Hou Hanru
Hou • Illustration — Hou Hanru at the Istanbul Biennial in September 2007 Hou Hanru (born 1963) is a Chinese-born art curator and art critic. He is based in San Francisco, Paris and Rome. He was artistic director of the National Museum MAXXI in Rome, Italy, from 2013 to 2023.
Hou Hanru

Leandrostr · Self-photographed · CC0
- Born
- 1963 · Guangzhou.
- Nationality
- France
- Occupation
- curator · art critic · artist · painter
- Fields
- contemporary art · Chinese art
- Education
- Central Academy of Fine Arts
- Languages
- English
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Documentary summary
Hou • Illustration — Hou Hanru at the Istanbul Biennial in September 2007 Hou Hanru (born 1963) is a Chinese-born art curator and art critic. He is based in San Francisco, Paris and Rome. He was artistic director of the National Museum MAXXI in Rome, Italy, from 2013 to 2023.
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Note VALÉORINE
Hou Hanru (born 1963) is a French art critic, artist and curator, among other activities. The art critic was born in Guangzhou.
Hou Hanru studied at Central Academy of Fine Arts. The art critic worked for MAXXI. Hou Hanru is active in Chinese art and contemporary art. Languages used include English.
Composed from admitted, traceable facts · 26 September 2026
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gnd · 132744821 · wikidata · Q4355113 · wikipedia · Hou Hanru
In this article
Early life and education
Early life and education
Hou Hanru was born in 1963, in Guangzhou, China (now People's Republic of China). He graduated from the Central Academy of Fine Arts in Beijing, and moved to Paris in 1990.
Career
Career
Hou lived 16 years in France before moving to the United States in 2006. He worked at San Francisco Art Institute as Director of Exhibitions and Public Program and Chair of Exhibition and Museum Studies from 2006 to 2012. He is artistic director of MAXXI, National Museum of 21st Century Arts, Rome since 2013. Hou has curated numerous exhibitions including "Cities on the Move" (1997–1999), Shanghai Biennale (2000), Gwangju Biennale (2002), Venice Biennale (French Pavilion, 1999, Z.O.U. -- Zone Of Urgency, 2003, Chinese Pavilion, 2007), Canton Express (2003, Venice), Nuit Blanche (2004, Paris), the 2nd Guangzhou Triennial (2005), the 2nd Tirana Biennial (2005), the 10th Istanbul Biennial (2007), "Global Multitude" (Luxembourg 2007), "Trans(cient)City" (Luxembourg 2007), EV+A 2008 (Limerick), "The Spectacle of the Everyday, The 10th Lyon Biennale" (Lyon, 2009), the 5th Auckland Triennial (Auckland, New Zealand, May - August 2013), etc. He has been consultant and advisor in many international institutions including Walker Art Center (Minneapolis), Solomon R. Guggenheim Museum (New York), Kumamoto Museum of Contemporary Art (Kumamoto, Japan), De Appel Foundation (Amsterdam), Rockbund Art Museum (Shanghai), Times Museum (Guangzhou), Today Art Museum (Beijing), Power Station of Art (Shanghai), Deutsche Bank Collection (Frankfurt), Kadist Art Foundation (San Francisco/Paris), Asia Art Archive (Hong Kong), etc. and served in juries of many international awards including the Hugo Boss Prize (Guggenheim Museum), Chinese Contemporary Art Award (Beijing), Ars Fennica (Helsinki), Credit Suisse/Today Art Award (Today Art Museum, Beijing) and Hugo Boss Prize China (Rockbund Art Museum, Shanghai). He has also taught and lectured in various artistic and educational institutions including Rijksakademie van Beeldende Kunsten (Amsterdam), HISk (Antwerp /Ghent), Forecast (Berlin), as well as numerous universities and museums across the world. A selection of his writings was published as "On The Mid-Ground" by Timezone 8, 2002. His recent books include "Paradigm Shifts, Walter & McBean Galleries exhibitions and public programs, San Francisco Art Institute, 2006-2011", San Francisco Art Institute, 2011 (with Mary Ellyn Johnson). A frequent contributor to conferences, catalogues, magazines and books of contemporary art, he is also a guest editor for international art journals including Flash Art, YIshu, Art Asia Pacific and LEAP.
Other activities
Hou served on the juries that chose Agnieszka Polska as winner of the Preis der Nationalgalerie in 2017 as well as Otobong Nkanga and Petrit Halilaj for the Nasher Prize in 2024 and 2027, respectively.
Primary material
Documents and archives
reference work
- “Hou Hanru”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
- Wikidata, structured authority record Q4355113: Hou Hanru
Reputable secondary · Wikidata
authority file
- Gemeinsame Normdatei 132744821, Hou, Hanru.
General reference · Deutsche Nationalbibliothek
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Francesco Stocchi Appointed Artistic Director Of Maxxi. Artforum. 2023-06-29. 0004-3532.
- 2.Schuppli, Madeleine. Rom als Hot Spot der Gegenwartskunst: ein Streifzug. Neue Zürcher Zeitung. 2023-10-01. 0376-6829.
- 3.Leung, Wing-Fai. Migration and Identity in British East and Southeast Asian Cinema. Taylor & Francis. 5. 2023-05-31. 978-1-000-92502-9.
- 4.Archer, Anita. Chinese Contemporary Art in the Global Auction Market. BRILL. 89. 2022-04-04. 978-90-04-51004-3.
- 5.University of Melbourne. Hou Hanru. 2013. 978-0-7340-4887-5.
- 6.hisk. hisk.edu.
- 7.Hou Hanru – Forecast.
- 8.Alex Greenberger (10 November 2017), 2017 Preis der Nationalgalerie Finalists Speak Out Against Award’s Practices ARTnews.
- 9.Maximilíano Durón (5 October 2023), Otobong Nkanga Wins $100,000 Nasher Prize for Sculpture ARTnews.
- 10.Maximilíano Durón (2 October 2025), Acclaimed Sculptor Petrit Halilaj Wins $100,000 Nasher Prize ARTnews.
- 11.Zachary Small (2 October 2025), Petrit Halilaj Is the Winner of the Nasher Prize for Sculpture New York Times.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority file
Gemeinsame Normdatei 132744821, Hou, Hanru.Deutsche Nationalbibliothek
Secondary witnessreference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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