Heinrich Kühn

The recorded working language is German. The field of work recorded is photography. Places of work recorded in the authority are Berlin. Work by Heinrich Kühn is recorded in the collections of Städel Museum, The Nelson-Atkins Museum of Art, National Gallery of Canada, San Francisco Museum of Modern Art and Museum of Modern Art.

Heinrich Kühn is regarded one of the forefathers of fine art photography, the movement that helped photography to establish itself as an art on its own. His photographs closely resemble impressionist paintings, with their frequent use of soft lighting and focus. Kühn was part of the pictorialist photographic movement. Kühn mainly used the gum bichromate technique, applied in several layers, and thus allowing for previously unseen color tonalities. In 1911, Kühn invented the Gummigravüre technique, a combination of photogravure and Gum bichromate. In 1915, he developed the Leimdruck technique, which uses Animal glue as Colloid and produces pictures similar to gum prints. He also invented the Syngraphie, a forgotten technique that uses two negatives of different sensitivity to obtain a larger tonal spectrum. Kühn used Autochrome from its appearance in 1907; his Autochromes have been called "ethereal dreams of childhood, full of vaulted sunny skies and giddy perspectives, as gloriously cathartic as they are emotionally charged". His photographs are also part of the Fotografis collection, which was presented at the beginning of 2009 in Prague.

His recorded language was German. He was the child of Heinrich Kühn. One child is recorded: Carl Heinrich Walter Kühn.