Harrell Fletcher

Harrell Fletcher studied at California College of the Arts, San Francisco Art Institute and California State Polytechnic University, Humboldt. The field of work recorded is relational art. Work by Harrell Fletcher is recorded in the collections of Museum of Modern Art, New Mexico Museum of Art, San Francisco Museum of Modern Art, Print Collection and Whitney Museum of American Art.

• Name — Harrell Fletcher • Born — 1967 • Birthplace — Santa Maria, California • Movement — Social practice (art) • Field — relational art, video art, performance, and sculpture • Training — California College of Arts and Crafts, San Francisco Art Institute • Works — Portland, Oregon

Harrell Fletcher was born in 1967 in Santa Maria, California and attended Santa Maria High School. Fletcher received his B.F.A. in 1990 from the San Francisco Art Institute (SFAI) and his M.F.A. in 1994 from California College of the Arts (CCA). At CCA, Fletcher studied under Suzanne Lacy. In 1995, Fletcher completed an apprenticeship at UCSC at the farm, studying ecological horticulture. In 2007, Fletcher founded the Art + Social Practice Program in the School of Art + Design at Portland State University, where he is still on faculty.

His fellow CCA student Jon Rubin, and Fletcher collaborated for several years in the Bay Area following the completion of his M.F.A., and together creating Gallery Here in nearby Oakland. Gallery Here was in a vacant storefront in their Oakland neighborhood and it hosted neighborhood centered art exhibitions for a year. The artists produced collaborative projects that occurred in non-traditional and municipally-managed art spaces. Fletcher became known for making projects in collaboration with strangers and non-artists.

With artist Miranda July, Fletcher founded the online arts project called Learning to Love You More (2002–2009). The project's website offered assignments to artists whose submissions became part of "an ever-changing series of exhibitions, screenings and radio broadcasts presented all over the world". In addition to its internet presentations, Learning to Love You More has been compiled for exhibitions for the Whitney Museum, the Seattle Art Museum, and other hosts. A book version of the project's online art was released in 2007. The project is now part of the San Francisco Museum of Modern Art (SFMOMA) Collection.

From 2010–2017, Fletcher co-curated with Jens Hoffmann the People's Biennial. The People’s Biennial explored and presented the creative activities of individuals and collectives as expressions of society’s cultural diversity that would otherwise be overlooked, neglected, or even actively repressed.

Starting in 2014, Fletcher co-founded with Portland State University (PSU) faculty Lisa Jarrett, the King School Museum of Contemporary Art (KSMOCA), located within a preK-8 grade public school in northeast Portland, Oregon. The museum opens to the public several times a year during art exhibition openings and special events, such as public lectures and an annual art fair. KSMOCA had its first International Art Fair in 2017. Tender Feelings Press During his residency at Marin Headlands Center for the Arts, Fletcher unpacked 33 years worth of accumulated refuse salvaged from his parents' attic, and invited anyone who stopped by his studio to take a piece of his past with them. He also collected sundry stories written on scraps of paper by his friend Jess Hilliard, which he collated into the book, "Hi, Friend." (Alternate title: "Remember When We Used To Make Out. ") So far, "Hi, Friend" is the only book published by Fletcher's Tender Feelings Press.

Harrell Fletcher is recorded as having studied at California College of the Arts, San Francisco Art Institute and California State Polytechnic University, Humboldt.

Fletcher's work is held in the following permanent collections: • The American War (2005), Museum of Modern Art, New York City, New York • Learning to Love You More, (2002–2009) co-created with Miranda July, San Francisco Museum of Modern Art, San Francisco • This container isn't big enough (2004) art book, SAIC Digital Collections, School of the Art Institute of Chicago (SAIC) • FRAC Bretagne Fond Régional d'Art contemporain (Regional Fund for Contemporary Art), Rennes, France