Helena Cortesina
Helena Cortesina (17 July 1903 — 7 March 1984), also known as Elena Cortesina or Elena Manuela Dolores Cortés Altabas, was a Spanish film director, actor, producer, and theatrical entrepreneur. She directed and produced the first known film by a Spanish woman, Flor de España o la leyenda de un torero (1921), which has since been lost. She acted in the film alongside her sisters, Ofelia and Angélica, who were collectively referred to as the Hermanas Cortesina.
Also recorded as Elena Cortesina
Helena Cortesina

Adaptación de La Esfera, año VIII, núm. 415, Madrid, 8 de octubre de 1921, p. 18. Hemeroteca Digital, Biblioteca Nacional de España. · Public domain
- Full name
- Elena Cortés Altabas.
- Born
- 1903. · Valencia.
- Died
- 1984. · Buenos Aires.
- Nationality
- Spain.
- Occupation
- actress, film director, film producer and dancer.
- Languages
- Spanish.
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Documentary summary
Helena Cortesina (17 July 1903 — 7 March 1984), also known as Elena Cortesina or Elena Manuela Dolores Cortés Altabas, was a Spanish film director, actor, producer, and theatrical entrepreneur. She directed and produced the first known film by a Spanish woman, Flor de España o la leyenda de un torero (1921), which has since been lost. She acted in the film alongside her sisters, Ofelia and Angélica, who were collectively referred to as the Hermanas Cortesina.
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wikidata · Q5893647 · wikipedia · Helena Cortesina
In this article
Early life and career
Early life and career
She began her career as a dancer, performing to songs by Spanish composers, with an aesthetic heavily influenced by Greek art. Cortesina has been identified as one of the models for the 1917 painting Danzarinas griegas, by the painter Joaquin Sorolla y Bastida. She later founded a production company, Cortesina Films, in Madrid in 1921. The direction and screenwriting of Flor de España was long attributed to priest and playwright José María Granada, but this is contradicted by reviews that indicate that Cortesina directed while Granada only edited the script.
Escape to Buenos Aires
Escape to Buenos Aires
In 1936, at the beginning of the Spanish Civil War, Cortesina joined the Alliance of Antifascist Intellectuals for the Defense of Culture. In order to escape fascism, she and her son Juan Manuel Fontanals, one of two children she had with stage designer Manuel Fontanals, escaped to Buenos Aires, Argentina, in 1937. There, she established a theater company with Andrés Mejuto that produced a number of Spanish plays. She continued to act in films, including 1945's La dama duende, based on a 17th-century play by Pedro Calderón de la Barca.

* Título original: La artista Elena Cortesina enfundada en un traje de buceo en la playa de la Concha (1/5)
Ricardo Martín · This image belongs to the Foto Car Collection and was provided to GureGipuzkoa by Hauxe Source: Kutxa Fototeka (Kutxa Photograph Library). The image has been delivered under a CC-BY-SA 3.0 license and

* Título original: La artista Elena Cortesina enfundada en un traje de buceo en la playa de la Concha (2/5)
Ricardo Martín · This image belongs to the Foto Car Collection and was provided to GureGipuzkoa by Hauxe Source: Kutxa Fototeka (Kutxa Photograph Library). The image has been delivered under a CC-BY-SA 3.0 license and
Life and career
Dated record
Life and career
The full dated record · 1 entries
1984
Helena Cortesina died at Buenos Aires.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Valencia.
Birth place
Buenos Aires.
Death place
Primary material
Documents and archives
scholarly publication
- Women and the Shift from Theatre to Cinema in Spain: The Case of Helena Cortesina (1903–84), Nineteenth Century Theatre and Film, 2018
Scholarly · Crossref registry · 2018
reference work
- “Helena Cortesina”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q5893647: Helena Cortesina
Unverified · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Julio Pérez Perucha. Historia General del Cine, Vol. 5: Cine español: 1918-1929. Ed.Cátedra, Madrid, 1997. ISBN 978-84-376-1540-0
- 2.‘Helena Cortesina. Una cineasta pionera en España’.
- 3.Helena Cortesina.
- 4.Espectáculo en el Teatro Novedades, en La Vanguardia. (21/08/1916), pág. 8.
- 5.Helena Cortesina, la primera mujer en España en rodar una película.
- 6.Página de la película en IMDb. (En inglés).
- 7.Cortesina Films.
- 8.Flor de España o la vida de un torero. Una partitura para el cine mudo español.
- 9.ABC MADRID 13-02-1923 página 20 - Archivo ABC.
- 10.Hemeroteca - La Vanguardia - Home.
- 11.CVC. Rinconete. Cine y televisión. Mujeres en la historia del cine español (3). Helena Cortesina: pionera en tiempos de cine mudo (II), por Irene Otero.
- 12.Flor de España o la vida de un torero. Una partitura para el cine mudo español – Síneris. Revista de Música.
- 13.ABC MADRID 07-02-1930 página 43 - Archivo ABC.
- 14.Zecchi, B.: Dos pioneras..., pág. 386.
- 15.CVC. Rinconete. Cine y televisión. Películas de exiliados (2). «Bodas de sangre» (Edmundo Guibourg, 1938), por Luis E. Parés.
- 16.Helena Cortesina, la pionera olvidada del cine español a la que el franquismo borró su nombre.
- 17.Vol. 2 Núm. 51 (2023): Repensar lo femenino en el teatro musical del siglo XVIII ACOTACIONES. Investigación y Creación Teatral.
- 18.Helena Cortesina.
- 19.La vida recuperada de Cortesina, la primera cineasta española.
- 20.Los Españoles de la Argentina. 978-950-9517-03-5.
- 21.Más de 200 cortos se presentan al Certamen Helena Cortesina sobre el papel de la mujer en el cine.
- 22.Cortesina Festival de Cortometrajes.
- 23.'Emilia', de Cristina Guillén, gana el primer certamen de cortometrajes Helena Cortesina.
- 24.EXPOSICIÓN "HELENA CORTESINA. UNA CINEASTA PIONERA EN ESPAÑA".
- 25.Helena Cortesina, una de las primeras cineastas españolas, visita ‘La Moderna’ Boomerang TV.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Women and the Shift from Theatre to Cinema in Spain: The Case of Helena Cortesina (1903–84), Nineteenth Century Theatre and Film, 2018Crossref registry
Verifiedreference work
Partially resolvedauthority record
Unverified
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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