Hours of Philip the Bold

It is recorded in the collection of Fitzwilliam Museum and Royal Library of Belgium. Its recorded location is Fitzwilliam Museum and Royal Library of Belgium. Its recorded inventory number is MS 3-1954 and Ms.11035-37.

8 works under this name are catalogued by Wellcome Collection. Their recorded dates run from 1692 to 1976.

Philip the Bold: portrait. Drawing, c. 1794., dated c. 1794, held by Wellcome Collection. Cardiovascular physiology in the sixteenth and early seventeenth centuries / [Jerome Joseph Bylebyl]., dated [1976], held by Wellcome Collection. Bibliothèque Sainte-Geneviève, Paris: part of the cabinet of natural and artificial curiosities. Engraving by F. Ertinger, 1688., dated [1692], held by Wellcome Collection. A noisy tenant and three of his friends, having stayed up singing until the early hours of the morning, go to the house of an elderly neighbour and disturb his sleep to ask him for glass of water and the loan of a shilling for a cab. Etching by George Cruikshank, 1839., dated [1839], held by Wellcome Collection. Comparison of an eight-hour plant and a ten-hour plant / Report by Josephine Goldmark and Mary D. Hopkins, on an investigation by Philip Sargant Florence, and associates under the general direction of Frederic S. Lee. Prepared by direction of the Surgeon General., dated 1920, held by Wellcome Collection. Fibre optic bronchoscopy., held by Wellcome Collection. Ma Robert, D. Livingstone's steam boat on which he explored the River Zambezi. Lithograph by T. Picken after S. Walters, 1858., dated April 1858 :, held by Wellcome Collection. An episode in Dombey and son by Charles Dickens: the interior of "The wooden midshipman", a shop in the City of London for navigational instruments; a boy ("Rob the Grinder") is conversing with a pugilist known as "The Game Chicken". Etching by Phiz (Hablot K. Browne)., dated [1847], held by Wellcome Collection.

Work associated with this heading is recorded in 1 named public collection.

Wellcome Collection: 38 recorded objects, read from the institution's own published catalogue.

5 scholarly publications naming this subject were located in the registry of record.

Philip the Bold [Philip II; Philippe le Hardi], 1st Valois Duke of Burgundy, Oxford Art Online, 2003. <bold>From Philanthropy to Social Welfare.</bold> By Philip Klein. San Francisco: Jossey-Bass, 1968. 307 pp. $8.50, Social Work, 1969. <bold>Social Statistics in Use</bold>. By Philip M. Hauser. New York: Russell Sage Foundation, 1975. 400 pp. $12.50, Social Work, 1976. <bold>Rehabilitation and Deviance</bold>. By Philip Bean. Boston, Mass.: Routledge & Kegan Paul, 1976. 168 pp. $12.50 cloth, $6.25 paper, Social Work, 1977. Philip The Bold, Duke Of Burgundy (1342–1404)., Historical Dictionary of Renaissance Art, 2016.

Bibliographic registers publish measured figures for this heading: 5 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 3 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 3 means 3 genuinely separate publishers of record. 11 further registers were consulted and returned nothing for this heading.

It is recorded as the work of Master of the Boqueteaux, Master of the Livre du Sacre and Willem Vrelant. The recorded language is Latin.

Materials recorded for it are parchment.

The record gives 1370 as its date of establishment or first appearance.

It is recorded in the collection of Fitzwilliam Museum and Royal Library of Belgium.