire du développement de la nouvelle musique à Taiwan. Société américaine d'édition Micro EHGBOOKS.
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