Helen Hooker
Helen Huntington Hooker or Helen Hooker O'Malley Roelefs (1 January 1905 – 2 April 1993) was an American sculptor and portrait painter who spent a considerable part of her career in Ireland.
Also recorded as Helen Hooker O'Malley Roelefs · Helen Hooker O'Malley Roelofs · Helen Hooker O'Malley · Helen Huntington Hooker
Helen Hooker

Anonymous Unknown author · Scan from the original work · Public domain
- Name
- Helen Hooker
- Born
- 1 January 1905
- Birthplace
- Greenwich, Connecticut, U.S.
- Died
- 2 April 1993
- Known for
- Sculpture and portrait painting
- Full name
- Helen Huntington Hooker.
- Nationality
- United States
- Occupation
- sculptor
- Languages
- English
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Documentary summary
Helen Huntington Hooker or Helen Hooker O'Malley Roelefs (1 January 1905 – 2 April 1993) was an American sculptor and portrait painter who spent a considerable part of her career in Ireland.
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Note VALÉORINE
Helen Hooker was an American sculptor. Born Helen Huntington Hooker in Greenwich, the sculptor died in Greenwich. Languages used include English.
Composed from admitted, traceable facts · 27 September 2026
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wikidata · Q19802466 · wikipedia · Helen Hooker
In this article
Key facts
Key facts
• Name — Helen Hooker • Born — 1 January 1905 • Birthplace — Greenwich, Connecticut, U.S. • Died — 2 April 1993 • Place of death — Greenwich, Connecticut, U.S. • Known for — Sculpture and portrait painting • Parents — Elon Huntington Hooker and Blanche Ferry
Early life
Early life
Helen Huntington Hooker was born in Greenwich, Connecticut on 1 January 1905. She was the third of four daughters of engineer and businessman Elon Huntington Hooker, and Blanche Ferry, a daughter of entrepreneur Dexter M. Ferry and Adeline E. Miller. Helen's family were wealthy and well-established in American society and reportedly had six governors of Connecticut and Massachusetts among their forebears. She attended Miss Chapin's School in New York City until 1923, and in the same year won the American National Junior Tennis Championship, ranking tenth. Artistic from an early age, she made her first sculpture of a rabbit at age 6. Instead of attending university, Hooker established a studio practice and enrolled with the Art Students League of New York. She studied sculpture with Mahonri Young, William Zorach, and Edmond Amateis in New York, and later in Paris at Académie de la Grande Chaumière with Antoine Bourdelle. Hooker was well-travelled, studying wood carving in Germany, sculpture and dance in Greece, theatre design in Moscow, and painting in Leningrad, where she learned from the Russian avant-garde painter Pavel Filonov.
Time in Ireland
Time in Ireland
In 1933, Hooker met and fell in love with the Irish writer Ernie O'Malley, of whom her family did not approve. However, the couple married on 27 September 1935 at the Marylebone registry office in London. The couple first moved to 229 Upper Rathmines Road in Dublin and later moved to County Mayo in Autumn 1937. With financial assistance from Hooker's father, the couple rented and then bought Burrishoole Lodge in Curraunboy near Newport, County Mayo, with 40 acres in Hooker's name. She bought an additional 30 acres in 1942, which the family worked as a farm. They amassed an extensive art collection, which included works by Jack Butler Yeats, Evie Hone, Mainie Jellett, Paul Henry, Nano Reid, John Piper, Henry Moore, Amedeo Modigliani, and Georges Rouault. The couple had three children, Cathal, Etáin, and Cormac. By 1944, their marriage was failing, leading to Hooker requesting a divorce in late 1946 in the United States. They finally separated and divorced in 1952, and Hooker abducted two of the eldest children to Colorado Springs, Colorado without O'Malley's consent. Their youngest remained with O'Malley in Ireland. Hooker continued to be a generous patron of the arts in Ireland. In 1992, she donated a collection of 1,200 of her photographic works to the National Library of Ireland. The photographs were taken by Hooker and O'Malley, and featured ancient monastic sites, scenic views, and candid portrait photographs. Hooker established the O'Malley collection of paintings by other artists in collaboration with the Irish American Cultural Institution. Part of this collection is on permanent loan to the Irish Museum of Modern Art and the other half with the Mayo County Council. She originally wished a museum would be built in Mayo to house the collection, but it did not come to fruition.
