Henry Thomas
Henry Thomas (1874 1930) was an American country blues singer, songster and musician. Although his recording career, in the late 1920s, was brief, Thomas influenced performers including Bob Dylan, Taj Mahal, the Lovin' Spoonful, the Grateful Dead, and Canned Heat. Often billed as "Ragtime Texas", Thomas's style is an early example of what later became known as Texas blues guitar.
Also recorded as Ragtime Texas
Henry Thomas

Anonymous Unknown author · Public domain
- Name
- Henry Thomas
- Born
- 1874
- Birthplace
- Big Sandy, Texas, U.S.
- Died
- 1930
- Occupation
- * Singer
- Full name
- Henry Leonard Thomas.
- Nationality
- United States.
- Fields
- country blues.
- Languages
- English.
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Henry Thomas (naissance : 1874) figure comme compositeur et musicien dans les notices d'autorité de la Bibliothèque nationale de France et de la Deutsche Nationalbibliothek.
Vie
Henry Thomas naquit en 1874.
Institutions citées
Bibliothèque nationale de France · Deutsche Nationalbibliothek
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gnd · 138940401 · museum · 961583469 · wikidata · Q1607308
In this article
Key facts
Key facts
• Name — Henry Thomas • Alias — Ragtime Texas • Born — 1874 • Birthplace — Big Sandy, Texas, U.S. • Died — 1930 • Genre — * Country blues • ragtime • gospel • Occupation — * Singer • songster • musician • Instrument — * Guitar • vocals • quills • Years Active — 192729 (recording career) • Label — Vocalion
Life and career
Life and career
Thomas was born into a family of freed slaves in Big Sandy, Texas, in 1874. He began traveling the Texas railroad lines as a hobo after leaving home in his teens. He eventually earned his way as an itinerant songster, entertaining local populaces as well as railway employees. He recorded 24 sides for Vocalion Records between 1927 and 1929, 23 of which were released. They include reels, gospel songs, minstrel songs, ragtime numbers, and blues. Besides guitar, Thomas accompanied himself on quills, a folk instrument fabricated from cane reeds whose sound is similar to the zampona played by musicians in Peru and Bolivia. His style of playing guitar was probably derived from banjo-picking styles. His life and career after his last recordings in 1929 have not been chronicled. Although the blues researcher Mack McCormick stated that he saw a man in Houston in 1949 who met Thomas's description, most biographers indicate that Thomas died in 1930, when he would have been 55 or 56 years old.
Identity
Identity
Henry Thomas is recorded with the occupation recording artist. Classed in the genre country blues. Recorded as guitarist, songwriter, musician and composer. Recorded at birth as Henry Leonard Thomas.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1874
Henry Thomas was born on 1 January 1874.
1930
Henry Thomas died on 1 January 1930.
Legacy
Thomas's legacy has been sustained by his songs, which were revived by musicians beginning in the folk music revival of the early 1960s. Among the first of these was "Honey, Won't You Allow Me One More Chance", which was reinterpreted by Bob Dylan on the album The Freewheelin' Bob Dylan in 1963 under the title "Honey, Just Allow Me One More Chance". Dylan may have been introduced to Thomas through Harry Smith's 1952 compilation Anthology of American Folk Music, which includes two of Thomas' songs, "Old Country Stomp" and "Fishing Blues". Dylan may have heard Thomas's song on the 1962 album Henry Thomas Sings the Texas Blues. Dylan reworked the melody and almost totally rewrote the lyrics, but he credited Thomas as co-writer on his album Freewheelin. Thomas's song "Fishing Blues" was recorded by the folk-rock group the Lovin' Spoonful in 1965, for their hit debut album Do You Believe in Magic. The song was recorded two years later by Jim Kweskin and members of his band, who had been playing it for several years. It was a staple in the early set-lists of the blues musician Taj Mahal and appeared on one of his first albums, De Old Folks at Home, and has since been released on Mahal's compilation albums. John Martyn included the song on his 1968 album The Tumbler. The Nitty Gritty Dirt Band also covered the song on their album Will the Circle Be Unbroken, Volume III in 2002. "Bull-Doze Blues", another of Thomas's Vocalion recordings, remained an obscure blues number until blues-rock group Canned Heat recorded "Going Up the Country" in 1968. Though rearranged, the Canned Heat song is musically the same, down to a faithful rendition of Thomas's quill solos by Jim Horn. The lyrics also borrow from Blind Willie McTell's "Statesboro Blues" (1928). Fellow band member Alan "Blind Owl" Wilson rewrote the lyrics entirely and received credit on the song's original release in 1968 on Canned Heat's third album, Living the Blues. The next year, the group played at the Woodstock Festival. The live performance of "Going Up the Country" was featured in the motion picture Woodstock and appeared as the second cut on the soundtrack album. "Don't Ease Me In" was covered by the Grateful Dead on their first single in 1966, and on their album Go to Heaven. Thomas's recording of "Don't Ease Me In" is included on the compilation album The Music Never Stopped: Roots of the Grateful Dead. Thomas's arrangement of "Cottonfield Blues" was performed by the early Delta blues musicians Garfield Akers and Mississippi Joe Callicott in 1929. In 1966, the Lovin' Spoonful included an original song entitled "Henry Thomas" on their album, Hums of the Lovin' Spoonful. In 1987, the band Brendan Croker and The 5 O'Clock Shadows included a song entitled "Henry Thomas (Deceased)" on their album, Boat Trips in the Bay. In 1993, the band Deacon Blue included a song entitled "Last Night I Dreamed of Henry Thomas" on their album, Whatever You Say, Say Nothing. In 2018, Charley Crockett dedicated his album, Lonesome as a Shadow, to Thomas. In 2023, "Bull Doze Blues" was featured in Martin Scorsese's film Killers of the Flower Moon in an early scene where the Osage community are having their pictures taken.
