Henry Newbolt

• Honorific Prefix — Sir • Name — Henry Newbolt • Born — 6 June 1862 • Birthplace — Bilston, Staffordshire, England • Died — 19 April 1938 • Place of death — Kensington, London, England • Occupation — Poet • Notable Works — "Vitaï Lampada" "Drake's Drum" • Relatives — Jill Furse (granddaughter)

Henry John Newbolt was born in Bilston, Wolverhampton (then in Staffordshire, but now in the West Midlands), son of the vicar of St Mary's Church, the Rev. Henry Francis Newbolt (1824–1866), and his second wife, Emily née Stubbs (1838–1921), the older brother of Sir Francis Newbolt. After his father's death, the family moved to Walsall, where Henry was educated.

Newbolt attended Queen Mary's Grammar School, Walsall, and Caistor Grammar School, from which he gained a scholarship to Clifton College, where he was head of the school (1881) and edited the school magazine. His contemporaries there included John McTaggart, Arthur Quiller-Couch, Roger Fry, William Birdwood, Francis Younghusband and Douglas Haig. Graduating from Corpus Christi College, Oxford, Newbolt was called to the bar at Lincoln's Inn in 1887 and practised until 1899.

• Illustration — Blue plaque near Newbolt's birthplace. Newbolt married Margaret Edwina née Duckworth (1867–1960) of the prominent publishing family Duckworth Books; they had two children: • a son, Capt Arthur Francis Newbolt CMG (1893–1966) and, • a daughter, Margaret Cecilia Newbolt (1890–1975), who in 1914 married Lt. Col. Sir Ralph Dolignon Furse KCMG DSO (1887–1973), the Head of Recruitment at the Colonial Service. Newbolt resided at 14 Victoria Road in Kensington from 1889 to 1898. He was the grandfather of actress Jill Furse.

• Illustration — Clifton College Close Probably the best known of all Newbolt's poems, which was written in 1892 and for which he is now chiefly remembered, is "Vitaï Lampada". The title is taken from a quotation by Lucretius and means "the torch of life". It describes how a schoolboy, a future soldier, learns selfless commitment to duty in cricket matches in the Close at Clifton College: • There's a breathless hush in the Close to-night— • Ten to make and the match to win— • A bumping pitch and a blinding light, • An hour to play and the last man in. • And it's not for the sake of a ribboned coat, • Or the selfish hope of a season's fame, • But his captain's hand on his shoulder smote • "Play up! play up! and play the game!" • The sand of the desert is sodden red,— • Red with the wreck of a square that broke;— • The Gatling's jammed and the Colonel dead, • And the regiment blind with dust and smoke. • The river of death has brimmed his banks, • And England's far, and Honour a name, • But the voice of a schoolboy rallies the ranks: • "Play up! play up! and play the game!" • This is the word that year by year, • While in her place the school is set, • Every one of her sons must hear, • And none that hears it dare forget. • This they all with a joyful mind • Bear through life like a torch in flame, • And falling fling to the host behind— • "Play up! play up! and play the game!" The engagement mentioned in verse two is the Battle of Abu Klea in Sudan in January 1885 during the unsuccessful expedition to rescue General Gordon. Frederick Burnaby is the colonel referred to in the line "The Gatling's jammed and the Colonel's dead...", although it was a Gardner machine gun which jammed, and while Mahdist warriors did break into the British square, it did not collapse disastrously as the poem suggests.