Artistic work
Artistic work
After returning to Connecticut in 1930, she held an exhibition of her watercolours at the Darien Guild of Seven Arts, and a further show at the National Arts Club in New York in 1933. Hooker exhibited her first work in Ireland in 1943, Island woman, at the Irish Exhibition of Living Art, and A portrait of Mrs Kiernan at the Royal Hibernian Academy. She showed seven more pieces at the Living Art exhibitions from 1944 to 1948. Hooker built a studio at Burrishoole in December 1943, but bought and moved into a house at 15 Whitebeam Avenue in Clonskeagh, Dublin in Autumn 1944. From Clonskeagh, she began work with the Players Theatre at Trinity College Dublin, doing theatre design. Following the end of her marriage, Hooker split her time between Connecticut and Dublin. She held her first solo show in St Stephen's Green Gallery in 1950, which featured busts of Liam O'Flaherty and Denis Johnston. The Dublin Magazine wrote that Hooker was "in the academic tradition as a sculptor. She models well and surely; and in her straight portraiture shows excellent feeling for character. She is not so successful when she attempts to simplify or formalise which, admittedly, she does rarely." Following her return to the States, she held her first exhibition of sculpture at the Taylor Museum of the Colorado Springs Fine Arts Center. Hooker spent six months of every year in Ireland from 1960, writing that "I have made my name as an artist in Dublin...My best years I gave to Ireland with all my heart and my soul." She modeled numerous famous Irish figures, such as Mary Lavin, Eavan Boland, Austin Clarke, Dana Rosemary Scallon, and Éamon de Valera. De Valera did not sit for Hooker, but they had tea together for 20 minutes, after which Hooker retired to a Dublin hotel and reportedly worked for 36 hours, modeling from memory. She exhibited a portrait of Patrick Carey with the RHA in 1974, but she generally exhibited more in the U.S. than in Ireland. A 1973 retrospective of her work was held at Fairfield Court in Greenwich, Connecticut and was sponsored by the American Irish Historical Society. In 1980, 18 of her works cast in polyester from plaster originals were featured at the Birmingham Museum of Art in Alabama. The Ferguson Library in Stamford, Connecticut hosted an exhibition of 21 of Hooker's portraits in 1985, including a portraits of Seamus Heaney, Samuel Beckett, James Galway, and Seán O'Casey.
Later life
Later life
Hooker married Richard Roelofs, Jr. on 15 August 1956 at Chelmsford, her family's estate in Greenwich, Connecticut. She was widowed in 1971. Hooker died on 2 April 1993, in Greenwich. The University of Limerick officially inaugurated the Helen Hooker-O'Malley Roelofs Sculpture Trust in September 1993. The trust includes all 41 heads and figures of her Irish portraits. As of 2004, the University of Limerick now holds a permanent exhibition of the O'Malley Collection.
Identity and origins
Identity and origins
Helen Hooker was recorded at birth as Helen Huntington Hooker. Her recorded language was English. She was the child of Elon Huntington Hooker and Blanche Ferry. She married Ernie O'Malley. Other recorded relations include John D.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1905
Helen Hooker was born on 1 January 1905.
1993
Helen Hooker died on 2 April 1993.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Helen Hooker was born at Greenwich.
Birthplace
Helen Hooker died at Greenwich.
Deathplace
Greenwich.
Birth place
Primary material
Documents and archives
reference work
- “Helen Hooker”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
institutional register
- Wikidata, structured authority record Q19802466: Helen Hooker
General reference · Wikimedia Foundation
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.O'Malley Roelofs, Helen. National Irish Visual Arts Library.
- 2.Richard English (1998). Ernie O'Malley: IRA Intellectual (Oxford, OUP), p. 41
- 3.Helen Hooker O'Malley: A Short Biography by Cormac O'Malley · The Artist and the Memory Keeper · RBSCP Exhibits. rbscpexhibits.lib.rochester.edu.
- 4.Hourican, Bridget. Dictionary of Irish Biography. Cambridge University Press. 2009.
- 5.Sculptured Lives Helen Hooker, artist (1905–1993), Ernie O'Malley, soldier/writer (1897–1957). Boston College University Library.
- 6.National Inventory of Architectural Heritage, Department of Housing, Local Government and Heritage. Burrishoole Lodge, CORRAUNBOY, MAYO. Buildings of Ireland.
- 7.Ernie O'Malley & Achill Island. Achill 24.7.
- 8.National Library of Ireland. Online Exhibition A Modern Eye: Helen Hooker O'Malley's Ireland. www.nli.ie.
- 9.MRS. O'MALLEY REWED; She Is Married in Greenwich to Richard Roelofs Jr. The New York Times. 16 August 1956. 0362-4331.
- 10.IACI O'Malley Collection. University of Limerick Visual Arts Office.
Bibliography printed in the source article · 1
- O'Malley, Cormac and Barron, Juliet Christy, (2015) Western Ways: Remembering Mayo Through the Eyes of Helen Hooker and Ernie O'Malley, Mercier Press.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessinstitutional register
Wikidata, structured authority record Q19802466: Helen HookerWikimedia Foundation
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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