Heinrich Dorn

Rolands Knappen (1826) Der Zauberer und das Ungetüm (1827) Die Bettlerin (1828) Abu Kara (c. 1831) Der Schöffe von Paris (1838) Das Banner von England (1841) Die Nibelungen (1854) Ein Tag in Russland (1856) Gewitter bei Sonnenschein (1865) Der Botenläufer von Pirna (1865)

His first opera, Rolands Knappen, was produced in 1826, and was a success. Around this time, he became co-editor of the Berliner allgemeine Musikzeitung. Dorn became well known as a conductor of opera, and held theatre posts at Königsberg (1828), Leipzig (1829–32), Hamburg (1832), Riga (1834–43), and Cologne (1844–8). In 1849, he became co-conductor, with Wilhelm Taubert, of the Berlin Hofoper - a post he held until 1869. Dorn taught counterpoint to Clara Schumann and Robert Schumann, and was a friend of Franz Liszt. He was a harsh critic of Richard Wagner but was persuaded to conduct the opera Tannhäuser, in 1855. He also wrote an opera Die Nibelungen, based on the Nibelungenlied, in 1853, many years before Wagner completed Der Ring des Nibelungen. Dorn died in Berlin in 1892.

Training under Ludwig Berger is recorded. Robert Schumann is recorded as having studied under Heinrich Dorn. The recorded working language is German. Subjects and genres recorded for the work are opera, classical music and liturgical music. Places of work recorded in the authority are Leipzig, Frankfurt and Hamburg.

Spontini in Deutschland (Leipzig, 1830) Aus meinem Leben (Berlin, 1870–77) Das provisorische Statut der Königlichen Akademie der Künste in Berlin (Berlin, 1875)