According to legend the drum owned by Sir Francis Drake and carried with him on his voyages will beat in times of national crisis and the spirit of Drake will return to aid his country. Sir Henry reinforced the myth with his 1897 poem "Drake's Drum", "Drake he's in his hammock an' a thousand mile away...": • Drake he's in his hammock an' a thousand mile away, • (Capten, art tha sleepin' there below?) • Slung atween the round shot in Nombre Dios Bay, • An' dreamin' arl the time o' Plymouth Hoe. • Yarnder lumes the island, yarnder lie the ships, • Wi' sailor lads a-dancin' heel-an'-toe, • An' the shore-lights flashin', an' the night-tide dashin' • He sees et arl so plainly as he saw et long ago. • Drake he was a Devon man, an' ruled the Devon seas, • (Capten, art tha sleepin' there below?), • Rovin' tho' his death fell, he went wi' heart at ease, • An' dreamin' arl the time o' Plymouth Hoe, • "Take my drum to England, hang et by the shore, • Strike et when your powder's runnin' low; • If the Dons sight Devon, I'll quit the port o' Heaven, • An' drum them up the Channel as we drummed them long ago." • Drake he's in his hammock till the great Armadas come, • (Capten, art tha sleepin' there below?), • Slung atween the round shot, listenin' for the drum, • An' dreamin' arl the time o' Plymouth Hoe. • Call him on the deep sea, call him up the Sound, • Call him when ye sail to meet the foe; • Where the old trade's plyin' an' the old flag flyin', • They shall find him, ware an' wakin', as they found him long ago. The poem has been widely anthologised and has been set to both classical and folk tunes. "Drake's Drum" is the first of five poetic settings by the composer Charles Villiers Stanford. Stanford wrote two song cycles based on poems by Newbolt: Songs of the Sea and Songs of the Fleet.

Newbolt was the editor of the Monthly Review from October 1900 to September 1904. He was also a member of the Athenaeum and the Coefficients dining club.

At the start of the First World War, Newbolt – along with over 20 other leading British writers – was brought into the War Propaganda Bureau, which had been formed to promote Britain's interests during the war and maintain public opinion in favour of the war. He subsequently became Controller of Wireless and Cables at the Foreign Office. His poems about the war include "The War Films", printed on the leader page of The Times on 14 October 1916, which seeks to temper the shock effect on cinema audiences of footage of the Battle of the Somme. Newbolt was knighted in 1915 and was appointed Member of the Order of the Companions of Honour in 1922. In the late 1920s he was the editor of the Nelson's Classics series of books published by Faber and Gwyer and later by Faber & Faber.

In 1921 he had been the author of a government Report entitled "The Teaching of English in England" which established the foundations for modern English Studies and professionalised the forms of teaching of English Literature. It established a canon, argued that English must become the linguistic and literary standard throughout the British Empire, and even proposed salary rates for lecturers. For many years it was a standard work for English teachers in teacher training Colleges.

• Mordred: A Tragedy (1895)

• Taken from the Enemy (1892) • The Old Country: A Romance (1906) • Aladore (1914)

• The Book of the Blue Sea (1914) • The Book of the Thin Red Line (1915) • A Note on the History of Submarine War (1917) • He Fell Among Thieves (1918) – concerning the explorer George W. Hayward • Submarine and Anti-Submarine (1919) • The Book of the Long Trail (1919) • The Book of Good Hunting (1920) • The Story of the Oxfordshire and Buckinghamshire Light Infantry (The Old 43rd and 52nd Regiments) (1922) • Devotional Poets of the Seventeenth Century (1929) • The Naval History of the Great War: Based on Official Documents (1928–1931) – Volumes IV and V; Newbolt continued the work after the death of Sir Julian Corbett

• My World as in My Time (1932)

The authorities additionally record the headings Sir Henry Newbolt, Henry John Newbolt and Sir Henry John Newbolt. His recorded language was English. He was the child of Henry Francis Newbolt. He married Margaret Duckworth. 2 children are recorded: Margaret Newbolt and Arthur Newbolt.

Henry Newbolt is recorded as historian, writer, journalist, poet and novelist.

• Black Country Bugle • A Perpetual Memory and other Poems, an anthology by Sr Henry Newbolt, published in 1939 by John Murray. * * • Prose & Poetry – Sir Henry Newbolt firstworldwar.com • Derek Winterbottom, Henry Newbolt and the Spirit of Clifton (Redcliffe Press, Bristol, 1986)