Recordings
Thomas recorded 24 sides for Vocalion Records, 23 of which were released. The following list is ordered by date of release; dates of recording are given after the song titles. • 1927"John Henry" / "Cottonfield Blues", June 30, 1927, in Chicago, Vocalion 1094 • 1927"The Fox and the Hounds" / "Red River Blues", October 5, 1927, in Chicago, Vocalion 1137 • 1927"The Little Red Caboose" / "Bob McKinney", October 5, 1927, in Chicago, Vocalion 1138 • 1927"Shanty Blues" / "Woodhouse Blues", October 7, 1927, in Chicago, Vocalion 1139 • 1927"Jonah in the Wilderness" / "When the Train Comes Along", October 7, 1927 in Chicago, Vocalion 1140 • 1927"Honey, Won't You Allow Me One More Chance" / "Run, Mollie, Run", October 7, 1927, in Chicago, Vocalion 1141 • 1928"Don't Ease Me In" / "Texas Easy Street Blues", June 13, 1928, in Chicago, Vocalion 1197 • 1928"Bull-Doze Blues" / "Old Country Stomp", June 13, 1928, in Chicago, Vocalion 1230 • 1928"Texas Worried Blues" / "Fishing Blues", June 13, 1928, in Chicago, Vocalion 1249 • 1928"Arkansas", July 1, 1927, in Chicago, b/w Georgia Tom and Tampa Red, "Lonesome Man Blues", Vocalion 1286 • 1929"Railroadin' Some" / "Don't Leave Me Here", October 7, 1929, in Chicago, Vocalion 1443 • 1929"Charmin' Betsy" / "Lovin' Babe", October 7, 1929, in Chicago, Vocalion 1468
Primary material
Documents and archives
authority file
- Gemeinsame Normdatei 138940401, Henry, Thomas.
General reference · Deutsche Nationalbibliothek
authority record
- Wikidata, structured authority record Q1607308: Henry Thomas
General reference · Wikidata
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Henry Thomas (blues musician), revision 1370559111 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Shadwick, Keith. Henry Thomas. Encyclopedia of Jazz & Blues. Quintet Publishing. 650. 2001. 1-86155-385-4.
- 2.Du Noyer, Paul. The Illustrated Encyclopedia of Music. Flame Tree Publishing. 181. 2003. 1-904041-96-5.
- 3.Johnson, Greg. Henry "Ragtime Texas" Thomas. BluesNotes. Cascade Blues Association. February 1999.
- 4.Pearson, Barry Lee. Henry Thomas: Biography. Allmusic.com.
- 5.Wirz.de. Henry Thomas Discography.
- 6.Russell, Tony. The Blues: From Robert Johnson to Robert Cray. Carlton Books. 176. 1997. 1-85868-255-X.
- 7.Eagle, Bob. Blues: A Regional Experience. Praeger. 310. 2013. 978-0313344237.
- 8.684685. Henry Thomas – Sings the Texas Blues 1927–28.
- 9.Harvey, Todd. The Formative Dylan: Transmission and Stylistic Influences, 1961–1963. Scarecrow Press. October 1, 2001. 978-0810841154.
- 10.Trager, Oliver. Keys to the Rain. Billboard Books. 256–258. 2004. 0-8230-7974-0.
- 11.Ruhlmann, William. Lovin' Spoonful, Do You Believe in Magic?. Allmusic.com.
- 12.Planer, Lindsay. Taj Mahal, Giant Step. Allmusic.com.
- 13.Planer, Lindsay. Taj Mahal, "Fishin' Blues". Allmusic.com.
- 14.Doerschuk, Robert L. Nitty Gritty Dirt Band, Will the Circle Be Unbroken, Vol. 3. Allmusic.com.
- 15.Darling, Cary. Talking music, race and Texas with Charley Crockett. Houston Chronicle. 8 May 2018.
- 16.78discography.com. 1000 1500 (1926 1930).
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority file
Gemeinsame Normdatei 138940401, Henry, Thomas.Deutsche Nationalbibliothek
Secondary witnessauthority record
Secondary witness
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Identity and origins. He also worked under the name Ragtime Texas. The authorities additionally record the heading Ragtime Texas. His recorded language was English.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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